Torn Between Us
didn'
remained alert. Every creak of the old pipes, every shift of the wind against the windows felt like a warning. She
s panes, distorting the view of the manicured gardens below. She forced hersel
e, she guessed-but she needed to bre
catering or formal meals, but a smaller, tucked-away space that probably s
voice asked
urned, s
rk stubble shadowing his jaw. He didn't look like the heir to a
a morning person," she
hed for a mug and poured her a cup. "Milk? Suga
ong. Like my sur
fingers brushed for a second-just enough
irl," he
kind of quiet that felt oddly comfortable de
or you last nig
owned. "V
nod
ould sh
That's either a good s
im. "You real
e a word. It's more like... I see her
you're
Because I never
Then, almost as if realizing he'd said too mu
said casually. "He plays a l
ng me or tryin
s dark. "Sometimes th
he wa
wealth, and ceremony. A car waited outside to take Amelia to the Hawthorne Foundatio
the car beside her, impeccably dressed and freshly shaven
d join you to
ze shadowing ca
know who walks through our doors. Especi
lian leaned in slight
think they're special. It's a survival
you d
't pre
ust a little. "N
ghed softly. "You might sur
th pristine floors, glass walls, and the distinct hum of ambition. The Hawthorne Foundation b
, seated behind a massive desk tha
she said with
5," Ameli
ol and unimpressed. "And y
in behind her.
ond to him. Her eyes
ing here is not a right. It's
id of failing
curved faintly.
es, organizing files, answering calls. The work wasn't difficult-but the atmospher
, she m
that evening, Victoria paused b
" she said without t
not most people,
herself. "That re
t, Amelia
d herself near the west wing-where she'd been
pen a heavy
ld smoke. It was a library, but unlike the curated one downstairs, this
to be here," Leo sa
chair, a book in one hand, a gla
here," Amelia replied.
. "You're
brushing her fingers along a
"The part of the hous
d y
e said simply. "
gance, his quick wit, Leo's eyes carried weight.
stay, Leo?
answer i
nt them to see what
n them pulsed with
aver than they are
s. "Don't romanticize me
ere to fal
r. "Good. Because love in this hous
art now, breath tan
scare me,
rand of hair behind her ear,
ld be," h
e. And for a moment
ed back. Not in fe
night
y, leaving him alo
room, another messa
s dangerous. Don't
, a second me
ith fire. Hope you kn
d at the glo
just a house
a battl
enter, with two brothers pull