Fielding
Fielding's Bow Street establishment, which has attracted more attention than it deserves. The
rried a servant of the latter's, who had attempted to shoot him, before Fielding; who, to all his other vocations, has, by the grace of Mr. Lyttelton, added that of Middlesex justice. He sent them word he was at supper, that they must come next morning. They did not understand that freedom, and ran up, where they found him banqueting with a blind man, a whore,
oubt exaggerated when it reached him, loses nothing under his transforming and malicious pen. Stripped of its decorative flippancy, however, there remains but little that can really be regarded as "humiliating." Scott himself suggests, what is most unquestionably the case, that the blind man was the novelist's half-brother, afterwards Sir John Fielding; and it is extremely unlikely that the lady so discourteously characterised could have been any other than his wife, who, Lady Stuart tells us, "had few personal charms." There remain the "three Irishmen," who may, or may not, have been perfectly presentable members of society. At all events, their mere nationality, so rapidly decided upon, cannot be regarded as a stigma. That the company
t persons; and a long interval of changeful experience lay between them. In another part of his charge, which deals with the offence of libelling, it is possible that his very vigorous appeal was not the less forcible by reason of the personal attacks to which he had referred in the Preface to David Simple, the Jacobite's Journal, and elsewhere. His only other literary efforts during this year appear to have been a little pamphlet entitled A True State of the Case of Bosavern Penlez; and a formal congratulatory letter to Lyttelton upon his second marriage, in which, while speaking gratefully of his own obligations to his friend, he endeavours to enlist his sympathies for Moore the fabulist who was also "about to marry." The pamphlet had reference to an occ
as felt on all sides to be urgently required; and Fielding threw his two years' experience and his deductions therefrom into the form of a pamphlet entitled An Enquiry into the Causes of the late Increase of Robbers, etc., with some Proposals for remedying this growing Evil. It was dedicated to the then Lord High Chancellor, Philip Yorke, Lord Hardwicke, by whom, as well as by more recent legal authorities, it was highly appreciated. Like the Charge to the Grand Jury, it is a grave argumentative document, dealing seriously with luxury, drunkennes
rs, and our Soldiers, should not be sufficient Reasons, there is one which seems to be unanswerable, and that is, the Loss of our Gin-drinkers: Since, should the
Last ten Years of the Reign of George II. The law was not wholly effectual, and was difficult to enforce; but it was not by any means without its good effects. [Footnote: The Rev. R. Hurd, afterwards Bishop of Worcester, an upright and scholarly, but formal and censorious man, whom Johnson called a "word-picker," and franker contemporaries "an old maid in breeches," has left a reference to Fielding at this time which is not flattering. "I dined with him [Ralph Allen] yesterday, where I met Mr. Fi
, and other popular resorts. Numerous pamphlets were published for and against the new waters; and a letter in their favour, which appeared in the London Daily Advertiser for the 31st August, signed "Z. Z.," is "supposed to be wrote" by "J-e F-g." Fielding was, as may be remembered, a Somersetshire man, Sharpham Park, his birthplace, being about three miles from Glastonbury; and he testifies to the "wonderful Effects of this salubrious Spring" in words which show that he had himself experienced them. "Having seen great Numbers of my Fellow Creatures under two of the most miserable Diseases human Nature can labour under, the Asthma and Evil, return from Glasto
1751, No. 17 of which is "Amelia, in 4 books, 12mo; by Henry Fielding, Esq." The publisher, of course, was Andrew Millar; and the actual day of issue, as appears from t
mplius Quos irru
to Ralph Allen. As before, the "artful aid" of adv
resses; but the Proprietor notwithstanding finds it impossible to get them (sic) bound in Time, w
Scott, Millar adopted a second expedie
made to the booksellers, previous to the publication, Millar offered his friends his other publications on the usual terms of discount; but when he came to Amelia, he laid it aside, as a work expected to be in s
here was the author's ebullient youth and manhood; behind Amelia but a section of his graver middle- age. There are other reasons for diversity in the manner of the book itself. The absence of the initial chapters, which gave so much variety to Tom Jones, tends to heighten the sense of impatience which, it must be confessed, occasionally creeps over the reader of Amelia, especially in those parts where, like Dickens at a later period, Fielding delays the progress of his narrative for the discussion of social problems and popular grievances. However laudable the desire (expressed in the dedication) "to expose some of the most glaring Evils, as well public as private, which at present infest this Country," the result in Amelia, from an art point of view, is as unsatisfactory as that of certain well-known pages of Bleak House and Little Dorrit. Again, there is a marked change in the attitude of the author,-a change not wholly reconcilable with the brief period which separates the two novels. However it may have chanced, whether from failing health or otherwise, the Fielding of Amelia is suddenly a far older man than the Fielding of Tom Jones
ment; and when, in the residence of Mr. Bondum the bailiff, he suddenly develops an unexpected scholarship, it is impossible not to suspect that Fielding was unwilling to lose the opportunity of preserving some neglected scenes of the Author's Farce. Miss Matthews is a new and remarkable study of the femme entretenue, to parallel which, as in the case of Lady Bellaston, we must go to Balzac; Mrs. James, again, is an excellent example of that vapid and colourless nonentity, the "person of condition." Mrs. Bennet, although apparently more contradictory and less intelligible, is nevertheless true to her past history and present environments; while her husband, the sergeant, with his concealed and reverential love for his beautiful foster-sister, has had a long line of descendants in the modern novel. It is upon Amelia, however, that the author has lavished all his pains, and there is no more touching portrait in the whole of fiction than this heroic and immortal one of feminine goodness and forbearance. It is needless to repeat that it is painted from Fielding's first wife, or to insist that, as Lady Mary was fully persuaded, "several of the incidents he mentions are real matters of fact." That famous scene where Amelia is spreading, for the recreant who is losing his money at the King's Arms, the historic
h in it, pure and noble lines Of ge
rcely have been a thing to be marvelled at. One final point in connection with her may be noted, which has not always been borne in mind by those who depict good women-much after Hogarth's fashion- without a head. She is not by any means a simpleton, and it is misleading to describe her as a tender, fluttering little creature, who, because she can cook her husband's supper, and caresses him with the obsolete nam
personal appearance in his last novel, her portrait having already been drawn at length in Tom Jones. But the following depreciatory sketch by Mrs. James is worth
ct in chapter iv., and Appendix No. III.]-Her neck likewise is too protuberant for the genteel size, especially as she laces herself; for no woman, in my opinion, can be genteel who is not entirely flat before. And lastly, she is both too short, and too tall.- Well, you may laugh, Mr. James, I know what I mean, though I cannot well express it. I mean, that she is too tall for a pretty woman, and too short for a fine woman.-There is such a thi
r than the first volume. With the professional reviewers, a certain Criticulus in the Gentleman's excepted, it seems to have fared but ill; and although these adverse verdicts, if they exist, are now more or less inaccessible, Fielding has apparently summarised most of them in a mock-trial of Amelia before the "Court of Censorial Enquiry," the proceedings of which are recorded in Nos. 7 and 8 of the Covent-Garden Journal. The book is indicted upon the Statute of Dulness, and the heroine is charged with being a "low Character," a "Milksop," and a "Fool;" with lack of spirit and fainting too frequently; with dressi
that I bestowed a more than ordinary Pains in her Education; in which I will venture to affirm, I followed the Rules of all those who are acknowledged to have writ best on the Subject; and if her Conduct be fairly examined, she will be found to devia
by the Public. However, it is not my Intention, at present, to make any Defence; but shall submit to a Compromise, which hath been always allowed in this Court in
own journal seems ashamed of his last piece; and has promised that the same Muse shall write no more for him. The piece, in short, is as dead as if it had been published forty years ago, as to sale." There is much to the same effect in the worthy little printer's correspondence; but enough has been quoted to show how intolerable to the super-sentimental cre
f the present Paper War, which speedily involved the author in actual hostilities with the notorious quack and adventurer Dr. John Hill, who for some time had been publishing certain impudent lucubrations in the London Daily Advertiser under the heading of The Inspector; and also with Smollett, whom he (Fielding) had ridiculed in his second number, perhaps on account of that little paragraph in the first edition of Peregrine Pickle, to which reference was made in an earlier chapter. Smollett, always irritable and combative, retorted by a needlessly coarse and venomous pamphlet, in which, under the name of "Habbakkuk Hilding, Justice, Dealer and Chapman," Fielding was attacked with indescribable brutality. Another, and seeming
le moralist. In this essay it is curious to notice that, while Fielding speaks with due admiration of Shakespeare and Moliere, Lucian, Cervantes, and Swift, he condemns Rabelais and Aristophanes, although in the invocation already quoted from Tom Jones, he had included both these authors among the models he admired. Another paper in the Covent-Garden Journal is especially interesting because it affords a clue to a project of Fielding's which unfortunately remained a project. This was a Translation of the works of Lucian, to be undertaken in conjunction with his old colleague, the Rev. William Young. Proposals were advertised, and the enterprise was duly heralded by a "puff preliminary," in which Fielding, while abstaining from anything directly concerning his own abilities, obse
rded as redundant, and which even to us are more curious than essential, testify at once to his growing interest in reform, and his keen appreciation of the defects which existed both in the law itself and in the administration of the law; while the numerous cases heard bef
he PU
tely to bring, or send, the best Description they can of such Robbers, &c., with the Time an
in April 1752, and prompted, as advertisement announces, "by the many horrid Murders committed within this last Year." It appeared, as a matter of fact, only a few days after the execution at Oxford, for parricide, of the notorious Mis
tter was Fielding's contribution to the extraordinary judicial puzzle, which agitated London in 1753-4. It is needless to do more than recall its outline. On the 29th of January 1753, one Elizabeth Canning, a domestic servant aged eighteen or thereabouts, and who had hitherto borne an excellent character, returned to her mother, having been missing from the house of her master, a carpenter in Aldermanbury, since the 1st of the same month. She was half starved and half clad, and alleged that she had been abducted, and confined during her absence in a house on the Hertford Road, from which she had just escaped. This house she afterwards identified as that of one Mother Wells, a person of very indifferent reputation. An ill-favoured old gipsy woman named Mary Squires was also declared by her to have been the main agent in ill- using and detaining her. The gipsy, it is true, averred that at the time of the occurrence she was a hundred and twenty mi
anning wa
s help, a six
years. At the end of her sentence she returned to England to receive a legacy of L500, which had been left her by an enthusiastic old lady of Newington-green. [Footnote: So says the Annual Register for 1761, p. 179. But according to later accounts (Gent. Mag. xliii. 413), she never returned, dying in 1773 at Weathersfield in Connecticut.] Her "case" is full of