Charles Dickens and Music

Mica

he marvellous talents of the Micawber family entitle them to first place. Mrs. Micawber was famous for her interpretation of 'The Dashing White Sergeant' and 'Littl

parental roof, she had attracted his attention in an extraordinary degree, but that when

display of vocal talent. After singing 'Believe me, if all those endeari

t when a maiden, and inducing her to approach the altar.

ra Three and the Deuce, words by Prince Hoare. It will be interestin

E TAF

ID

the fortun

e a wealt

my parents

leasure and

m drest all

away lik

p, I'll

l say, Dear hear

Taffline with

l say, Dear hear

l say, Dear hear

affline, Look at

le Taffline with

in's St. David's Day, the music for which was compiled and c

eant,' was a martial and very popular s

evation it was nothing unusual for him to commence a Saturday evening in tears and finish up with singing 'about Jack's delight being his

h sweeter t

elight, his

David discovered him leading the chorus of 'Gee up, Dobbin.' This would be 'M

gee up, gee

gee, Dobb

d when David joined the worthy pair in their lodgings at Cant

nd the table; and when we declared we would 'take a right gude willie wa

r. M. at a later date, after the feast in David

run about

the gow

ignorance as to

nd myself would frequently have taken

circumstances he finds consolation in a verse from 'Scots, wha hae',' while at the end of the long epistle in which he disclosed

d, home, a

c. The novelist's dictum that 'composers can very seldom sing their own music or anybody else's either' (P.P. 15) may be true in the main, but scarcely applies to Braham, who holds very high rank amongst English tenors. Anoth

houses instead of in sacred edifices. His great song appears to have been 'The Woodpecker Tapping.' When the family emigrated Mr. M. expressed the hope that 'the melody of my son will be acceptable at the galley

o in an illustrative way by Mrs. Fi

new-laid egg in the back parlo

ain

ed to naval ditties. His great song is 'Lovely Peg,' and his admiration for Florence Dombey ind

Peg, or Lovely Peg, for the subject, and it is not certai

ll tune the

d Dales my

ch time can

s for lov

this tune

ID

ggy, love

ovely, lo

hould sound w

e of lov

Peggy, an imitation.' However, it is most probable that the one that the Cap

LY P

ID

love is v

g to his por

no jeal

no jeal

enough at

rous elemen

e with lov

e with lov

y Polly, l

e with lov

le the eighteenth-century ones referred to he prob

ng, preferably of a patriotic turn, but is ver

n you will find the following words, "May we never want a friend

y, known as 'Since the first dawn o

wn of reason that

ow favoured by

ood fortune I s

who wanted wha

ntitled to eve

distress, like a

ugh simple, means

t a friend or a b

famous song. When Florence Dombey goes to see him the Ca

s do blow, do blow, do blow-overhaul the Catechism,' said the Ca

ecessary to include this old refrain in its Catech

is talking of Florence on another occasion. S

o sight, to m

home, a

by G. Linley. He composed a large number of operas and songs, many of which were very p

ith his friend Bu

me like di'monds bright, for which you'll overhaul

'Comic Songster' and the 'Little

olk-songs, but it is by no means confined to that county. It tells of a moth

ts me to wed

e me my hea

e man with the

o me like dia

to Barbados, the boy discusses his prospects with

tune go that t

rt of Barb

eri

England behi

eri

ptain roare

rily, c

heer

he Grinder to sing it at a later period of the story. The arguments against the existence of such a song are: first, that the Dombey firm have already decided to send the boy to Barbados, and as there is no song suitable, the novelist invents one; and in the s

Swi

and when he is taking Kit's mother home in a depressed state after the trial he does his best to entertain her with 'astonishing absurdities in the way of quotation from son

ll walk in

er have

are certainly a few occasions when his listeners are not always able to appreciate their aptness. For instance in the scene between Swi

sage to the door, which the lodger prepared to ope

do you

'has left but the name-in c

e any,' said

anybody sh

ever cal

e name, don't say it was my fault, sir,' added

nobody,' sai

rpetual Grand Master of the Glorious Apollers,' although he seems to have been more in the habit of quoting extracts from them than of giving vocal illustra

xtract illustra

WELL (

aham and Mr. C

by Mr.

ID

ell, Al

e, b

all's

for instance, when he sticks his fork into a large carbuncular potato and reflects that 'Man wants bu

they are so carefully and delicately graded that they practically cover the whole ground in the

is he p

e the red

wly sprun

so like

etly playe

h

f a man is depre

elled when Miss

his own v

a man is depre

spelled when a

ick finds he is cut out by Mr. Cheggs, an

is on the sea; but before I pass th

ubsequen

blessed in so believing; but now I mourn that

, when, in the course of an interview

ing a little slab of plum cake, extremely indigestible in appear

ay this was?' dema

de-cake,' replied

d Mr. Swiveller, rubbing the pastry agains

ot

ow. Her name is Cheggs now, Sophy Cheggs. Yet loved I as man never loved that had

own case, Mr. Swiveller folded up the parcel again, beat it very flat upon the palms of his h

f by pinning a piece of crape

hus: from ch

y fondest h

ved a tree

he first to

rsed a dea

with its so

came to kn

as sure to marry

hat Sampson and Sally Brass have gone out for the evening. He accepts the statement that Miss Brass thinks him a 'fun

f for ever then for ever fare thee well-and put

like a rive

w fast it rol

on the bank st

light the wave

some games of cards he retires to

he matrimonial fireside. Cheggs's wife plays cribbage; all-fours likewise. She rings the changes on 'em now. From sport to

, though he has certainly omitted one which, coming from him, woul

'An excellent woman, that mother of yours, Christopher,' said Mr. Swiveller; '"Wh

odied than any other poem in existence. There is a French version by Mad

. He is overcome with curiosity to know in what part o

ubt I'm marked with a note of interrogation somewhere. My feeli

which tells in somewhat incoherent language the story of a maiden who

may thin

eelings

ast been

anguish-

me out with a coloured title-page, and at once became the rage, in fact, as John Hullah said, 'half musical England was smitten with an

s and C

ng from vocal music to general cosmography,' almost stands alone. However, in view of the complaints of certain adjudicators about the facial

ood words for the lips, especially prunes and prism. You

-like.' In this category we can scarcely include Mrs. Kenwigs, who 'invented and composed' her eldest daughter's name, the result being 'Morleena.' Mr. Skimpole, however, has a further claim upon our att

f all ways to l

few hours from

was 'The Young May Moon,' on

y moon is be

's lamp is gl

weet

Morna'

wsy world is

heavens look

o late for de

best of

gthen

w hours from the

egg's E

se of his dropping into poetry, and most of his efforts are adaptations of popular songs. His character is not one that arouses any sympathetic enthusiasm, and probably no one is so

etical effusions, with thei

I,

door, Mr. Boffin,' fr

ande

hat cott

as on he

aloft a s

tered in t

'd a praye

he could

to bless her

'd away

I, Ch

e gay and f

ow the maiden we

Guitar.' (See

I, Ch

, doomed to wander and ro

P

e world, doom'd t

parents, beref

pleasure, to c

Edmund, the po

I, Ch

hour.' From 'E

M

p for t

Evelee

e valley with

I, Ch

trim-built wherry.'

Dib

II, C

ay her close.' From 'T

kn

III,

sir.' From verse 3

Mrs. E.

to dread, nae

light me, and k

pleasure that e

f so sure as one

side, my ai

he blink o' m

III,

Mr. Venus, be y

ly I'll

th a slice of lemon in it

ld lan

on of verse 5 of Bur

III,

Chester,

. Ven

ott's M

IV, C

I've shaded for you.' From

M

o the Bower I'v

e roses, all sp

will you, will you

will you, will you

INSTRUMENTAL MUSIC

STORICA

s denote the chapter i

There Was

was, and he li

for parlour, for

pocket, nor c

d he, nor no d

down, down

eggar's Opera, 1728, and

e Would

lad belongs to the l

would a-

! said

other would l

s rowly

and s

said Anth

a novel air, compounded of 'The Bay of Biscay' and 'A Frog He W

ce

et Lov

ssel of Pecksniff

dy on 'All Hai

he Downs

ack-Eye

ell (O.

p.

The Engl

din) J.

by the wa

claim night's

ort, or ten

walks his l

a footstep

n marks the

e? Stranger,

word? Good-nig

all Walk (

y Susan

l walk in s

er ha'e

onsent to b

k on Don

se days disliked seeing their names published as authors. 'The Siller Crown,' from which this verse is taken, is in the Cumberland dialec

. Venus, be Your Bl

p.

ter's Blowing, B

Sailor's C

came on a

ere mounta

Buntline tur

to Bill

-Wester's bl

you hear i

'em! how I

folk ash

s ever written to music, though I fancy more than one popular t

('Holly Tree,

by B

s own composition or an imitation of some Scotch melody. As, however, such melody has not hitherto b

a Scotch reel known as the 'Miller's Weddi

(O.C.S. 58, O.M.F. ii

inget so herrlich'-a chorus with glockenspiel ac

nd set to the words 'To moments so delighting!' sung by Miss Stephens.

(U.T. 31, D. &

y Andre

D

der 'A Frog

n's Sona

p.

Care (O.C.S

e eighteenth century. The tune is seventeenth century, poss

are, I prithee

re, you and I c

by John Sale, and this may be

Jarley's Waxworks

on the

Those Endearing You

by T.

century. It is found in Vocal Music, or the Songster's Companion, 1775, and it was claimed by Moore to be an Irish melody, but some

tage Door, Mr.

p.

scourse (

om Shakespeare's

Bis

z (D. & S

no

no piece of the pr

(A.N.), or All in

by Joh

ever

h year it appeared in Watts' Musical Miscellany, Vol. IV., an

in Vunce

the Bishop,' which appears in Gaieties and Gravities, by one of the authors of Rejected Addresses. T

ings for O

gin

renadiers

Fitzwilliam Virginal Book. The Grenadiers were founded in 1678. The second verse refers to 'hand

Strike Ho

published in 1803. This work probably suggested the phrase to Dickens. It was writte

wrote and

, strik

-sounds re-

aulte

Gals (

p.

Sea Waves

s Ben

g from the opera T

ys, Cheer

Charles

y Ru

heer! no more

earts shall bea

e, and shows the

t the darkne

, and shortly afterwards learnt that the publisher had to keep th

n Waltz (

as the Da

d M

e orato

nd

p.

D.C. 52, D. & S.

p.

Bra

e gallant h

d, home, a

cer (S

ss

from the opera

all o

p.

Wantley

entury popular

Carey, mus

With Thine Eyes

by Ben

e air was originally issued

mdeary (

ccurs in 'Richard of Taunton Dean.' Also

Bells

G. Alexa

away, evening be

tly; 'tis the

, and if For E

by B

n 'Domesti

well, and

ever, fare

h unforgiv

e shall my

rt's La Clemenza di Tito. There are original sett

Bumper Fa

Melodies, air

u Shining Ri

National

Air.' The melody has been

World, My Bessy,

music by

En

ath of

nd, Home,

ath of

f Barbados, Bo

(?) See

to Sport

, we never

by T.H

Bis

to sport th

ish my

ey win a sm

nk that

Dobbin (

in Apollo's Cabinet, 1757, Vol. II, and Love in a Villag

now this song, the title of which

pollo (O.C

Web

y suggested the name of the 'G

ory Waits T

o where glory wai

es, set to the air '

Prince of Wa

J. Ceirio

by G.

ey Richa

u, Merry Gen

d word should be 'rest,'

ou merry,

B.S. 19, &c.) God Sav

ir. The form in which we know it is probably due to Henry Carey, a

or Falsehood Fr

y R.B.

eoni (see Cho

e air now known as 'The Harp t

Melodies, calls the

mbia (M.C

lly known as the 'President's March,' probably by a German composer.

Blacksmit

e de Pieces pour l

p.

ailed in Her T

n

Bis

then failed

iful maid

er again he

r lov'd fo

.R. 7, E.D. 12,

by D.

Boy

at the correct title is as g

, Now Lay Her

p.

the Lit

Wa

p.

ders Grey (S.B.S.

y John

Re

Merry Sher

Not For

p.

gn, To Call Her

Richmon

y L. Ma

H

esign, to ca

s of Rich

ill' was referred to. The former county was the favourite for a long time, till a communication in Notes

a Donkey

p.

me to the Bo

p.

How the Maide

p.

Haste for a L

p.

the Fancy Fai

in Youthful P

Melodies, ai

orm in yout

ht that p

before the s

its bloom

ve and Land of

gin

ten and Sto

d ballad opera, but m

(to) His Love

music by

y Nan.' Las

sweeter tha

elight, his

row (

kn

p.

rom old

g tim

st larn to

mp Jim

ut and tu

do j

me I whe

p Jim

Waterman (

by C. Dibdin i

eath (

Barry C

uk

was a rare

re no sun

ed his hand

out his coa

the coal-

old once remarked, 'I say, Leech, if you had the same opportunity of ex

Beaming Eye (L

by M

ghtfully gay ai

ath a be

nows for who

left its a

y aim at no

he Waterfal

Morni

ee 'Here in

affline

y Princ

Sto

e and The Deuce,

p. 11

sic composed and compiled by Attwood. There is another setting said to be

Peg (D.

p. 11

(M.C. 15, E

t de

ory see The Ch

llo (S.

by A

p.

Want a Friend

he first daw

ometheus

p.

t edition of Beethoven's ballet mus

I Believed You

true,' Moore (one of

elieved t

blest in s

mourn that

fair and s

se words were adapted and sung

e Shore (G.S.) (

by Lor

sh

p.

by W. C

I Smother

'We

e Highlands (O.C

artly b

rs Peculiar to the Sco

y Dickens (see Fors

off Dancin

e subject of

to Dread,

p.

is (S.B

t public dinners from time immemorial. It also used

and Now's the

Scots, Wha H

ay, and now

ront o' b

h proud Edw

and s

s That Are so S

music by H

y of certain phrases to those of an older tune known as 'The Country Lass,' the two g

Goes (

opular d

Stilly Nigh

air possibly of Scotch origin. There ar

t the Bard

by T.

s. Set to the tu

t My Arab Ste

by T.H

Hod

1828. Sun

e but my

defends

to the ba

him in

, Cheerily

similar to this is not u

Fair (

by

w then, O

ve Our Occup

system,' probably refers to Hullah's method (c. 1841

en are Fo

gin

m (G.E.

ment's day, and the saint, who was irreverently designated 'Old

he form of prose, and this is an examp

ys round-

p and a sou

, beat it o

for the sto

e, blow the

, soaring hig

le (O.C.S.

Cole,' a cloth-maker of Reading temp. Henry I. Wardle's carol 'I care not for spring'

and Far Away (D

. It occurs in two songs in D'Urfey's Pills

as a pip

o play when

tune that

he hills a

l.

's version is p

outh and We

est and winds

here and g

hills and

er to Charli

s Musical Museum

o'er, come

me o'er

Brown anothe

e o'er to

e water, we'l

the water

me woe, we'll

or die wi

ne of his visits there Dickens went to the theatre, and he and his friends were much amazed a

ginia (S.B.T

azzi

from ocean rising' was sung by Mr. J

he Kettle O

country

n, Retire!

inary title, inv

S. 4, 39, U.T. 2, M.C

Thomson o

r

Paris, but it was composed for the masque of Alfred, which was f

in Our

all th

ome Mischief

p.

Wa

cean Risin

l and V

Fancy Painted

ce Gr

et lov

e Red, Red Ro

the words fr

Companion, Bk. VII, 1754, under

ey, Ain't It

p.

for Every Degree (O

rn T

ere made for

in others a

e han't be

Tybur

's Opera. W

speare in The Merry Wives of Windsor. An earlier 'Tyburn' version is a song entitled 'A Warning

First Dawn

D

p.

a Sparkling

lowing Bowl' ('Fill the bowl with sparkling nectar').

ing Echoes in the Cave

present

trew a Bed of Ru

d music

lgrim's Sleep,' which is a se

and 'Oh Lady Fair.' For both pilgrim and lady arrangements are mad

strew his [our]

e must] rest til

oo (M

which it is supposed to express the bold an

ng at Winchester School some seventy or eighty yea

as a coa

ey!' 'Here I a

ow he use

ear, and ho

hundred and

Tamaroo

seventy or eighty years ago, I should imagine that that was only because it was generally well known. Dickens' allusion to it seems

users (D.

tailor, and not wait for her sailor bold, telling her t

ts me to wed

e me my hea

e man with the

o me like di

Shepherds

zin

rds, tell me' (o

Old Oak

y H.F.

. L

he oak, the

ed in the gr

d renown to his

ifty arms

in the

p.

hat Sits Up

'Poor

Dib

ere's a cherub s

for the life

lines of

t Sparkled for

Irish

White Sergea

General

Bis

au, for a sol

I'd say no? N

ay and Festive

e Light

eat Se

air 'Ramp

ve all of you

us large

seen off the

t by Admi

p.

Green

t popular musical setting

uitar (S.B.

rn

e gay and f

of dazzl

h me through

the sile

f the Dee (O

, c.

e,

iler and a great iron whe

y in the song. They cared for Nobody,

d in The Quaker

r's Daughter

p.

n Ages (

p. 91

er, Tired

r

astasio. This song was the great 'show song' for sopran

, tired of

e clang of h

the spear

brazen tr

h conquest t

s again

ng (D.C. 36, L.D. 35

by M

Kel

at rest, and I

er tapping the h

ung Ma

p.

My Trim-Built

p.

rry and Free, Toor-r

ly ori

ight, to Memory

music by

o sight, to

er wilt

pe my heart

e to me

he Wide Wor

p.

Day (S

p.

e of the Slug

Wa

m Childhood's Hour

ever,

by M

en set to music by S. Glov

ns and

Robson and b

ser u

ular song

merchant who in

e darter, a b

Dinah, just si

arge fortune in

lal loo-ral-li

ld Stairs

Per

the Hou

p.

.C.S. 36,

. B

r to jilt her true love and marry some one else. T

may thin

eelings

hast been

nguish, m

Noddin'

nym

pular Sco

noddin, nid

ddin at our h

, kimmer? And h

rns hae ye now?

Home Till Mo

anged' might be more correct). The tune is founded on an air known as Malbrough, or Malbrook, which origi

he Wild Wa

J.E. Ca

en Gl

n the question little Pau

s-the sea, Floy, what is i

Adores The

by M

es to the air '

Lunnon Town,

. The nearest I h

ryman, or, a Bustlin

I came to L

t was my

world's turne

ders met

Universal

ived in Lo

lesson

th I Shall

Irish

lo, in which is a humorous solo of eight lines,

an Stoops to Fo

a was so fond of; your sister Sophy has already obliged us. Do, child, it will ple

woman stoo

oo late, tha

an soothe he

n wash her

icar of Wakefi

f a Man (D.C. 24

s Opera). Set to a se

a man is depre

spelled when a

of a fiddle she

irits and cha

y Winds (D.C.

taken them from an earlier sourc

and (L.

lee. See

This Road so L

dois'

by C.

S. D

kens' words are a literal translation. See

ch Me When I F

r's nursery so

d I Will Sing, so M

ne, dull c

Bold Smuggler

n D

oodle (U

Scotch, English, Irish, and Foreign Airs,' publ

Man Ne'er Lov

y Willi

ll

Alice

my fancy p

ely, she'

art it is

r can b

I as ne'er

without

, my heart

ove of Al

Miss Palon, and Miss Grant. Composed and insc

A. Pettet,

n of England

glish

last line of each verse being

Lived Once

y Boz this se

rvatory kind of building which, according to t

erred to is

ved once in a

oses br

bines wr

ttice their t

sweet as the

.P., or The Blue-Stocking,

MUSICAL I

dion,

an Ha

pes,

jo,

n, 5, 6, 10

soo

church)

ious), 23,

anet

nter,

playi

onet,

s, 3,

3, 64,

ms,'

, see

44,

eole

25, 26, 36

37, 54

-gum

oniu

, 25, 26, 2

chord,

s-ha

Kent Bugle), 2

t,

te

and Cleave

-orga

45–50,

Pipes,

, 25–29, 31

self act

rder

pen

ne, 25,

-to

le, 41

one,

2, 5, 6, 23

llo, 6,

OF CHA

o (U.T

d, Mrs. (

Mrs. (B.

(B.H.),

aster (B.

Jr. (M.C

nes (U.T

a (M.H

hi (S.B.

l, S. (H

is (L.

rs (O.

Dr. (D.C.

(O.M.

rby (H

ly (O.C.S.

(O.C.S.), 27, 4

iss (S.B.T.

John (N

r. (S.B.

), 29, 43, 4

(L.D.

arriet (D

mes (D. &

(L.D

, Rev. (

(O.C.

Young (

er (O.C

, Jonas (M

, Martin (

M., Jr., 4

thur (L.D.)

.C.), 30, 33, 36, 55,

Sophy (

, Rev. (E.

Miss (S.B

& S.), 7, 18, 83

olomon (

Rosa (

r. (D.C

. (D. & S.

(D. & S.), 89,

D. & S.), 30,

E. (L.

F. (L.D.

W. (L.

Miss (

Little (

r (P.

E. (E

(E.D.)

ima (S.B.C

r. (S.B.

(S.B.T

(O.T

& S.), 36

, Mrs. (

, May (C

lora (L.D.)

(M.C.

rs. (M.

Mrs. (S.B.T

(D. & S.),

Mrs. (L

. (B.H.),

d Sol') (D

Mary (

G.E.), s

.B.T. 7)

h (S.B.

Mrs. (

D.C.),

. (S.B.T. 7)

(O.M.

ins,

(P.P.

Master (

, Mrs.

ni (Lett

Mrs. (O.

D.), 34, 7

r (B.L

Caddy (B.

O.C.S.)

P.P.), 2

n (P.

Mrs. (N.N

see N

Joey (N

Miss (D

Mrs. (L.

i (S.B.

mchild (

Miss (S.B.T

, Jack

ini (N

he (O.C.S.), 3

old,

ni (S.B.

s (L.D

Miss ('

D.C.),

D.C.), 41,

s. (D.C.), 1

, W. (D.

Miss (B

Miss (D

s, Mrs. (O

Brother (

& S.), 27

Mrs. (P

(O.T

L.D.),

le (O.C.S.

(N.N.),

(N.N

it') (O.C.S

zer (N.

Clem,

ol,' s

.D.), vii

(M.C.),

iss (M.C.), 3

le, Mrs.

ee Meagl

, Miss (

on, The

n (Dr. M

(P.P.), 27,

C.), 46, 47, 5

p' or 'Hand

E.), se

Mrs. (L.D.

, Mr. (L

r (C.H

Herbert

.C.S.),

Jack (M

inder (D.

ennings (S

Mr. (E.D

ob (P.P.)

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