“The surgeon told me I had one hour to save my right hand, the one that spun my soul into symphonies. My husband, Don Dante Rossi, gave that hour to his mistress for a minor fracture. The surgeon pleaded with him, explaining that every minute we delayed risked catastrophic, permanent damage. But Dante just looked at our ten-year-old son, Nico. "What do you think?" Nico met my eyes from the gurney, his own gaze chillingly calm. "Mamma is strong. She'll understand the sacrifice. Besides," he added, "if she's in pain, it means she loves us more." My hand was ruined, my career as a composer over. But for them, the game was just beginning. They needed my jealousy, my tears, my pain, to feed their sick definition of love. They pushed me down a flight of stairs just to watch me cry. I had mistaken my husband's obsession for passion, his cruelty for a test. I finally saw it for what it was: a pathology of ownership. My suffering was their trophy. Lying broken at the bottom of the stairs, I heard my son's voice float down. "See, Dad? Now she's really crying. She really does love us." Something inside me didn't just break; it turned to ice. When my lawyer visited me in the hospital, I took the papers he brought. In our world, a Don's wife doesn't leave. She endures or she disappears. I signed the divorce petition. I was choosing war.”