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The Tragedy of Pudd'nhead Wilson

Chapter 9 No.9

Word Count: 1699    |    Released on: 27/11/2017

tises Sy

ve at a funeral? It is because we are not the

who, not being able to find any other fault with his coal, complained that

ng head in his hands, and rested his elbows on his

pths of degradation before, but oh, dear, it was nothing to this.... Well, there is

as a hasty

ouse, pale, weak and wretched. Roxy was standing in the

rd, or go near it by night, and most people even gave it a wide berth in the daytime. As it had no competition, it was called the haunted house. It was getting crazy and rui

t clothing was hanging on the wall, there was a tin lantern freckling the floor with little spots of light, and

gin to k'leck de money later on; I ain't in no h

ome right out and tell me you've found out somehow what a

dat ain't it. Dat jist ain't nothin

d at her,

, what do

gloomed above

no more kin to ole Marse Driscoll den I is!-dat'

ha

's a nigger en a slave dis minute; en if I opens my mouf ole Marse Driscoll

lie, you miserabl

de truth, en nothin' but de truth

dev

kickin' en a-cuffin' to-day is Pe

bea

Valet de Chambers, en you ain't got no fa

of wood and raised it; but his mot

hroo en throo-but I don't mind gitt'n killed, beca'se all dis is down in writin' en it's in safe hands, too, en de man dat's got it knows whah to look for de right man when I gits killed. Oh, bl

disorganizing sensations and emotions, and final

; now then, go ahead and do y

antern and started toward the door.

mean it, Roxy; I take it all back, and I'll

a moment, then s

s if you was my equal. Chillen don't speak to dey mammies like dat. You'll call me ma

struggle, but

t lies en moonshine ag'in. I'll tell you dis, for a warnin': if you ever does say it ag'in, it's de las' time you'll ever say it t

"I more than beli

er threat about the writings was a lie; but she knew the person she was dealing with

, and the pride and pomp of her victori

to be no mo' foolishness. In de fust place, you gits fifty dollahs a

orld. He gave her that, and promised

ow much is y

dered, a

ree hundre

ou gwine

don't know; don't ask m

o realize the required amount, and was afraid to make a further venture in the present excited state of the town. His mother approved of his conduct, and offered to help, but this frightened him. He tremblingly ventured to say that if she would retire from the town he should feel better and safer, and could hold his head higher

d fambly en a good name, en made you a white gen'l'man en rich, wid store clothes on-en what did I git for it? You despised m

. Tom said-"But you know I didn't k

fo'git it." Then she added fiercely, "En don't ever mak

m said, in the most persua

ind telling me w

g question. He was mistaken. Roxy drew herse

e wuz. Jes as good stock as de Driscolls en de Howards, de bes' day dey ever seed." She put on a little prouder air, if possible, and added impressively: "Does you 'member Cunnel Cecil Burleig

days returned to her, and her bearing took to itself a dignity and state that might

s you is. Now den, go 'long! En jes you hold yo' head up a

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The Tragedy of Pudd'nhead Wilson
The Tragedy of Pudd'nhead Wilson
“Pudd'nhead Wilson (1894) is a novel by American writer Mark Twain. Its central intrigue revolves around two boys-one, born into slavery, with 1/32 black ancestry; the other, white, born to be the master of the house. The two boys, who look similar, are switched at infancy. Each grows into the other's social role. The story was serialized in The Century Magazine (1893–4), before being published as a novel in 1894. The setting is the fictional Missouri frontier town of Dawson's Landing on the banks of the Mississippi River in the first half of the 19th century. David Wilson, a young lawyer, moves to town and a clever remark of his is misunderstood, which causes locals to brand him a "pudd'nhead" (nitwit). His hobby of collecting fingerprints does not raise his standing in the eyes of the townsfolk, who consider him to be eccentric and do not frequent his law practice. "Pudd'nhead" Wilson is left in the background as the focus shifts to the slave Roxy, her son, and the family they serve. Roxy is one-sixteenth black and majority white, and her son Valet de Chambre (referred to as "Chambers") is 1/32 black. Roxy is principally charged with caring for her inattentive master's infant son Tom Driscoll, who is the same age as her own son. After fellow slaves are caught stealing and are nearly sold "down the river" to a master in the Deep South, Roxy fears for her son and herself. She considers killing her boy and herself, but decides to switch Chambers and Tom in their cribs to give her son a life of freedom and privilege. The narrative moves forward two decades. Tom Driscoll (formerly Valet de Chambre), has been raised to believe that he is white and has become a spoiled aristocrat. He is a selfish and dissolute young man. Tom's father has died and granted Roxy her freedom in his will. She worked for a time on river boats, and saved money for her retirement. When she finally is able to retire, she discovers that her bank has failed and all of her savings are gone. She returns to Dawson's Landing to ask for money from Tom.”
1 Chapter 1 No.12 Chapter 2 No.23 Chapter 3 No.34 Chapter 4 No.45 Chapter 5 No.56 Chapter 6 No.67 Chapter 7 No.78 Chapter 8 No.89 Chapter 9 No.910 Chapter 10 No.1011 Chapter 11 No.1112 Chapter 12 No.1213 Chapter 13 No.1314 Chapter 14 No.1415 Chapter 15 No.1516 Chapter 16 No.1617 Chapter 17 No.1718 Chapter 18 No.1819 Chapter 19 No.1920 Chapter 20 No.2021 Chapter 21 No.21