Shadows in the Savannah
ant Bimpe Olawale approached cautiously, their weapons drawn. The once-grand structure was now a decaying husk, it
ed, his voice barely au
ing the area. "If he's been watching
ing a dimly lit foyer littered with debris. The faint smell of mold and decay hung in the air. Thei
," Ayo instructed. "We
ng wallpaper and broken furniture. Each room told a story of abandonment, a life once lived but long forgotten. Ye
as stark and bare, save for a metal table in the center. On it lay a single red
the kitchen. A ribbon," he s
e living room. Nothin
ted them here, and Ayo intended to make him regret it. As he turned to leave the kitch
ed, listening intently. The creaks and groans of the old house seemed ampli
all sides. Bimpe swept her flashlight across the hallway, revealing a series of doors. Most were ajar, r
int humming, almost melodic. Her pulse quic
she whispered. "Sounds like hu
. I'm on my wa
er toward the door. She reached for the handle and turned i
f recently vacated. On the chair sat another ribbon, this one longer and tied
ight trained on the rocking chair. He approached
said, her voice tight. "
d. "He's playing w
hallway, a trapdoor in the ceiling caught their attention. Ayo
mpe muttered, shaking her head
ite the tension.
d old furniture, but in the center was something that made Ayo's blood run cold: a board covered in ph
d to see this,"
ening as she took in the scene. "He's been
oto was there, connected by red string to locations and dates
piece is
" Bimpe asked, her vo
They descended quickly, weapons drawn, only to find the front door sw
ed too many places to hide, and the darkness swallowed any trace of
only the chilling echo of his presence. Ayo's grip on his weapon tightened a
tail offered clues but also deepened the mystery. One thing was clear: the Reape
Bimpe said. "It's about you. He's orc
e it against him. He thinks he has
ination mirroring his ow
had made this personal, but Ayo wasn't about to bac
bon Reaper's game was far from over, and the final piece o