The Figure in the Carpet

the alarming illness of my younger brother, who, against my advice, had gone to Munich to study, at the feet indeed of a great master, the art of portraiture in oils. The near relative who made h

ind during several anxious weeks was the sense that if we had only been in Paris I might have run over to see Corvick. This was actually out of the question from every point of view: my brother, whose recovery gave us both plenty to do, was ill for three months, during which I never left him and at the end of which we

ich my avidity, as I have called it, made me regard that term owed no element of ease to the fact that before coming back from Rapallo George Corvick addressed me in a way I objected to. His letter had none of the sedative action I must today profess myself sure he had wished to give it, and the march of occurrences was not so ordered as to make up for what it lacked. He had begun on the spot, for one of the quarterlies, a great last word on Vereker's writings, and this exhaustive study, the only one that would have counted, have existed, was to turn on the new light, to utter - oh, so quietly! - the unimagined truth. It was in other

lences. Pen in hand, this way, I live the time over, and it brings back the oddest sense of my having been, both for months and in spite of myself, a kind of coerced spectator. All my life had taken refuge in my eyes, which the procession of events appeared to have committed itself to keep astare. There were days when I thought of writing to Hugh Vereker and simply throwing myself on his charity. But I felt more deeply that I hadn't fallen quite so low - besides which, quite properly, he would send me about my business. Mrs. Erme's death brought Corvick straight home, and within the month he was united "very quietly" - as quietly, I seemed to make out, as he meant in his article to bring out his trouvaille - to the young lady he had loved and quitted. I use this last term, I may parenthetically say, because I subsequently grew sure that at the time he wen

th, and that then, on his return, he had been kept from work by the engrossments into which that calamity was to plunge them. The opening pages were all that existed; they were striking, they were promising, but they didn't unveil the idol. That great intellectual feat was obviously to have formed his climax. She said nothing more, nothing to enlighten me as to the state of her own knowledge - the knowledge for the acquisition of which I had fancied her prodigiously acting. This was above all what I wanted to know: had SHE seen the idol unveiled? Had there been a private ceremony for a palpitating audience