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Ruth Fielding in Moving Pictures; Or, Helping the Dormitory Fund

Chapter 5 THAT'S A PROMISE

Word Count: 2096    |    Released on: 01/12/2017

e frosty waters of the Lumano, Ruth Fielding's casement was wide open and she was busily tripping

e chores and soon brought two brimmi

to school," Ben said bashfully, when Ruth, with capable

th. "I hope you help her all y

ie, sometimes I kin scarce a-bear Jabe Potter. I wouldn't work for

impling and running into the kitchen to set back the cof

honk! honk! honk!" of an automobile horn sounded witho

kily, and then settled back into her chair again by the

"So early-and to see Miss Gray?" for the thought that Tom Cam

s she struggled with the outer door. "Oh, dear!

with it plump into the arms of a big man in a big fur coat w

fallen had not the stranger held her up, finally setting her squarely

ot expect to be met with such cordiality. Is this the way you

, oh! I

ith blushes, her eyes timid. Her tongue actually

s old as Mr. Cameron, "that you are as charming as the Red Mill itself.

his is the Red Mill. Did-did

e stranger, laughing openly at her now. "I find his niece pleasanter to l

tomobile at the gate. Therein she saw the squat, pugnacious

faintly. "You

my dear. And who a

ve here, sir. We hav

have come to see Miss Gray-and to take h

is still lying in bed. Aunt Alvirah prevail

may I come in? I'd like to ask you a few quest

me in. Here, into the sitting room, please. It is warm in here, for Uncle

, following Ruth into the sitting room. "That looks like com

inclined to joke and tease, she thought; but with it all he

ut, and asked seriously: "My dear, is

rised. "The door is shut-and it is

fair yesterday. Will you please give me your versi

at man ought not to have m

d again. "I do not ask you for an opinion. J

ore at fault than he actually was," said Ruth, b

Hammond, drily.

s crazy?" demanded Ruth, so shocked

ilm Corporation said, quite placidly. "Very well. Tell

r fair-minded. Later she understood that Mr. Hammond merely desired to get the s

r friends arrived in the Cameron car on the scene, till t

; but she saw that the story had left an unpleasant impression on his mind. She di

r, Mr. Hammond skilfully turned the subject to the

We ought to have a story written around this beautiful old place, with all the

ittle? I would not disturb Miss Gray until sh

ound, sir!" cried Ruth. "L

d Mr. Hammond on the porch. Mr. Hammond said nothing

old stone bridge over the creek, too, was an object of interest. In fact, Ruth had thought so much about the situa

ain. "It is better than I thought. A variety of scene

ect to your filming the old place. I could fix it for you.

s here. He's excellent at that. But I think the subject is worthy of better treatment. I'd like a really big story, treated artistically, and one that wo

ep silent. "I'd dearly love to write a moving picture scenario about the

th one of his queer smiles. "D

id Ruth, naively, "one must alway

said when she bit into the ap

ge in both hands. "I have a splendid plot-or, so I believe; and it

ter, I fancy?"

green and leafy and beaut

if I were you, on something else. Don't write the Red Mill scenario

Ruth, with clasped hands.

e is my card with my private address upon it. You send it directly to me, and the first ti

urmured Ruth delightedl

nce knew a girl much like you, Miss Ruth," he said. "Just as full

h. "Why, I'm sure you ar

n, with assumed sternness. "Haven't I

emurely. "But you haven'

give you practice so that you may be able to handle something really big about this beautiful old place. You know, now that the most po

re trying to d

"I'll send you a little pamphlet on scenario preparation-it

ite my Red Mill scenario, I am going to write Miss

the lead in this company he has up here. I never like to interfere with my directors if I can help it. But I will see that Miss

repeated Ruth, casting a glance of

impossible. But I will take care that Hazel Gray gets a square deal. T

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Ruth Fielding in Moving Pictures; Or, Helping the Dormitory Fund
Ruth Fielding in Moving Pictures; Or, Helping the Dormitory Fund
“Ruth, Helen, and Tom watch a moving picture company film scenes near the Red Mill. As they watch, the starring actress, Hazel Gray, falls into the river and is swept downstream. Ruth and her friends rescue Miss Gray and take her to the Red Mill to recover. The next day, Ruth meets the producer, Mr. Hammond, who promises to read Ruth's scenario when she impulsively confides that she is planning to write one. Soon after the friends return to school, the East Dormitory burns and is a complete loss. All of the girls housed in that building, including Ruth and her friends, lose all of their possessions. It is soon learned that Dr. Tellingham allowed the insurance to lapse, and there is no money to rebuild the dormitory. In the meantime, Ruth submits her scenario to Mr. Hammond and is thrilled when he accepts it. After her scenario is accepted, Ruth gets a wonderful idea about how she can help the school raise money to rebuild the dormitory. In the Italian garden scenes, the seniors and juniors were used. Ruth calls a meeting of all of the students and suggests her idea of writing a moving picture scenario that will be filmed on the campus. The proceeds from the film would go towards rebuilding the dormitory. In this way, all of the girls would contribute to the fund, since they would be the extras in the film. This idea is met with enthusiasm, and Ruth soon gains Mr. Hammond's approval.”
1 Chapter 1 NOT IN THE SCENARIO2 Chapter 2 THE FILM HEROINE3 Chapter 3 AT THE RED MILL4 Chapter 4 A TIME OF CHANGE5 Chapter 5 THAT'S A PROMISE 6 Chapter 6 WHAT IS AHEAD 7 Chapter 7 SWEETBRIARS ALL 8 Chapter 8 A NEW STAR9 Chapter 9 THE DEVOURING ELEMENT10 Chapter 10 GAUNT RUINS11 Chapter 11 ONE THING THE OLD DOCTOR DID12 Chapter 12 GREAT OAKS FROM LITTLE ACORNS GROW 13 Chapter 13 THE IDEA IS BORN14 Chapter 14 AT MRS. SADOC SMITH'S15 Chapter 15 A DAWNING POSSIBILITY16 Chapter 16 THE CAT OUT OF THE BAG17 Chapter 17 ANOTHER OF CURLY'S TRICKS18 Chapter 18 THE FIVE-REEL DRAMA19 Chapter 19 GREAT TIMES20 Chapter 20 A CLOUD ARISES21 Chapter 21 HUNTING FOR AMY22 Chapter 22 DISASTER THREATENS23 Chapter 23 PUTTING ONE'S BEST FOOT FORWARD24 Chapter 24 SEEING OURSELVES AS OTHERS SEE US 25 Chapter 25 AUNT ALVIRAH AT BRIARWOOD HALL