A Day in Old Athens; a Picture of Athenian Life
few bay trees planted from block to block; and ever and anon the monotonous house walls recede, giving space to display some temple, like the Fane of Heph?stos[*] near the Mark
d the "Theseum"
those in the plaza rises, and a very few houses have a couple of pill
. He is neither one of the decidedly rich, otherwise his establishment would be exceptional, not typical, nor is he of course one of the hard-working poor. Followed by perhaps two clean and capable serving lads, he wends his way down several of the narrow lanes that lie under the northern brow of the Acropolis[*]. Before a
r of the city, but we do not know of any reall
T) we notice above the lintel some such inscription as "Let no evil enter here!" or "To the Good Genius," then a few steps
lesser rooms are added to it. It gets its light from windows in the outer walls, and it is covered by a single steep roof. The southern (Greek and Oriental) house is a building inclosing a rectangular court. The rooms, many or few, get their light from t
d again the rooms on the northern exposure should be made lower. All this is mere sense, but really the average male Athenian does not care a great deal about his dwelling. He spends surprisingly little money beautifying it. Unless he is sick, he will probably be at home only for sleeping and eating. The Agora, the Public Assembly, the Jury Courts, the Gymnasium, the great religious festivals consume his
"Memorabilia,"
, "Economic
Syracuse, Taras (Tarentum), etc., more elegant hou
ne behind the other, and each with its own circuit of dependent chambers. The court first entered will be the Andronitis (the Court of the Men), and may be even large enough to afford a considerable promenade for exercise. Around the whole of the open space run lines of simple columns, and above the opening swings an awning if the day is v
trance Hall. | | o o | | D = Kitchen. +-+ GYNAECONITIS +-+ T = Thalmos. | | o o | | T' = Anti-thalmos. |Y = o o o o = Y| X = Rooms for the Men. | | | | Y = Rooms for the Women. +-+=+---=-+--+=+-+ | | |B o| | | T | +--+ T' |
tinted with some kind of wash; the floor is of simple plaster, or, in a humbler house, common earth pounded hard. Under the colonnade at all four sides open the various chambers, possibly twelve in all. They really are cells or compartments rather than rooms, small and usually lighted
d probably the most pretentious room in the house. Here the guests will gather for the dinner party, and here in one corner smokes the family hearth, once the real fire for the whole household cooking, but now merely a symb
nds to the Roma
e hall of the women. To thrust oneself into the Gyn?conitis of even a fairly intimate friend is a studied insult at Athens, and sure to be resented by bodily chastisement, social ostracism, and a ruinous legal prosecution. The Gyn?conitis
his inner court, is at least one bed chamber of superior size. This is the Thalamos, the great bedroom of the master and mistress, and here are kept all the most costly furnishings and ornaments in the house. If there are grown-up unmarried daughters, they have another such bedroom (anti-thalamos) that is much larger than the cells of the slave girls. Another special room is set apart for the working of wool, although this chief occupation of
be reduced to a mere series of rooms shut off in the rear. In more simple houses still there would be no interior section of the house at all. The women of the family would be provided for by a staircase rising from the main hall to a second story, and here a number of upper chambers would give the needful seclusion.[+] Of course as one goes down the social scale, the houses grow simpler and sim
be common in city houses;
acked the towering rookeries of tenements (insul?) which were characteristic of Ro
eturn. But the average citizen is also a householder, because forsooth houses are very cheap. The main cost is probably for the land. The chief material used in building, sun-dried brick, is very unsubstantial,[*] and needs frequent repairs, but is not expensive. Demosthenes the Orator speaks of a "little house" (doubtless of the ki
known as a "Wall-digger." It did not pay him to pick a lock; it wa
nian house lacks of course bookcases and framed pictures. It probably too lacks any genuine closets. Beds, couches, chairs (usually backless), stools, footstools, and small portable tables,-these alone seem in evidence. In place of bureaus, dressers and cupboards, there are huge chests, heavy and carved, in which most of the household gear can be locked away. In truth, the whole s
scarlet tapestry which overspreads it. The lines of the legs of the low wooden tables which are used at the dinner parties will be a lesson (if we have time to study them) upon just proportion and the value of subtle curves. Moreover, the different household vessels, the stone and bronze lamps, the various table dishes, even the common pottery put to the humblest uses, all have a beauty, a chaste elegance, a saving
silver. On festival days the house will be hung with brilliant and elaborately wrought tapestries which will suddenly emerge from the great chests. Also, despite frowns and criticisms, the custom is growing of decorating one's wal