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In Pastures New

Chapter 4 HOW IT FEELS TO GET INTO LONDON

Word Count: 1614    |    Released on: 01/12/2017

N BE EN

here when you arrive. Take Chicago, by way of contrast. If you arrive in Chic

and sees a policeman standing on the platform. Beyond is a sign indicating that

says someone who has be

e porter to come and brush him, and then sits on the end of the seat waiting for the brakeman to announce the terminal station. After a half-hour of intermittent su

the crowded city. He puts on his overcoat, picks up his valise and stands i

brushes him again, and he looks out at several viaducts leading over to a skyline of factories and breweries, and begins to see the masts of ships poking up in the most unexpected places. At last

from the elevated train across an endless expanse of chimney-pots. Two or three stations, plated with enameled advertising signs, buzz past. The pall of smoky fog become

tracks and shifting trains. Beyond the platform is a scramble of cabs. The sounds of the busy station are joined into a d

here the baggage is being thrown out on the platform. You seize a porter and engage him to attend to the handling o

eler," he gasps. "Al

yes,

out, put into a state of hysteria b

numb

ads the way to the cab platform

orty-eight, who is wedge

comes to the platform. The steamer trunks are thrown on top and the porte

iver overhead managing hi

he shouts. Then to someone else,

in some way, and then the rubber tires roll easily along the

mmon and time-worn to those people going in and out of the shops, but to you it is a storeh

shops to convince ourselves that Messrs. Brown, Jones, Simpson, Perkins, Jackson, Smith, Thompson, Williams, and the others were serious men of d

Tower, but I fear that our trusty little band came t

heshire Cheese is one of the ancient taverns, that the new monument in front of the Courts of Law marks the site of old Temple Bar, that the chapel of King Henry VII. is

London which impressed you and made you feel your own littleness and weakness was an endless swarm of people going and coming, eddying off into dark courts, streaming toward you along sudden tributaries, whirling in pools at the open places, such as Pi

rogramme to hamper you, you make your way to one of those gre

ir, then you should follow the guide-book. If not, escape from the place and go to the street. The men and women you find there will interest you. They are on deck. The chair is a dead splinter of histor

it so that you could understand. It is too big to be put under one focus. The traveller takes home only a few idiotic details of

't remember how many millions, and very busy, and there wasn't as much fog as he had expected, and as for the people they were not so much different from Americans, although you never had any difficulty in identif

erformances. The mind is in a blur. The impressions come with rolling swiftness. There is no room for them. The traveller overflows with t

hotel for dinner. There was not much chance for personal experiences, because in London you are not a person. You are simply a

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In Pastures New
In Pastures New
“Dodo Collections brings you another classic from George Ade 'In Pastures New.''In Pastures New' is a humorous account of travels, chiefly in London and Egypt. Many of the letters appearing in this volume were printed in a syndicate of newspapers in the early months of 1906. With these letters have been incorporated extracts from letters written to the Chicago Record in 1895 and 1898.George Ade (February 9, 1866 – May 16, 1944) was an American writer, newspaper columnist, and playwright. Ade's literary reputation rests upon his achievements as a great humorist of American character during an important era in American history: the first large wave of migration from the countryside to burgeoning cities like Chicago, where, in fact, Ade produced his best fiction. He was a practicing realist during the Age of (William Dean) Howells and a local colorist of Chicago and the Midwest. His work constitutes a vast comedy of Midwestern manners and, indeed, a comedy of late 19th-century American manners. In 1915, Sir Walter Raleigh, Oxford professor and man of letters, while on a lecture tour in America, called George Ade "the greatest living American writer.Ade's fiction dealt consistently with the "little man," the common, undistinguished, average American, usually a farmer or lower middle class citizen. (He sometimes skewered women, too, especially women with laughable social pretensions.) Ade followed in the footsteps of his idol Mark Twain by making expert use of the American language. A striking and unique feature of Ade's essays was the creative and liberal use of capitalization. George Ade is one of the American writers whose publications made him rich.”
1 Chapter 1 GETTING ACQUAINTED WITH THE2 Chapter 2 A LIFE ON THE OCEAN WAVE, WITH MODERN VARIATIONS3 Chapter 3 WITH MR. PEASLEY IN DARKEST LONDON4 Chapter 4 HOW IT FEELS TO GET INTO LONDON5 Chapter 5 AS TO THE IMPORTANCE OF THE PASSPORT6 Chapter 6 WHAT ONE MAN PICKED UP IN LONDON7 Chapter 7 HOW AN AMERICAN ENJOYS LIFE FOR8 Chapter 8 A CHAPTER OF FRENCH JUSTICE AS DEALT9 Chapter 9 THE STORY OF WHAT HAPPENED TO AN AMERICAN CONSUL10 Chapter 10 MR. PEASLEY AND HIS VIVID IMPRESSIONS OF FOREIGN PARTS11 Chapter 11 CAIRO AS THE ANNUAL STAMPING GROUND FOR AMERICANS12 Chapter 12 ROUND ABOUT CAIRO, WITH AND WITHOUT13 Chapter 13 ALL ABOUT OUR VISIT TO THE PYRAMID OF CHEOPS14 Chapter 14 DASHING UP THE NILE IN COMPANY WITH MR. PEASLEY AND OTHERS15 Chapter 15 DAY BY DAY ON THE DROWSY NILE. WITH16 Chapter 16 THE MOHAMMEDAN FLY AND OTHER CREATURES LIVING ALONG THE NILE17 Chapter 17 IN AND AROUND LUXOR, WITH A SIDE18 Chapter 18 THE ORDINARY HUMAN FAILINGS OF THE ANCIENT MOGULS19 Chapter 19 ROYAL TOMBS AND OTHER PLACES OF AMUSEMENT20 Chapter 20 MR. PEASLEY AND HIS FINAL SIZE-UP OF EGYPT