The Devil You Burn For.
for now, everything slows. I let myself sag into his embrace, let my muscles go slack, let myself be vulnerable for a few stolen seconds. I nuzzle against the soft material of his sh
he's one
he's a S
one just tri
eone tried
low, reverberating growl against my cheek,
marble touches the back of my thighs and makes me flinch, but I hold still, eyes s
rses under
still bl
n and presses it against my forehead. I wince. His jaw clenches hard enough that the m
rders, his tone givin
king, blinking up at him as he turns away. He moves with a sharp grace, all economy and efficiency, reaching
ng between my legs with a confidence that sends a ripple of heat through my stomach. I lo
sti
hi
me further. He dabs at the blood gently, methodically. One cotton ball. Then another. And another. He's so close I can
rom a bandage and places it ove
stepping back just sl
. "No. It's jus
"On your face," he say
ink you hurt it when you th
top. His stare is electric. My stomach t
my gut. He watches me do it. Then, to my surprise, he steps back, letting me ease down from the
ath hi
rigid, and I watch his throat bob as he swallows. His hands f
l?" he asks, vo
arch his features. "You,
wrist. A simple touch. Just his hand around mine. And still, the contact
e you doing
g you back t
s, I'm drained. Every part of me feels stretched thin, held together by duct tape and defiance
e, clustered together, voices low, faces grim. P
yes scanning my forehead. She nods
ound dismissive b
killer?" she asks,
" I
says at the
lance at
on anyway. Before I can reach for it, Seb snat
snap. "Th
nd nods at Aurora. "Than
le and pats my shoulder. "You take care. And if
just as Theresa rushes forward
ave me such a sca
y I crashed your dinner like this. I didn't know whe
b's voice cuts in from
going to yell. Not now.
it to you? And in case you haven't
toward Axel. "Ax
heresa over, concern etched on his face. Married l
?" Theresa asks again
d. "You don't need to stay. G
y, really,
e fine." I press a quick
Okay." She glances at Axel, then practically skips toward hi
me. "Pussy-whipp
xcuse me? What is
n love," I
utters, smug. "
t men have to act like it's sh
Because love is an illusion," he says simply. "A con we pu
t's... dark.
. "It's t
ttle breathless now. "If you did, you
re, but he s
el? They're not pretending. Th
replies. "Doesn't mea
g broken. I don't know what it is, or where it
you're just afraid to believe
tens. He doe
es... they
ovi
lin
mething that hits a li