From Shadows, I Rise

From Shadows, I Rise

Gavin

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The rejection email was just another polite "no" in a sea of them, a stark reminder that my art, full of abstract shapes and raw emotion, didn\'t sell. My studio apartment was small, the rent was late, and I was perpetually, painfully broke. Then my father died, and the will was read: everything, the grand house, the stock portfolio, the priceless art collection, all went to my older sister, Olivia. Not a single mention of me. It was a final, public dismissal, echoing a lifetime of being told I was a disappointment. Even worse, Olivia and her slick fiancé, David, weren\'t just inheriting; they were erasing me. They were planning to auction off a collection of "newly discovered masterpieces" from my father\'s estate-masterpieces that were, in fact, my early college works, secretly bought by my father under a pseudonym because, as I would later discover, he actually believed in me. My mother' s whispered call about a "surprise for you" before Olivia cut the line, then Arthur Sterling\'s revelation that my father had secretly collected my art for years, planning a grand exhibition for me, shattered my world. Every cold comment, every dismissal, every belief I held about my place in the family-all lies. The truth fueled a rage so cold and sharp, it cut through the shock. This wasn\'t just about a broken heart; it was about art, legacy, and a fundamental theft. I looked at Mr. Sterling, the struggling, adrift artist gone. In her place, a woman fueled by a burning need for truth. "They\'re going to sell my art," I said, "As his." I would not let that happen.

Introduction

The rejection email was just another polite "no" in a sea of them, a stark reminder that my art, full of abstract shapes and raw emotion, didn\'t sell. My studio apartment was small, the rent was late, and I was perpetually, painfully

broke.

Then my father died, and the will was read: everything, the grand house, the stock portfolio, the priceless art collection, all went to my older sister, Olivia. Not a single mention of me. It was a final, public dismissal, echoing a lifetime of being told I was a disappointment.

Even worse, Olivia and her slick fiancé, David, weren\'t just inheriting; they were erasing me. They were planning to auction off a collection of "newly discovered masterpieces" from my father\'s estate-masterpieces that were, in fact, my early college works, secretly bought by my father under a pseudonym because, as I would later discover, he actually believed in me.

My mother' s whispered call about a "surprise for you" before Olivia cut the line, then Arthur Sterling\'s revelation that my father had secretly collected my art for years, planning a grand exhibition for me, shattered my world. Every cold comment, every dismissal, every belief I held about my place in the family-all lies.

The truth fueled a rage so cold and sharp, it cut through the shock. This wasn\'t just about a broken heart; it was about art, legacy, and a fundamental theft. I looked at Mr. Sterling, the struggling, adrift artist gone. In her place, a woman fueled by a burning need for truth. "They\'re going to sell my art," I said, "As his." I would not let that happen.

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My world revolved around Jax Harding, my older brother's captivating rockstar friend. From sixteen, I adored him; at eighteen, I clung to his casual promise: "When you're 22, maybe I'll settle down." That offhand comment became my life's beacon, guiding every choice, meticulously planning my twenty-second birthday as our destiny. But on that pivotal day in a Lower East Side bar, clutching my gift, my dream exploded. I overheard Jax' s cold voice: "Can't believe Savvy's showing up. She' s still hung up on that stupid thing I said." Then the crushing plot: "We' re gonna tell Savvy I' m engaged to Chloe, maybe even hint she' s pregnant. That should scare her off." My gift, my future, slipped from my numb fingers. I fled into the cold New York rain, devastated by betrayal. Later, Jax introduced Chloe as his "fiancée" while his bandmates mocked my "adorable crush"-he did nothing. As an art installation fell, he saved Chloe, abandoning me to severe injury. In the hospital, he came for "damage control," then shockingly shoved me into a fountain, leaving me to bleed, calling me a "jealous psycho." How could the man I loved, who once saved me, become this cruel and publicly humiliate me? Why was my devotion seen as an annoyance to be brutally extinguished with lies and assault? Was I just a problem, my loyalty met with hatred? I would not be his victim. Injured and betrayed, I made an unshakeable vow: I was done. I blocked his number and everyone connected to him, severing ties. This was not an escape; this was my rebirth. Florence awaited, a new life on my terms, unburdened by broken promises.

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