The Precipice
before him as in the palm of a hand. Stirred with the passion aroused by his memories of childhood, he looked at the rows of houses, cottages and huts. It was not a town, but, like o
knew what to put in the novel. The houses fell into their places in the picture that filled his mind, he drew in the faces of the towns-people, grouped the servants with his aunt, the whole composition centring in Marfinka. The figures stoo
ning fire could but be poured out upon him, a
beautiful wife, whose acquaintance he had made during his student days in Moscow, when she was a young girl. She used to call Leonti her fiancé, without any denial on his part, and five years after he had left the University he made the journey to Moscow, and married her
Raisky, when his friend s
the honour
ovich opened his li
the garden. "Come quickly, a
tily, and ki
how much more handsome you are
Just over thirty years old, she gave the impression of
orgotten me
right. You have altered, and are hardly recognisable with yo
ana Andreevna in a tone of di
y n
potic and c
d Raisky. "That comes from inte
head neither to right nor left, and never exchange a word with his neighbours. She is a past mistress in
s a saint nevertheless, whateve
hey will turn out? Marfinka plays with her canaries and her flowers, and the other sits in the corn
yet. She is away on a visit on
what her busi
tically. "She is wise, honourable, just! She has strength an
rawing him away to the window, while Leonti collected the scattere
rything,"
will tell you all sorts of no
is
it? Yet God knows what they make out of it in the town, as if I.... Don't believe it," she went on, as she saw R
turned Raisky, turning away from
is, Ulinka. Come, Boris, now we can talk." Then as an idea struck h
not understand what you were talking about. I think you s
as about it," he said as he took down som
er to me?" he said. "You are like my grandmother
ese books are your most precious possession. Look!" he said, pointing
a whole year to do," and he pointed self-consciously to a thick bound volume of manuscript. "I wrote it all with my own hand," he continued
an i
er dinner; we shall not
ke to have a library l
brary li
even the hair on his brow stirred with the dislocation cause
ou love me as
ou ask? O
e yours for good and al
these
, now at Raisky, then made a g
at me, Boris!
not jo
heard the last words, chimed i
, and on the eve of the examinations the parents. I send them away, but my wife receives
but Juliana Andr
body. One day I am Cleopatra, then Lavinia, then Cornelia. Better take th
ded Leonti. "And what can we give him? Shall I hand you
vlovich," she cried, throwin
I will make them over to the Gymnasium. Give me the c
the catalogue, of which
he Director, who cares for books just about as much as I do for perfume
take
g them to responsible hands. I have never wanted so much to be rich. I would give five thou
y th
need pictures, statues, music; and books are nothing to you. Besides, y
drinking coffee, you will go over wi
e me the books. Will you take instalments from my salary fo
iana Andreevna, "I can pledge
isky looked a
e speaks," said Leonti. "But
e books to me again, even if
not to let him hav
in Juliana Andreevna. "As if that m
i to Raisky. "Would that every wo
pped her eyes, and the s
rything." She raised her eyes, and looked at them, for the last statement was true. "It's a pity," continued Leonti, "that she does not care about books. She can chatter French fast enough, but if you give her a book, she does
ndition, I don't send them to the Gymnasium. Now let us sit down
ke this?" asked Raisky as he was sitting a
t more do
you no longings for freedom and space, and don't you feel cramped in th
ti, pointing to the books. "I have books, pupils, and i
themselves, to cleanse their conceptions, to drive away the mist, to meet the problems of society b
is anything it is of no importance," said Leonti firmly. "The whole programme o
s worrying about what has been experienced in the
, as you with ideals and figures. You are an artist. Why should you wonder that certain figure
head and breast. "Here are figures, notes, forms, enthusiasm
painting, you wrote me, a great p
e must put one's whole being into a great picture, and then to give effect to one hundredth part of what
re you foll
artist of to-day, the art of words, of poet
te verse
rse you celebrate a love affair, a
ber the use made o
e. Satire is a rod, whose stroke stings but has no further consequences; but she does not show you figures brimming with life, she does not reveal the dept
ting a novel? O
t yet quit
irl, and I don't know what else, into the novel. Choose a historical subject, worthy of your vivacious imagination and your clean-cut style. Do you remember how you used to write of old Ru
ling you back. Let us leave this question for the moment, and go back to my question. Are you
in astonishment, wi
are you for ever talking of the Greeks and Romans? Their work is done, and ours is to brin
the task t
this existence, to reflect it
s, then home, and forget about everything. That is not the case. Young people gather round me, attach themselves to me, and I show them drawings of old buildings, utensils, make sketches and give explanat
-day. So much has disappeared, so many things have arisen that the Greeks and Romans never knew. But w
ke the models of ancient virtue from books. I myself live for and through
t life at all, it is a passive condi
y and do not interfere in anybody else's
ot spare even you. And how will
lthough they are not mine," he said glancing hesitatingly at Raisky, "but you give me f
looke
d in a whisper
e himself did not even know what bound him to life and books, and did not guess that he might keep h
s hidden in that dear Roman head, nor how empty the woman's heart is. He is helpless as