Music in the History of the Western Church

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ong has proved such a universal necessity in worship that it may almost be said, no music no Church. The endless diversity of musical forms and styles involves the perennial qu

t is the author's chief purpose and hope to arouse in the minds of ministers and non-professional lovers of music, as well as of church musicians, an interest in this branch of art such as they cannot feel so long as its history is unknown to them. [viii] A knowledge of history always tends to promote humility and reverence, and to check the spread of cap

Catholic Quarterly Review, the Bibliotheca Sacra, and Music. The author acknowledges the

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