icon 0
icon TOP UP
rightIcon
icon Reading History
rightIcon
icon Sign out
rightIcon
icon Get the APP
rightIcon

Trailin'!

Chapter 5 ANTHONY IS LEFT IN THE DARK

Word Count: 1342    |    Released on: 30/11/2017

lked on four feet and wore a skin, when up jumped an oldish fellow in a box opposite mine and shouted that he had a horse which none of them could mount. He offered five hundred dollars to the m

and smashed its forehoofs against the barrier. By Jove, a regular maneater! Brought my heart into my mouth to see the big dev

ed his lips; he was

nto the arena and

an, about your size. In fact, now that I look back at it, he was a good deal like you in more ways than one; looked as if time had hardened him without makin

r. As he looked up he saw John Woodbury glance sharply, first to

t all, A

abou

to be

e Anthony rise in spite of the quest

night,

ight, m

rsh voice of his f

the house again,

s,

d asked him who his mother was, he was under orders not to leave the house. While he stood, he heard a f

ide out of the lean, sinewy muscles, for his was a made strength built up in the gymnasium and used on the wrestling mat, the cinder path, and the football field. Drying himself

first sketch of a large composition. John Woodbury, vast, blond, grey-eyed, had given him few of his physical traits. But then he had often heard that the son

ony, he turned from the lighted room, threw open a windo

beneath rose up to him. To the right, for his own room stood in a wing of the mansion, the house shouldered its way into the gloom, a solemn, grey shadow, netted in a black trac

once in the opposite direction. Back and forth, back and forth, that shadow moved, and as his eye grew ac

dogged by fear. He could no more conceive it than he could imagine noon and midnight in conjunction, and feeling as

icture screen, and always, like the repeated entrance of the hero, the other images grew small and dim. He saw again the burly strange

n the long hall. At the door he did not stop to knock, for he was too deeply concerned by this time to pay any heed to convention. He grasped the knob and threw the door wide open. What hap

of a hurried breathing, louder and louder, as though someone were creeping upon him. He glanced over his shoulder in a slight panic, but down the grey hall on

e pacing man, up and down, up and down. He turned his eyes away to the jagged tops of the young trees, to the glimpses of dark fields beyond them, a

finally he began to pace in the same cadence, up and down the room. With every step he felt that he was entering deeper into the danger which

Claim Your Bonus at the APP

Open
Trailin'!
Trailin'!
“Dodo Collections brings you another classic from Max Brand, 'Trailin'!' Trailin' tells the story of Anthony Bard, a young aristocrat from the east with a hunger for adventure, who sees his father murdered in the yard of their home. This starts young Anthony on a trail of vengeance that leads him to the far west. Here, Anthony, a tenderfoot with a knack for survival must track down a legendary outlaw who waits for him, not with a gun, but with a story. Along the way he braves the elements, resists a band of cold-blooded killers and finds love. A classic western revenge plot.....with a twist. Frederick Schiller Faust (1892-1944) was an American fiction author known primarily for his thoughtful and literary Westerns. Faust wrote mostly under pen names, and today he is primarily known by one, Max Brand. Others include George Owen Baxter, Martin Dexter, Evin Evans, David Manning, Peter Dawson, John Frederick, and Pete Morland. Faust was born in Seattle. He grew up in central California and later worked as a cowhand on one of the many ranches of the San Joaquin Valley. Faust attended the University of California, Berkeley, where he began to write frequently. During the 1910s, Faust started to sell stories to the many emerging pulp magazines of the era. In the 1920s, Faust wrote furiously in many genres, achieving success and fame, first in the pulps and later in the upscale "slick" magazines. His love for mythology was, however, a constant source of inspiration for his fiction and his classical and literary inclinations. The classical influences are particularly noticeable in his first novel The Untamed (1919), which was also made into a motion picture starring Tom Mix in 1920.”
1 Chapter 1 "LA-A-A-DIES AN' GEN'L'MUN"2 Chapter 2 SPORTING CHANCE3 Chapter 3 SOCIAL SUICIDE4 Chapter 4 A SESSION OF CHAT5 Chapter 5 ANTHONY IS LEFT IN THE DARK6 Chapter 6 JOHN BARD7 Chapter 7 BLUEBEARD'S ROOM8 Chapter 8 MARTY WILKES9 Chapter 9 THIS PLACE FOR REST 10 Chapter 10 A BIT OF STALKING11 Chapter 11 THE QUEST BEGINS12 Chapter 12 THE FIRST DAY13 Chapter 13 A TOUCH OF CRIMSON14 Chapter 14 LEMONADE15 Chapter 15 THE DARKNESS IN ELDARA16 Chapter 16 BLUFF17 Chapter 17 BUTCH RETURNS18 Chapter 18 FOOLISH HABITS19 Chapter 19 THE CANDLE20 Chapter 20 JOAN21 Chapter 21 THE SWIMMING OF THE SAVERACK22 Chapter 22 DREW SMILES23 Chapter 23 THE COMEDY SETTING24 Chapter 24 SAM'L HALL 25 Chapter 25 HAIR LIKE THE SUNSHINE26 Chapter 26 THE CRITIQUE OF PURE REASON 27 Chapter 27 THE STAGE28 Chapter 28 SALLY BREAKS A MIRROR29 Chapter 29 THE SHOW30 Chapter 30 THE LAMP31 Chapter 31 NASH STARTS THE FINISH32 Chapter 32 TO APPREHEND A MAN33 Chapter 33 NOTHING NEW34 Chapter 34 CRITICISM35 Chapter 35 ABANDON36 Chapter 36 JERRY WOOD37 Chapter 37 TODO ES PERDO 38 Chapter 38 BACON39 Chapter 39 LEGAL MURDER40 Chapter 40 PARTNERS41 Chapter 41 SALLY WEEPS