Records of a Girlhood
ed silk dress, with very low neck and very short sleeves, white satin shoes, and white kid gloves; her long auburn ringlets and ivory shoulders glanc
uth wide open. Young Mr. Guillet blushed purple, and old Mr. Guillet scraped a few interjections on his fi
orbs of vision encountered his serenely unconscious, full-dressed pupil; which certainly, considering that he was a member of th
e airs of the opera first heard the night before. And I remember, during Ellsler's visit to America, when I had long left off dancing in society, being so transported with her execution of a Spanish dance called "El Jaleo de Xerxes," that I was detected by my cook, who came suddenly upon me in my store-room, in the midst of sugar, rice, tea, coffee, flour, etc., standing on the tips of my toes, with my arms above my head, in one of the attitudes I had most admired in th
David, Gérard, Girodet, etc., the Dido and ?neas, the Romulus and Tatius with the Sabine women interposing between them, Hippolytus before Theseus and Ph?dra, Atala being laid in her grave by her lover-compositions with which innumerable engravings have made England familiar-the theatrical conception and hard coloring and execution of which (compens
n in the midst of them, was then a solitary and rather neglected Jardin Anglais (so called) or park, surrounded by high walls and entered by a small wicket, the porter of which required a permit of admission before allowing ingress to the domain. I never remember seeing a single creature but ourselves in the complete seclusion of this deserted pl
and mine, my enjoyment and his were equal, I verily believe, though probably not (as I then imagined) perfect. Pleasant days of joyous camaraderie and flanerie!-in which every thing, from being new to me, was almost as good as new to my indulgent companion: the Rue de Rivoli, the Tuileries, the Boulevard, the Palais Royal, the déj
I remember seeing, with him, a piece called "Les deux Sergens," a sort of modern Damon and Pythias, in which the heroic friends are two French soldiers, and in which a celebrated actor of the name of Philippe performed the principal part. He was the predecessor and model of Frédéric Lema?tre
custom of the day, refusing to allow him to be buried in consecrated ground; the profane player's calling, in the year of grace 1823, or thereabouts, being still one which disqualified its followers for receiving the sacraments of the Roman Catholic Church, and therefore, of course, for claiming Christian burial. The general feeling of the Parisian public, however, w
subscribers to the monument about to be erected to Mr. Kemble in Westminster Abbey; adding the touchi
and witty Hermite de la Chaussée d'Antin, talking with him of the career and circumstances of the young ballet women (she had herself, when very young, been a dancer on the English stage), she wound up he
ason at which all the large theaters were closed. Nevertheless, by some happy chance, I saw one performance at the Grand Opera of that great dancer and actress, Bigottini, in the ballet of the "Folle par Amour;" and I shall never forget the wonderful pathos of her acting and th
que upon a magnificent mythological ballet, produced with extraordinary splendor of decoration, at the Académie Royale de Musique, and of which this travesty dre
Indeed, farcical to the broadest point as was that mythological travesty of "The Dana?des," it was the essence of decency and propriety compared with "La grande Duchesse," "La belle Hélène," "Orphée aux Enfers," "La Biche au Bois," "Le petit Faust," and all the vile succession of indecencies and immoralities that the
, was one in which he acted with the equally celebrated Brunet, and i
ened the gates of Europe, and who then began, as they have since continued, in ever-increasing numbers, to carry amazement and
ench appreciators of their attractions, a mode of speech in which the most ludicrous French, in the most barbarous accent, was uttered in alternate bursts of loud abruptness and languishing drawl. Sudden, grotesque playfulness was succeeded by equally sudden and grotesque bashfulness; now an eager intrepidity of wild enthusiasm, defying all decorum, and then a sour, severe reserve, full of angry and terrified suspicion of imaginary improprieties. Tittering shyness, all giggle-goggle and
ough she had become in her Paris days what in the religious jargon of that day was called serious, or even methodistica
y by the French master, in which I had to sing, with reference to h
t une
miers droits
, d'une ard
isirs et n
une
lly, with all the point and all the pathos the author assured me it contained, at Mrs. Rowden, surrounded b
reign tongues she speaks fluently, in favor of the tender-hearted young lady who, in defiance of all sound systems of political and social economy, always walks about attended by the poor of the island in a body, to whom she distrib
mple appreciation of matters dramatic presented to our imagination, the committing the words of our parts to memory, when Mrs. Rowden, from whom all our preparations on such occasions were kept sacredly secret, lighted upon the copy of the play, with all the MS. marks and directions for our better guidance in the performance; and great were our consternation, dismay, and disappointment when, with the offending pamphlet in her hand, she appeared in our midst and indignantly forbade the representation of any such piece, after the following ejaculatory fashion, and with an accent difficult to express by written signs: "May, commang! maydemosels, je suis atonnay! May! commang! Maydem
he had very good-naturedly learned the part of Solyman, in the other piece, for us, and whether she resented the useless trouble she had had on that occasion, or disliked that of committing several hundred of Racine's majestic verses to memory, I know not; but she declared that she would only act the part of Pyrrhus, which we wished her to fill, if we would read it aloud to her till she knew it, while she worked at her needle. Of cou
one, with slits in it for armholes, drawn round the neck by way of tunic, with dark blue or scarlet Greek pattern border, and ribbon of the same color for girdle, and s
eggs to clear our throats, and only made ourselves sick with them as well as with fright. But at length it was all over; the tragedy was ended, and I had electrified the audience, my companions, and, still more, myself; and so, to avert any ill effects from this general electrification, Mrs. Rowden thought it wise and well to say to me, as she bade me good-night, "Ah, my dear, I don't think your parents need ever anticipate your going on the stage; you would make but
h a few years afterward the stage became my profession, it was the very reverse of my inclination. I adop
eat French dramatists, whose tragedies, noble and pathetic in spite of the stiff formality of their construction, the bald rigidity of their adherence to the classic unities, and the artificial monotony of the French heroic rhymed verse, would have failed to receive their due appreciation from a taste and imagination already familiar with the glorious freedom of Shakespeare's genius. As i
eminence and back from the Avenue des Champs élysées by some hundred yards. For many years after I had left school, on my repeated visits to Paris, the old stone house bore on its gray front the large "Institution de jeunes Demoiselles," which betokened the unchanged tenor of its existence. But the rising tide of improvement has at length swept it away, and
he attractions of this uncommonly fine well; but undoubtedly it added much to the fascination of one of our favorite amusements, which was throwing into it the heaviest stones we could lift, and rushing to the farthest end of the play-ground, which we sometimes reached before the resounding bumps from side to side ended in a sullen splash into the wat
owers and turf. Our way to the "wood" was along the dreariest of dusty high-roads, bordered with mean houses and disreputable-looking estaminets; and the Bois de Boulogne itself, then undivided from Paris by the fortifica
friends of my parents, who received me as an enfant de la maison among them. They belonged to the petite bourgeoisie of Paris. Mr. A-- had been in s
sies, a row of fine linden trees clipped into arches in front of it, and behind, the trim garden with its wonderfully productive dwarf espaliers, full of delicious
ed the sunny freedom of my holiday visits to them extremely. The marriage of their daughter opened to me a second Parisian home o
and ending with a bountiful, merry, early afternoon dinner, and the not over-refined ancient custom of the distribution of the jarretière de la mariée. The jarretière was a white satin ribbon, tied at a discreet height above the bride's ankle, and removed thence by the best man and cut into pieces, for which an animated scramble took place among the male guests, each one who obtained a piece of the white favo
ing Hal the s
's hand the c
nd all the guests had returned to Paris, and I helped poor Madame A-- and her old cuisinière and femme de charge, both with tearful eyes, to replace the yellow velours
y I remember frequently seeing a literary man of the name of Pélissier, a clev
a Neapolitan or Spaniard than of a native of the coast of ancient Armorica. M. Rio was then a young man, and probably in Paris for the first time, at the beginning of the literary career of which he has furnished so interesting a sketch in the autobiographical volumes which form the conclusion of his "Histoire de l'Art Chrétien." Five and twenty years later, while passing my second winter in Rome, I heard of M. Rio's arrival there, and of the unbounded satisfaction he expres
slin frock and magnificent ponceau sash. At this festival I was introduced to a lad, with whom I was destined to be much more intimately acquainted in after years as one of the best amateur actors I ever saw,
ned that I should return home. The departure of Elizabeth P-- had left me without competitor
n; and having no discreeter guide of my proceedings, I so far imposed upon my father's masculine ignorance in such matters as to make him buy for me a full-sized Leghorn flat, under the circumference of which enor
ather deserted-looking, and most picturesque village, with the desolate domain of Portmore Park, its mansion falling to ru
a royal mantle of golden gorse and purple heather, and with large tracts of blue aromatic pine wood and one or two points of really fine scenery, where the wild moorland rolls itself up into ridges and rises to crests of considerable height, which command extensive and beautif
ars, of course, could not justify such an apprehension, but it had completely taken possession of my imagination and was causing me much distress, when, as the coach stopped in the dark at the village inn, I he
did we all except my father, who, like most men, had no real taste for the country; the men who appear to themselves and others to like it confounding their love for hunting and shooting with that of the necessary field of their sports. Anglers seem to me to be the only sportsmen who really have a taste for and love of nature as well as for fishy water. At an
oes not become enthusiastic in his admiration of wild scenery wh
nd too large, for every room in the house. He used to come down on Saturday and stay till Monday morning, but the rest of the week he spent at what
ich absorbed our whole harvest of good little fruit, filled every room in the house with unutterable messes, produced much fermentation of temper as well as wine, and ended in a liquid product of such superlative nastiness, that to dr
joy. And even as I glide through it now, on the railroad that has laid its still depths open to the sun's glare and scared its silence with the eldritch snort and shriek of the iron team, I have visions of Undine and Sintram, the Elves, the little dog Stromian, the Wood-Witch, and all the world of supernatural be
ly fine filbert and cobnut trees, and some capital greengage and apple trees; among the latter, a remarkably large and productive Ribstone pippin. So that in the s
was at the back of the house; in front of it, however, the chief pec
not effectually prevented the formation of any such ornamental setting to our house. My mother's repeated applications to our landlord (the village baker) to remove or allow her to remove this unsightly encumbrance were unavailing. He thought he might have future use f
ish) with heather, and the ground or floor of this curious inclosure she planted with small clumps of evergreen shrubs, leaving a broad walk through the middle of it to the house door. A more curious piece of domestic fortification never adorned a cottage garden. It looked like a bit of Robinson Crusoe's castle-perhaps even more like a portion of some deserted fortress. It challenged the astonishment of all our visitors, whose invariable demand was, "What is that curious place in the garden?" "The mound," was the reply; and the mound was a delightful play-ground for us, and did infinite cre
t would have warranted a theory of Mr. Oldbuck's as to its possible former purposes and origin. I looked at its crumbled and irregular wall, from which the turf had peeled or been washed away; at the tangled growth of grasses and weeds round the top, crenellated with many a breach and gap; and the h
d ruffian of the name of E--, whose small domain we sometimes saw undergoing arable processes by the joint labor of his son and heir, a ragged ruffian some sizes smaller than himself, and of a half-starved jackass, harness
ary road, were a family of the name of --, between whose charming garden and pretty re
od above the meadows of Brooklands, and in the neglected, picturesque inclosure of Portmore Park, whose tenantless, half-ruined mansion, a
companied her, carrying baskets and tackle and bait, kettles and camp stools, and looking very much like a family of gypsies on the tramp. We were each of us armed with a rod, and
npropitious circumstances-was not, indeed, necessarily, catching fish, but still, fishing; and she was almost equally happy whether she did or did not catch any thing. I have known her remain all day in patient ex
d taking a book under the trees by the river-side, to throwing a line; but towards the middle of my life I became a fanatical fisherwoman, and was obliged to limit my waste of
days in an unsuccessful pursuit of it. The fact is that the excitement of hope, keeping the attention constantly alive, is the secret of the charm of this strong fascination, infinitely more than even the exercise of successful skill. And this element of prolon