ss
ce before it gives. The air that hits me tastes like the inside of someone else's
that one word landed. I rub the spot with my thumb and catch a loo
e?" Tinsley shoves past me, already scanning the room like she's a
nds her scarf, coughing into her elbow. "Come o
he corner and not be
and my question dies under the bass. Glasses on ever
d a pitcher of cherry syrup years ago and decided mopping was a concept
nsley's nails dig into my
Martins, and somehow I catch pine and cold stone un
s thighs, laughing at something he clearly didn't say. Her fingers keep working at his
ed tape," Tinsley whispers. Loudly. "I giv
ooke says, fanning herself with her scarf like she's in
hes, quick and annoying, and I hate that some part of me cl
and resting on his knee have gone pale, like
hands flat against the wood, not moving, not drumming his
y sleeve. "I'm gonna go say
first," B
terally
y's already moving
inst the wall. A second later Nolan Pike appears at our table
I buy yo
ces at me.
fine.
u s
. I need both of them gone so I can stop
squeezing between two guys arguing loudly about a penalty call. Jenna Klin
down. "Heard you broke the cage door. Wo
k it. Someone
drink across the wood. "Try
king pr
nder my skin. From the way Silas stared at my throat. From that one word still sliding through my skull like a
onto the sto
ou sur
nee bumping mine under the bar. His warmth radiates sid
lly in the m
about the suit? I could buy you a drink to make up for
tremor in the fingers, gone as fast as it came, t
a new cage door. A
u. It just
ome off. You
estly, no idea how that happened. Adrenali
exactly th
nk I loo
you're
rushes my elbow and the skin there warms, and I pull my a
him. His gaze stays on me the way a teacher watches a kid working through a
e sat next to that guy, and he's never once finished a sentence about himself.
t lookin
you we
y waist. To steady me, he'll say later. His thumb finds the curve of my hip through
es. Half a seco
your
hy
se I s
through the cotton, and I completely lose
, more like a pressure, like the floorboards just exhaled, and my ba
goes rigid ag
ear that?"
t wrong. Too quick. His free ha
that. Don'
d at the bottles behind the bar. "I
r shoulders bumping. The pool table clicks, the jukebox thumps, everything doing exactly what it's supposed to be doing. E
n't looked away. His fingers
"Martins? Babe, you'
mine on the bar, and pine and cold stone cut sharp thro
ine of sight. "Ah.
ld he be
liding off the stool. "I shou
re.
Whatever you think you..." He sto
ears into
Jenna glances over. Then I head for the restrooms, past the pool table, i
er on my face
nding in a hallway that smells like old carpet and
the wall, cinderblock
is t
near the restroom door like he's been there
can't tell if he's concerned, amused, or simply wait
elp you?
beating too
he doorframe. "How d
catching a frequency no one else can
. But I have to remind myself how to breathe, li
d you ju
a and damp earth scent of him rolls off heavier n
nds are empty and I don't know what to do with the
do you
outh twitches. Not quite a smi
w wh
tion drops to my sleeve, to the thread I
night," he says, and steps aside,
something else, the hallway behind me is empty. I didn't
against the wall, and repeat t
and b
ve it. He knew my pulse was
ud for anything that's actually funny. I don't check if M
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