History of Religion

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ast chapter (see above, sqq.) as occurring when the Aryans dwelt among those whom they had conquered. In various lands alike we meet with the combination of the patriarchal household with the village, the combination of agricultural with pastoral life, to whic

no doubt, being the element of progress, but blending with the other in indistinguishable mixture. The spirits of ancestors lived in the belief and the practice of posterity; a thousand unseen agents in the sky, and in the earth, and under the earth were believed in and treated according to tradition, fed or flouted, bribed or exorcised, as occasion suggested. New gods appeared, or old ones were combined into new, or a god migrated from one province to another. Here also myths and rituals were formed by various processes. But a more constant growth of belief took place in connection with some gods as la

ing an Aryan religion at a low stage of development, and held by a people not thoroughly compacted into a nation. The religion of the Teutons has the advantage for our study over these others, that it remained longer unsuppressed by Christianity, and in its Scandinavian branch put forth a vigorous original growth in

rowth of Religion as illustrat

Christian missionaries to the Germans thought it their duty to cover the former beliefs and rites of their converts in oblivion, and abstained from giving information about

ll. vi. 21. Ta

s, but migrate from one spot to another, the community cultivating the land it takes possession of, on a system of common ownership with rotation of occupants. The women did the hard work, Tacitus says; the men spent their time in the chase and in fighting. They had an organisation beyond that of the village, being arranged in what we may call hundreds and shires, each district having to furnish so many men for war, electing its own heads and holding meetings for various purpose

Roman names. They worship Mercury, he says, as their principal god; on certain days they worship him with human sacrifices. They also worship Mars and Hercules with animal victims; and a particular tribe, the Suevi, worship Isis. C?sar says the Germans worship the sun, and Vulcan, and the moon.

days of the week as early as the first Christian century; and in Germany the days were called after the German gods supposed to answer to the Roman gods in question. Half Europe to this day calls the days of the week a

ay. (The French Dimanche is fr

ndi)=Monday o

i)=Tuesday, the d

rcredi)=Wednesday

day of Thor. In German this is

ndredi)=Friday,

's name in our Saturday. (The Fren

rigin and nature of these gods. From Grimm's laborious study of the question (German Mythology, vol. i.) we gather that it is a matter mainly of speculation what it was in Wodan that led the Romans to identify him with their Mercury. Thor, who is identified with Jupiter, was probably a sky-god, while Tiw or Ziu (whom etymology identifies with Zeus, not Mars) was a god of wa

nor represent them under the likeness of men, being led thereto by considering the greatness of the heavenly beings." A few centuries later at least we find Christian bishops busy destroying temples of German heathenism and burning images found in them. Undoubtedly, however, the great sanctuary of a district was frequently, as he represents, in the recesses of a wood. Under a mighty tree a tribe would hold its meetings and sit in judgment and in council; and there were sacred groves in which no human foot might stray, where the god was supposed to dwell, where great sacrifices both of animal and of human victims took place, where the boughs were hung with the bones of former sacrifices which in war were car

serious religious observance and doctrine of the peasantry. The peasant carried his wishes and prayers to the familiar wishing-well, and presented offerings to the spirit of the well by throwing them into the water or hanging them on the surrounding trees. The fairy rather than far-off Wodan was looked to for good fortune; the rite of the fabulous village hero, with its quaint immemorial usages, roused more enthusiasm than the stately public ceremonial. Another side of the mind of early Germany is to be gathered from the heroic legends and the fairy tales, many of the elements of which, we are assured, were even then in existence. Were these legends formed by a process of degradation; did they begin with telling about the gods, and were they afterwards applied to heroes and princes and common men? Or was the process in the opposite direction from this; were the stories, first of all, those of human warriors, their wars and loves, and di

of England a century before he wrote; in this he is like other Christian teachers who might have told but did not. But though it came to an end in England, Teutonic religion continued to prevail in the countries from which the invaders had come. In Frisia in the eighth century we hear of a goddess Hulda, a kind goddess, as her name implies, who sends increase to plants and is a patroness of fishing. A god called Fosete, or Forsete (Forseti in modern Icelandic=chairman), identified both with Odin and with Balder, was worshipped in Heligoland;

's Herewar

home with a constant series of blood-feuds. These latter are gone about in a methodical and business-like way; custom sanctions them, the meetings of the popular assembly do not seek to suppress or punish them if only they are conducted according to the rules. No public authority had as yet arisen to carry out the law between one household and another; the avenger has his recognised place and duty. Society is patriarchal as in other Aryan communities; each family is a community of blood-kindred for mutual defence and also for worship. The leading cult of Icelandic religion was the domestic worship of ancestors, conducted by the head of t

re combined. The Icelandic burial rites are founded on the latter view. The "departed" is going on a long journey, and his friends escort him as far as they can; shoes are bound on his feet, the Hel-shoes, for Hel is the name of t

e, connected with a large tribe or with a king's court. A temple on the same plan as a large dwelling-house forms a place of meeting and of sacrifice, an asylum, and a place of oaths and covenants. On a table in front of the high

ite figures as to be thus set forth: no Homer has placed them clear before the inward eye. The rites are bloody, the altar has ever anew to be made to shine with the blood of victims. Human sacrifices are only resorted to in times of great common danger, as a terrible last resort; the god to whom the human victim is devoted is moved by the bloodshed to avert his anger, or to make greater exertions for his people. Bloodshed forms the strongest of all bonds. To link themselves together in an indissoluble brotherhood, two friends mingle their blood on the ground and then each of them treads on it. The sheddin

eat part influenced by Christianity both in matter and in sentiment. The older Edda, written in verse, is said to have been collected by S?mund Sigfusson the learned, one of the early Christian priests of Iceland, who lived about the eleventh century. The other Edda is in prose

ds, and their turn too may come to pass away. They are called ?sir, which is the plural of As. The etymology of this is uncertain; compare the Sanscrit Asura, said to mean the living or breathing one. The ?sir are spoken of in later times, not in the Eddas, as if they had been a race of warriors; they are said to have come in to Scandinavia and got the better of those who lived there before, b

statement about

Purusha" in

her, of the heat and cold. There are very primitive myths of the shaping of man out of two pieces of wood, of Night and Day as drivers of chariots and horses, of the sun and moon fleeing from wolves, and so on. A more poetic conception is the division of the world into Asgard, the garden of the ?sir; Midgard, the world of man; and Utgard, the world outside. In the first Odin h

m, from which Odin drinks daily. Near it is the dwelling of the Norns, fates or weird sisters, who establish laws and uphold them by their judgments, and allot to every man his span of life. They are named Urd the past, Verdandi the present, and Skuld the future. Daily do they wa

horse=the gallows

s out the spiritual significance of

nected with the German wüthen, rage (Scot. wud) or with the Vedic Vata, who is a god of storm, he is from the first an impetuous being. The early myth of him is scarcely dead at this day; the peasant hears him rushing through the woods at night. That is the "wild hunt of Wodan," he says; the god is out with his followers, and woe to him who gets in his way! The early Germans thought of him as a kind being who fulfilled the wishes of men, and it was probably this side of his character that caused him to be identified with Mercury. In the Eddic theology he is a patron of war, as becomes the chief god of a warlike people. He arranges battle and dispenses victory; the heroes who fall in battle he receives into his heavenly army; they live with him in Valhalla or Valh?ll, the hall of choice. Odin chooses those who are to go ther

is the belt of strength, which makes him twice as strong when he puts it on; and the third a pair of gauntlets with which he grasps his mallet. Many stories are told of his prowess, of his conflicts with the giants, who, however, give him a good deal of trouble with their cunning; and of his catching the Midgard serpent which surrounds the world at the bottom of the sea

the gods and helps them out of their difficulties by clever devices, and sometimes he provides entertainment for them; but for the most part he is an embodiment of cunning and mischief; his course is downwards, he tends to become a being purely evil, setting himself heartlessly against the wishes of the other gods, and acting so as to imperil them and their world till they are obliged to cast him out of heaven. He is thus a kind of Lucifer or Satan, and like the Christian devil, his ultimate fate is to be bound till the end of the world shall arrive. Baldur, the son of Od

t it suggested itself and influenced the v

r. Etymologically she is scarcely to be distinguished from Freya, wife of Odur, who, however, is lighter in character, and is rather a goddess of love. The goddesses in the Eddas are more shadowy figures tha

ld, but they are foiled by the same agency of evil which carried him off. With the death of Baldur the gods feel that their rule, which, we saw, had a beginning, and with it the world they govern, for the two are inseparably bound up with each other, is coming to an end. The gods perish in the ruin of the world; and this is well, for sin c

n of supremacy, which will fit him, if the process were allowed, as it was not, to advance somewhat further, to represent pure deity and to attract to himself an undivided reverence. Here also we find a religion which was formerly a rude intercourse between barbarous men and savage gods, clothing itself with an ideal element. As the Greeks found religion in beauty and the Romans i

ling of sadness. They feel themselves falling from their position; they are to be gods no longer, but are to yield to the world-order, based on a deeper law than theirs, which called them into being and now is preparing their dismissal. Distinctly Christian ideas enter the old world of gods; the ideas of s

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logy, translated by

ites an Introduction to the Engl

ythen, 1858, and Wald- u

and Powell's Corpus Poeticum Boreale, es

Life in Iceland at the

orthern An

orthern M

Teutons, 1902, the most comprehens

ussian People, and

b. der deutsc

rmanische Religion

Oxford Proceedi

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touch of the arts and civilisation of the East, and are stirred up to new activities; and the

are on both sides of the Egean, which seems from the earliest times to have connected rather than divided them, their centre of gravity is in the mainland of Hellas, including the Peloponnesus. In this country many a migration no doubt took place before the people was finally arranged in it; and some of these migrations are faintly known to history. When once the settlement had been accomplished, the nature of the country did much to fix the institutions of the people and the mutual relations of their various communities. Large tribes coming into the narrow valleys and sequestered coasts of Greece necessarily broke up into small cantons, each of which, though not cut off from intercourse with its neighbours, was free to develop by itself. The country is said by travellers to be the most beautiful in the world. The branch of the Aryan

uler in earth as well as in heaven, the father of the gods as well as of men. This is the first bond of unity in Greek religion. But every family, every village, every town has its own peculiar worship which is to be found nowhere else. That worship may be addressed to Zeus with a local title; each circle of men has its own particular Zeus, who is their protector and ruler; and thus Zeus has many forms and names. In each community there is also the worship of the goddess of the hearth (Hestia); each household has its own Hestia, and carries on the worship which in other Aryan peoples is connected with the memory of departed ancestors. But the family or the township has also other o

a spirit, in every part of life; each fountain had its nymph, each forest glade its dryad; and they felt the gods to be returning to fresh life when spring came with its flowers. Each of their own activities also had its unseen genius.

dvance; but the choice once made, their rise was rapid. As the gods grew into personality and definite character, though the function out of which they first sprang was not forgotten, other functions were added to them; and as a god grew in power and consideration, his worship was set up in new places, where other titles and attributes awaited him. The local god might be identified with the great god from a distance. The god of a powerful community, as Athene ("she of Athens"), might be adopt

doubt originally been worshipped. The god Hermes was represented in every period by a slab of stone set upright, a human head and other human features being indicated on it. Even in later Greece, boards or blocks of wood were in some places exhibited on rare occasions, which were the oldest images of the Artemis or the Aphrodite there adored. Though for the public eye splendid statues had taken the place of the goddess, the original image was still thought to have a sanctity all its own. We also notice that the gods of Greece are associated with animals. Zeus is a bull in Crete; he has also other tra

followed in sympathetic rites the fortunes of the gods who live in the life of the plants in summer and die with them in autumn. The god of the Semites is generally a changeless being, who himself conducts and orders the changes of the seasons, but in Greece we find gods whom man can accompany in the tragedy of their fall and the triumph of their rise. We shall see af

ough, vol.

ractices were connected with the service of stern gods and goddesses which, though literature is silent about them, left their mark on custom. Zeus and one or two other gods are essentially moral, and some duties were strongly encouraged by religion, such as those of ho

e is no general religion, but only a multitude of local ones. In story and in rite old and new are mixed up together,-what is local and what is imported, what is savage in its nature and origin, and what is on the side of progress. This is a state of matters which lies in every land before the beginning of organised religion. Rites and legends are everywhere of local growth, and the attempt to frame the various rites and legends into a consistent ritual and a systematic account of the gods, comes later. In Greece, as Mr. Robertson Smith observes, the earlier state of matters continued longer and influenced the national faith more deeply than elsewhere. As the Greeks never succeeded in forming

s they worshipped with terror or self-prostration, but rather in a spirit of genial friendliness and sympathy as being something like themselves. And so they turned their gods into men. The anthropomorphising tendency, present as we have seen in other lands and at much earlier periods, present indeed wherever religion is a growing power, had freer play with them than with any other people. Thus the spirits of the fountain and the tree, and of every part of nature that was worshipped, took human form. At first, no doubt, the nymph was in the fountain, the dryad in the oak, but as time went

eceived to work on, either from the earlier dwellers on Greek soil or from foreign lands, she made them her own by transfiguring them into ideal men and women. Thus the Greeks reached the position, which they taught the world first in immortal poetry and then in immortal plastic art, that man should not bow down to anything that is beneath him, and that nature can only become fit to be worshipped by being idealised and made human. An end was made to the dark imagination which was so apt to creep over all early religion, that deity and humanity may

ilt, it is evident, according to an Eastern type, and with arrangements for the burial and worship of dead potentates, not unlike those of the pyramids. The art is rude, but shows large forces to have been at the command of those who directed it. We have here, therefore, a state of matters such as that described in the Homeric poems, in which petty kings rule in many of the Greek towns, some of them being personages of great rank and power. The movement in civilisation attested by these remains is admitted

was imported into Greece at this time, is not proved. Where Greeks and Phenicians met, as in some of the islands, a Greek and an Eastern god might be identified; the worship of Aphrodite and that of Astarte were fused in this way in Cyprus, and Aphrodite may thus have acquired some new characteristics even in Greece. This is not certain. Perhaps the most important thing to notice in this connection is th

time, and that it was they who framed a theogony for the Greeks, gave names to the gods, assigned to them honours and arts, and declared their several forms. These writers ac

bard" does he reproduce. A pious bard, however, had considerable latitude; and the phrase does not represent all that Homer was. He was an entertainer of the public at royal courts, where a feast was incomplete without him (Odyssey viii.); he had to produce his songs at banquets or in the open air at festivals; what he gave had to be entertaining. This could not but influence his choice of materials even when the gods were his theme. He could not deal in what was most terrible about the gods, nor could he enter into speculations or mysteries, nor could he make use of a legend which, though it had point for the locality it belonged to, was not generally interesting. What was powerful and dramatic, what all men could understand, what was curious and piquant, what met the general sentiment, that he would be led to adopt and to work up into a telling form; he naturally sought after broad pictures,

ends, they can become invisible, or they can travel very swiftly through the air. Yet, on the other hand, they can be wounded when they strive even with men; accidents happen to them, they require to eat and drink. They eat, it is true, ambrosia, and drink nectar, which give immortality; and they have in their veins not human blood but divine ichor. It is the fact of their immortality that makes them different from me

ed. Of that older set was Kronos, the father of Zeus, and the Titans, who are now cast down to Tartarus, the nethermost region of all. The world known to men was apportioned at the beginning of the present age to t

individual gods represent lofty ideals and are not unworthy of worship. Whatever they were once, powers of nature, fetishes or men, whatever village legends they have brought with them from their native place, or whatever traits of savage life still cleave to them, to the poet they are the embodiments of various moral excellences. Zeus, father of gods and men, combines in his character the attributes of righteousness and of kindness; he is the founder of social order and the defender of suppliants, he possesses all wisdom. Hera is the matron of fully unfolded beauty and matchless dignity; Apollo is the faithful son who carries out his father's counsel; Athene is the warrior-maiden skilled in battle but equipped with every kind of skill, best counsellor a

n. In the Odyssey temples of the gods are spoken of as buildings no town could be without, but this is less primitive. Sacrifice is a feast in which the god's portion of the viands is first offered to him, and the worshippers then eat and drink to their hearts' content. There is a detailed description of the proceedings in Iliad i. 456 sqq. Here after the feast there is music; "All day long worshipped they the god with music, singing the beautiful p?an to the Fardarter (Apollo); and his heart was glad to hear." "The gods appear manifest amongst us," we read in the seventh book of the Odyssey, "whensoever we offer glorious hecatombs, and they fe

m to his doom; indeed they may even deceive him, and lead him into folly so that his fate shall overtake him. The punishment of crime, both in this world and afterwards, is committed to a special set of beings, the Erinnyes. The gods who are most worshipped do not exercise that function; they are not immovably identified with the moral order of the world, but frequently deviate from it themselves. In the Odyssey, it is true, we meet with a deeper feeling. Here Zeus is a kind of providence, in whom a man may trust when he does right, and to all whose dispensations it behoves him humbly to submit. A root of monotheism is present here, as in all the Aryan religions from the first, and in Greece it is destined to have a stately growth. The Homeric pantheon, however, as a whole, shows religion at a stage in which it is rather an external ornament to life than an inner inspiration. Perhaps there was never a set of real men who thought of the gods and

erpretation of signs, which, however, are in many cases of doubtful significance. Dreams also are a favourite channel for divine communications, but they also may be interpreted wrongly. There are persons who have a special gift for knowing the divine will; the seer ([Greek: mantis]) is enlightened by the deity not by an outward sign but inwardly; he hears the god's voice, and c

mported. What then is thought of the present existence of the hero? He has ceased to exist. The body is the man, the spirit when it has left the body has but a shadow-life, without any strength or hope; at the most it may revive a little at the taste of blood. But while the worship of the departed is seen from Homer to be decaying among the Greeks, imagination is seen to be occupied in more than one direction with the regions where they are, and to be asserting for th

tions which resemble truths, referring perhaps to Homer. His own system of the world is not a light and airy fabric but a laborious work, due no doubt to professional or priestly industry, in which the attempt is made to treat all the divine figures or half-figured spirits the Greeks knew, genealogically, and to give a complete enumeration of them. Myths are given, some of them of a horrible character, which do not o

presented the spectacle of an infinite diversity. Each city carried on in grave and solemn fashion the traditional worship of its own gods, on whose favour its prosperity depended. The other gods of the Pantheon the city did not need to worship; and moreover local worship was addressed to a large extent to the Chthonian or earth-gods, as Demeter and Dionysus, of whom the epic poems know but little. The poets were of little assistance therefore to the working religion; but on the other hand the happy and beautiful deities

from Egypt and Babylon; dwellings were built, not for human rulers, as in the Mycen?an period, but for the gods. In country districts or small towns the wooden shed might still suffice to shelter the rude image, but in large towns, where the higher conception of the gods and the artistic impulse were both present in many minds, temples of more durable material were built. This came to be a universal practice; among the first tasks of a new colony was always that of erecting on a commanding site in the rising town, splendid temples to the gods of the mother city. The Greek temple is not a place to accommodate a large body of worshippers, but a dwelling for the god. It is o

etween the beam-ends under the roof) and friezes, the progress of Greek sculpture from a rude stage to that in which the sculptor has gained complete mastery over his material, and can give an imposing representation of a myth, or place on the marble a complete religious procession of brave men and fair women. The images of the gods to be placed in the temples called forth the artist's highest skill; even when the rude old god was retained, a fine work of art c

ved there was a pause, which was filled up with various exercises all connected with the act of worship, but tending also in a high degree to the delight of those taking part in it. Dancing formed a part of every rite, accompanied of course with music, and consisting not of a careless exercise of the limbs, but of a measured and carefully trained set of movements expressive of the emotions connected with the occasion. This part of the religious act is obviously capable of great expansion. We find the art of poetry also making its contributions to religious art; poems are recited bearing on the history of the god. The sacrifice is followed by contests of various kinds; the singers compete for a prize, and athletic

py self-identification with a being conceived as a type of human beauty and excellence, by being as far as possible beautiful oneself, creating beautiful objects, composing beautiful verse, training the body to its highest pitch of strength and agility, and displaying its powers in manly contests. This

; goodness and love are natural to him. He is the supreme Ruler and Disposer, whose word is fate and whose ways pious thought feels called to justify; but he is also the Saviour, to whom every one may appeal. He is the source of all wisdom; all revelations come from him. The other god who occupies a marked position is Apollo, the god of light and the prophet of his father Zeus. His oracle at Delphi w

ty; the Greeks, no longer prompted by any foreign influence, quickly learn to exercise their own powers, and to apply them in new directions. Life grows richer and deeper, new modes of sentiment appear, the nation grows more conscious of its unity, and at the same time the individual learns t

olytheism. As reason knows not gods but only God, the gods can only hold their place on condition that they are what God must be, and so they all tend to become alike in their character; attention is turned most of all to Zeus, the highest god, and when others are worshipped, it is as his prophets or delegates. The poets of the fifth century reflect the conviction which all the higher minds of their country were now coming to hold, that the world is under the rule of one god. From this they are led to take up the questions of theodicy or of the principles of the divine government. ?schylus and Sophocles, writing perhaps about the same time as the author of the Book of Job, are full of problems of

uences, or mainly to the natural growth of the Greek mind itself, religious phenomena of a new kind now appear. Sacrifices are heard of, which are not merely social reunions with the deity, but are intended to expiate some guilt or to remove some pollution. The sense of sin has arisen, which the Homeric world knows not, and gives a new colour to man's converse with the deity. Another new feature is the rise into prominence of cults in which man feels himself taken possession of and inspired by his god. Some of these belonged to Asia Minor, the great centre of worships accompanie

e winter; or in autumn Dionysus, the god of vegetation, was defeated by his enemies and driven away or torn in pieces. These worships, when developed and forming a prominent part of Greek religion, were called "mysteries," not because the knowledge of them was confined to few, but because some parts of them were transacted in deep silence, and were the objects of such awe and reverence that they were not spoken of. No one, moreover, could assist at these rites without being solemnly initiated after a period of probation and purification. Of the Eleusinian mysteries at least, which were the most widely diffused and which formed part of the state religion of Athens, ancient writers agree in their report that the course of training before admission was powerfully elevating and solemnising, so that the period of initiation was the highest point of the religious

binds the worshipper to his god and to his fellow-worshippers is no longer that of blood or of common political interests, but the higher one of a common spiritual experience. All Greeks were eligible for initiation at Eleusis. A man was not born into this circle, but entered it of his own free will and by means of voluntary effort and self-denial. A community of a higher order thus makes its appearance in Greek history, in which

on. When the mind of Greece awoke to intellectual life, and the demand was made for an explanation of the world, and for a view of the origin of things which should explain man to himself, the Greek religion was manifestly little fitted to meet such a demand. But man has everywhere looked to religion to do him this service, and a religion which is incapable of rendering it, or which like

the secrets of the under-world. The school which was named after him dealt with the deepest problems, and sought to explain both the nature of the gods and the destiny of the human soul. It insisted strongly on the power and sole headship of Zeus, in whom Greek religion had possessed from Homer downwards a figure fitted for a monotheistic position. "Zeus is the head, Zeus the middle, from Zeus are all things made. He is male and female, he is the foundation of the earth and of the starry heaven, the breath in all, the strength of fire, the root of the sea, sun, and moon. Zeus is the king, the progenitor of all things." The god Dionysus also is placed by the Orphic writers at the head of the whole process of creation. The myth of his dismemberment and of the scattering of his ashes over the whole world is made to symbolise

ive, even in matters of faith, and laboured to provide religion with a stable foundation in thought. In this great movement of the human mind the thinkers of Greece-Socrates, Plato, Aristotle, to name no more-were working at the same problem which occupied the prophets of Israel, and building up the rule of one God, a Being supremely wise and good, source of all beauty, and the worker of all that is wrought in the universe, in place of the many fickle and weak deities who formerly bore sway. In many ways the schools of Greece were the forerunners of Christianity. As the Jews, carried far from their temp

ted. Both in its outward forms of association, in its doctrine of God, which went through later developments very similar to those of Judaism, and in its concentration of thought on ethical problems and on the moral life of the individual, it p

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, Manual of Greek