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The Tragedy of Pudd'nhead Wilson

Chapter 6 No.6

Word Count: 1564    |    Released on: 27/11/2017

ng in

e come to die even the undertaker will

e window by any man, but coaxed down-stairs a

Christian names almost from the beginning. She was full of the keenest curiosity about them, and showed it; they responded by talking about themselves, which pleased her greatly. It presently appeared that in their early youth they had known poverty and

w did you come to be so friendless and in such trouble when

nd a fine light played in her eyes-"and when the war broke out my father was on the losing side and had to fly for his life. His estates were confiscated, his personal property seized, and there we were, in Germany, strangers, friendless, and in fact paupers. My brothe

olted their pride, and they said they would starve and die first. But what they wouldn't consent to do we had to do without the formality of consent. We were seized for the debts occasioned by their illness and their funerals, and placed among the

urselves, how to avoid and defeat sharks and sharpers, and how to conduct our own business for our own profit and without other people's help. We traveled everywhere-years and years-picking up smatterings of strange tongu

ve woman thrust her head in

jes a-spi'lin' to see de gen'lmen!" She indicated the twins

nd never one of any distinction or style. Yet her feeling was moderate indeed when contrasted with Rowena's. Rowena was in the clouds, she walked on air; this was to be the greatest day, the most romantic episode, in

owena was ready, so al

on. The twins took a position near the door, the widow stood at Luigi's side, Rowena stood beside Angelo, and the march-past

, Sister Coop

d by a devouring stare and "I'm glad to see ye," on the part of Higgins, and a court

n', Roweny"

apello." Hand-shake, admiring stare, "Glad to see ye,"-c

of that sort, but the great majority were overwhelmed by the unaccustomed word and its dim and awful associations with gilded courts and stately ceremony and anointed kingship, so they only fumbled through the hand-shake and passed on, speechless. Now and then, as happens at all receptions everywhere, a more than ordinary friendly soul blocked the procession and kept it waiting while he inquired how the brot

ing approval, compelling admiration and achieving favor from all. The widow followed their conquering march with a p

eathless listeners; each recognized that she knew now for the first time the real meaning of that great word Glory, and perceived the stupendous value of it, and understood why men in al

e forenoon was nearly gone, she recognized with a pang that this most splendid episode of her life was almost over, that nothing could prolong it, that nothing quite its equal could ever fall to her fortune again. But never mind, it was sufficient unto itself, the grand occasion had moved on an a

see. It was the twins knocking out a classic four-handed piece on the piano,

nd could not bear to have them stop. All the music that they had ever heard before seemed spiritless prentice-work and barren of grace or

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The Tragedy of Pudd'nhead Wilson
The Tragedy of Pudd'nhead Wilson
“Pudd'nhead Wilson (1894) is a novel by American writer Mark Twain. Its central intrigue revolves around two boys-one, born into slavery, with 1/32 black ancestry; the other, white, born to be the master of the house. The two boys, who look similar, are switched at infancy. Each grows into the other's social role. The story was serialized in The Century Magazine (1893–4), before being published as a novel in 1894. The setting is the fictional Missouri frontier town of Dawson's Landing on the banks of the Mississippi River in the first half of the 19th century. David Wilson, a young lawyer, moves to town and a clever remark of his is misunderstood, which causes locals to brand him a "pudd'nhead" (nitwit). His hobby of collecting fingerprints does not raise his standing in the eyes of the townsfolk, who consider him to be eccentric and do not frequent his law practice. "Pudd'nhead" Wilson is left in the background as the focus shifts to the slave Roxy, her son, and the family they serve. Roxy is one-sixteenth black and majority white, and her son Valet de Chambre (referred to as "Chambers") is 1/32 black. Roxy is principally charged with caring for her inattentive master's infant son Tom Driscoll, who is the same age as her own son. After fellow slaves are caught stealing and are nearly sold "down the river" to a master in the Deep South, Roxy fears for her son and herself. She considers killing her boy and herself, but decides to switch Chambers and Tom in their cribs to give her son a life of freedom and privilege. The narrative moves forward two decades. Tom Driscoll (formerly Valet de Chambre), has been raised to believe that he is white and has become a spoiled aristocrat. He is a selfish and dissolute young man. Tom's father has died and granted Roxy her freedom in his will. She worked for a time on river boats, and saved money for her retirement. When she finally is able to retire, she discovers that her bank has failed and all of her savings are gone. She returns to Dawson's Landing to ask for money from Tom.”
1 Chapter 1 No.12 Chapter 2 No.23 Chapter 3 No.34 Chapter 4 No.45 Chapter 5 No.56 Chapter 6 No.67 Chapter 7 No.78 Chapter 8 No.89 Chapter 9 No.910 Chapter 10 No.1011 Chapter 11 No.1112 Chapter 12 No.1213 Chapter 13 No.1314 Chapter 14 No.1415 Chapter 15 No.1516 Chapter 16 No.1617 Chapter 17 No.1718 Chapter 18 No.1819 Chapter 19 No.1920 Chapter 20 No.2021 Chapter 21 No.21