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Sense and Sensibility

Chapter 4 4

Word Count: 1939    |    Released on: 28/11/2017

aid Marianne, "that Edward sho

no means deficient in natural taste, though he has not had opportunities of improving it. Had he ever been in the way of learning, I think he would have drawn very well. He distrusts his own jud

n him by the drawings of other people, was very far from that rapturous delight, which, in her opinion, could alone be called tast

taste. Indeed, I think I may say that you cannot, for your behaviour to him is perfec

feelings of her sister on any account, and yet to say what

so many opportunities of estimating the minuter propensities of his mind, his inclinations and tastes, as you have; but

iends could not be dissatisfied with such commendation as that.

ed to find her sist

than myself. He and I have been at times thrown a good deal together, while you have been wholly engrossed on the most affectionate principle by my mother. I have seen a great deal of him, have studied his sentiments and heard his opinion on subjects of literature and taste; and, upon the whole, I venture to pronounce that his mind is well-informed, enjoyment of books exceedingly great, his imagination lively, his observation just and correct, and h

ow. When you tell me to love him as a brother, I shall no mo

ed the regard to be mutual; but she required greater certainty of it to make Marianne's conviction of their attachment agreeable to her. She knew that what Marianne and her mot

"that I think very highly of him-tha

burst forth wi

than cold-hearted! Ashamed of being otherwise. Use tho

m by no means assured of his regard for me. There are moments when the extent of it seems doubtful; and till his sentiments are fully known, you cannot wonder at my wishing to avoid any encouragement of my own partiality, by believing or calling it more than it is. In my heart I feel little-scarcely any doubt of his preference. But there are other points to be considered besides his inclinat

much the imagination of her mother a

lose you so soon, and Edward will have greater opportunity of improving that natural taste for your favourite pursuit which must be so indispensab

to produce that dejection of mind which frequently attended him. A more reasonable cause might be found in the dependent situation which forbade the indulgence of his affection. She knew that his mother neither behaved to him so as to make his home comfortable at present, nor to give him any assurance that he might form a home for himself, without strictly attending to her views for his aggrand

ing to her so expressively of her brother's great expectations, of Mrs. Ferrars's resolution that both her sons should marry well, and of the danger attending any young woman who attempted to DRAW HIM IN; that Mrs. Dashwood could neither pretend to be unconscious,

ith her daughters to Barton Park, the place of his own residence, from whence she might judge, herself, whether Barton Cottage, for the houses were in the same parish, could, by any alteration, be made comfortable to her. He seemed really anxious to accommodate them and the whole of his letter was written in so friendly a style as could not fail of giving pleasure to his cousin; more especially at a moment when she was suffering under the cold and unfeeling behaviour of her nearer connections. She needed no time for deliberation or inquiry. Her resolution was formed as she read. The situation of Barton, in a county so far distant from Sussex as Devonshire, which, but a few hours bef

r's intention of removing into Devonshire. The house, too, as described by Sir John, was on so simple a scale, and the rent so uncommonly moderate, as to leave her no right of objection on either point; and, therefore

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Sense and Sensibility
Sense and Sensibility
“Two sisters of opposing temperaments who share the pangs of tragic love provide the theme for Jane Austen's dramatically human narrative. Elinor, practical and conventional, is the perfection of sense. Marianne, emotional and sentimental, is the embodiment of sensibility. To each comes the sorrow of unhappy love. Their mutual suffering brings a closer understanding between the two sisters-and true love finally triumphs when sense gives way to sensibility and sensibility gives way to sense. Jane Austen's authentic representation of early-nineteenth-century middle-class provincial life, written with forceful insight and gentle irony, makes her novels the enduring works on the mores and manners of her time.With an Introduction by Margaret Drabble and an Afterword by Mary Balogh”
1 Chapter 1 12 Chapter 2 23 Chapter 3 34 Chapter 4 45 Chapter 5 56 Chapter 6 67 Chapter 7 78 Chapter 8 89 Chapter 9 910 Chapter 10 1011 Chapter 11 1112 Chapter 12 1213 Chapter 13 1314 Chapter 14 1415 Chapter 15 1516 Chapter 16 1617 Chapter 17 1718 Chapter 18 1819 Chapter 19 1920 Chapter 20 2021 Chapter 21 2122 Chapter 22 2223 Chapter 23 2324 Chapter 24 2425 Chapter 25 2526 Chapter 26 2627 Chapter 27 2728 Chapter 28 2829 Chapter 29 2930 Chapter 30 3031 Chapter 31 3132 Chapter 32 3233 Chapter 33 3334 Chapter 34 3435 Chapter 35 3536 Chapter 36 3637 Chapter 37 3738 Chapter 38 3839 Chapter 39 3940 Chapter 40 4041 Chapter 41 4142 Chapter 42 4243 Chapter 43 4344 Chapter 44 4445 Chapter 45 4546 Chapter 46 4647 Chapter 47 4748 Chapter 48 48