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Chats on Old Lace and Needlework

Chapter 9 THE LACES OF FRANCE

Word Count: 1231    |    Released on: 01/12/2017

point Lace

lace-making by Colbert-"Point de France"-"Point d'Alen?on"-"P

ure of "Lacis," which was merely darned netting, more or less fine. At this time "Lacis" and "Cut-worke" were practically all that was known or used. Bed-hangings, curtains, and furniture-coverings were covered with alternate squares

ucceeded that lace rivalling that of Venice was being produced. The Venetians became alarmed in their turn (as, indeed, they had need to be) and issued an edict, ordering the lace-workers to return forthwith, or, failing this, the nearest relative would be imprisoned for life, and steps would

ted. The introduction of tiny figures was attributable to the overwhelming personality of Louis XIV., and was symbolical of his magnificent sway and far-reaching influence. In the illustration, page 55, an especially fine speci

DE FR

rty of Lad

D'AL

's Coll

re defined. The importation also of the finer flax thread from Flanders brought the more exquisite Pillow lace of Brussels to the notice of the French lace-workers. The French, as a nation, have always been foremost in seizing upon new ideas and adapting them to their own artistic requirements. In this instance the result was admirable, a

f its own, to have been the cause of much of its destruction, as, in washing, the hair contracts and curls. It will be noticed also that the ground is worked in strips, shortways of the lace of less than an inch in length, afterwards being sti

. Under Louis XV. the lace was equally well made, but the patterns followed the Rococo designs which were now introduced into all other decorative work, while in the reign of the ill-fated Louis XVI. it went completely out of fashion, Marie Antoinette affecting a much simpler style of lace. The Revolution final

d'Arg

ss, however, will speedily dispel this illusion. The ground in itself is a marvellous piece of work, each of the sides of the mesh b

DE FR

's Coll

D'ARGE

d'Arge

his as it may, the lace known as Point d'Argentella is exceptionally fine even amongst other fine laces, and is noted most specially for the fine "jours" which form an essential part of the pattern

y many connoisseurs this is considered the finest lace of this age, being far superior to modern Brussels. It is entirely handmade, which cannot be, unfortunately, averred for Brussels, as the fine machine-made net, woven from the exquisitely fine thread manufactured in Flanders and Belgium, serves as the ground

N WITH POINT D'

Colle

SHOWING THE "PART

Colle

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1 Chapter 1 A BRIEF HISTORY OF LACE2 Chapter 2 THE ART OF3 Chapter 3 THE ART OF LACE-MAKING4 Chapter 4 THE LACES5 Chapter 5 THE LACES OF ITALY6 Chapter 6 THE LACES No.67 Chapter 7 THE LACES OF GENOA AND MILAN8 Chapter 8 THE LACES No.89 Chapter 9 THE LACES OF FRANCE10 Chapter 10 THE PILLOW11 Chapter 11 THE PILLOW LACES OF FRANCE12 Chapter 12 THE LACES No.1213 Chapter 13 THE LACES OF FLANDERS14 Chapter 14 THE MODERN15 Chapter 15 THE MODERN BRUSSELS LACES AND MECHLIN16 Chapter 16 OTHER17 Chapter 17 OTHER CONTINENTAL LACES18 Chapter 18 A SHORT19 Chapter 19 A SHORT HISTORY OF LACE IN ENGLAND20 Chapter 20 ENGLISH21 Chapter 21 ENGLISH LACES22 Chapter 22 SCOTCH23 Chapter 23 SCOTCH AND IRISH LACES24 Chapter 24 HOW TO25 Chapter 25 HOW TO IDENTIFY LACE26 Chapter 26 SALE27 Chapter 27 OLD ENGLISH EMBROIDERY28 Chapter 28 THE GREAT29 Chapter 29 THE GREAT PERIOD OF EMBROIDERY30 Chapter 30 ECCLESIASTICAL31 Chapter 31 ECCLESIASTICAL EMBROIDERIES AND VESTMENTS32 Chapter 32 TUDOR33 Chapter 33 TUDOR EMBROIDERY34 Chapter 34 EARLY35 Chapter 35 EARLY NEEDLEWORK PICTURES AND ACCESSORIES36 Chapter 36 STUART37 Chapter 37 STUART CASKETS AND MIRRORS38 Chapter 38 EMBROIDERED39 Chapter 39 EMBROIDERED BOOKS AND BLACK WORK 40 Chapter 40 STUART No.4041 Chapter 41 STUART PICTURES42 Chapter 42 SAMPLERS43 Chapter 43 SAMPLERS No.4344 Chapter 44 THE WILLIAM45 Chapter 45 THE WILLIAM AND MARY EMBROIDERIES46 Chapter 46 PICTORIAL47 Chapter 47 PICTORIAL NEEDLEWORK OF THE EIGHTEENTH CENTURY48 Chapter 48 NEEDLEWORK49 Chapter 49 NEEDLEWORK PICTURES OF THE NINETEENTH CENTURY50 Chapter 50 EMBROIDERY51 Chapter 51 EMBROIDERY IN COSTUME 52 Chapter 52 SALE No.5253 Chapter 53 SALE PRICES54 Chapter 54 CONCLUSION55 Chapter 55 CONCLUSION No.5556 Chapter 56 No.5657 Chapter 57 No.5758 Chapter 58 No.5859 Chapter 59 No.5960 Chapter 60 No.60