Mrs. Shelley

as weaving them into poetry in Italy during the remainder of his residenc

attachment for Mary, whom (as Godwin told Mrs. Gisborne) she considered her greatest enemy; and although he described his wife as of "the most irritable disposition possible," he listened to, and repeated her conjectures to the disparagement of Shelley and Mary at the time when she did not hesitate to accept with her husband the large sums of money which Shelley with difficulty raised for them. All the facts shown in this diary prove that Mary and Fanny must have had a sufficiently trying life at home to account for the result in either case, especially when we consider that Claire and her brother Charles both preferred to leave Godwin's house on the first possible occasion, Charles having left for France immediately after Mary's and Claire's departure with Shelley. William alone remained at home, but four years passed in a boarding school at Greenwich, from 1814, must have helped him to endure the discomforts of the time. Before Mrs. Gisborne's return to Italy Godwin gave her a detailed account, in writing, of his money transactions with Shelley, which had become very painful to both. In January, 1820, Florence proving unsuitable for Shelley's healt

es about the operas she has seen, giving good descriptions of them. One of her letters is full of anxiety as to Allegra, who has been placed in the convent of Bagnacavallo by Byron. She feels that the child ought, as soon as possible, to be taken out of the hands of so "remorseless and unprincipled a man"; but advises caution and waiting for a favourable opportunity. She hopes that he may be returning to England. "He may be reconciled with his wife." At any rate, Bagnacavallo is high and in a healthy position, quite different from the dirty canals of Venice, which might injure any child's health. Mary thus tries to console Claire

the lanes whose myrtle hedges were the bowers of the firefly, heard the carolling of the skylark which inspired one of the most beautiful of his poems. Precious memories which helped her through many after years devoid of the sympathy she yearned for. At the Baths they had the pleasu

lorence, Mary was occupied planning her novel of Valperga, fo

Diavolo," introducing them to the Prince Mavrocordato, the Princess Aigiropoli, the improvisatore Sgricci, Taafe, and last, not least, to Emilia Viviani. Here Mary continued to write Valperga, and pursued her Latin, Spanish, and Greek studies; the latt

her books, and Claire gave her English lessons at her convent, while she was taking a holiday from the Bojtis. Many letters are preserved from the beautiful Emilia to Shelley and Mary, letters which, translated into English, seem overflowing with sentiment and affection, but which to Italians would indicate rather the style cultivated by Italian ladies, which, to this day, seems one of their chief accomplishments if they are not gifted with a voice to sing. To Mary she complains of a certain coldness, but certainly this could not be brought to the charge of Shelley, who was now inspired to

s cast out fr

took refuge in a poem by way of letter; for this is the time referred to by Mary in her letter to Claire as their seventh unfortunate spring-a mixture of Emilia and a Chancery suit! It was not till the next spr

ane (Mrs. Williams) that she is certainly very pretty, but wants animation; while Shelley writes that she is extre

ds tried its effect through Medwin. The latter bored Mary excessively; possibly she found the magnetising a wearisome operation, although Shelley is sa

s to throw their affairs into Chancery, causing great alarm to them in Italy, till Horace Smith

anal near Pisa, when returning from Leghorn. Williams upset the boat by standing up and holding the mast. Henry Reveley, Mrs. Gisborne's son, rescued Shelley

, she would marry an Italian and be provided for, whereas she would always hold an anomalous position in England. At this proposal Claire was extremely indignant; but Shelley and Mary took the opposite view, and considered that Byron acted for the best, as the convent was in a healthy position, and the nuns would be kind to the child. This idea of Mary would naturally be agreed with by some, and disappro

him the day after he had received his death warrant from the doctor, they were the first to beg him to join them at Pisa. A small touch of poetical criticism, however, appears to have weighed more with the sensitive K

to her husband, who admired it extremely. He considered it to be a "living and moving

ledge of projecting rock, overlooking the plain of Lucca; the dependent peasants around happy under the protection of their good Signora. That this beautiful and high-minded lady should be affianced to a Ghibelline leader is a natural combination; but when her lover Castruccio, prince of Lucca, carries his political enthusiasm the length of making war on her native city of Florence, whose Republican greatness and love of art are happily described, Euthanasia cannot let love stand in the way of duty and gratitude to all those dearest to her. The severe struggle is well described, for Euthanasia has loved Castruccio from their childhood. When the

per for protection, as even his filthy and deserted hut was safer for her than that it should be known to the Inquisition that she existed. She is rescued from the Leper by a bishop who heard her story from the deathbed of the woman to whom her mother when dying had confided her. She was then bro

with her mystical ideas, does not hesitate to make secret appointments with him, never doubting that her love is returned, and that they are one at heart. When at length Castruccio has to return to Lucca, and to his betrothed, Euthanasia, the shock to the poor mystical Beatrice is terrible. Finally she is met as a pilgrim wending her weary way to Rome. Assuredly, Shelley was justified in admiring this character. There is a straightforwardness in the plot into which the stormy history of the period is clearly introduced, which gives much interest to this romance, and it is a decided advance upon Frankenstein, though her age when that was written must not be forgotten. A book of this kind shows forcibly the troubles to which a lovely country like Italy is exposed through disunion, and must fill the hearts of all lovers of this beautiful land with gratitude to the noble men who willingly sacrificed themselves to help in the cause of united Italy; those whose songs roused the peop

nd the sum of four hundred pounds which Godwin obtained for it was devoted to help him in his