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Burgundy: The Splendid Duchy

Chapter 4 No.4

Word Count: 7112    |    Released on: 06/12/2017

and it was with our expectations fully aroused that we left what might be described as the neutral ground of the H?tel St. Louis, and

ry, and others, driven from Palestine after the crucifixion of Christ, and cast adrift in an open boat, were blown, on the wings of a great wind, westward across the Mediterranean, and eventually

, the then bishop, and was housed in the basilica of St. Nazaire. So holy a relic naturally demanded a worthy shrine, and already,

e to Robert i., Duke of Burgundy.[51] This building, the existing cathedral of St. Lazarus, begu

and the ceremony was performed with great éclat, on Sunday, October 20th, 1146. Four weeks of continuous rain had given place to warm sunshine, and enormous crowds of pilgrims gathered to celebrate the event, among whom were Eudes ii., Duke of Burgundy, and many bishops and nobles. After th

Soon the pressure became so great that the gates of the church were forced, and the mob broke in with such violence that the iron grill barring the sanctuary would have been broken, had it not been supported by sheer muscular effort on the part of the clerks. "Eudes, Duke of Burgundy, William, Count of Chalon, and other brave nobles, each hurriedly putting down his chlamys, and arming himself with sword or stick, began to

e Deums, in gratitude for each healing, were unable to keep pace with the calls made upon them. While prayer, praise, and cries of "Miracle!" were resounding through the church, b

fting to her nose a handkerchief, recalling the "jam foetet" (by this time he stinketh) of the Gospel story. This priceless monument, interesting to all, doubly interesting to those who believe that it did, indeed, house the relics of the friend of Christ, was destroyed during the course of improvements carried out in the choir of the cathedral during the 18th century; but three of the figures-those of St. Andrew, Martha and Mary, are still preserved in the little Musée Lapidaire of Autun, of which collection they are the gems. A glance at them reveals the fact that

e-handled, not too happily; and the unity of the whole has been lost by the substitution, for the Romanesque work, of Gothic side chapels, and pierced parapets of varying designs, with a profusion of medi?val and classical ornament, in the spandrels and below the parapets, all utterly at variance with the simple grandeur of the original building. Moreover the north-east door, in the tympanum of which was a magnificent piece of sculpture representing the raising of Lazarus, has been replaced by a heavy productio

k, which relies for its security almost wholly upon excellence of construction. The spire, built without any internal support whatever, is said to be only seven inches thick at the base, and six towards the summit.[54] Towards the close of the 13th century, probably, the walls o

esenting the Last Judgment. Standing at the foot of the noble flight of steps leading up to the stately hall, where of old the lepers, and the horde of unclean, torn between the love of life and its miseries, must ha

f Burgundy, in 1178, permission to construct a porch, on the condition that it should not be of a military character.[55] This work was duly carried out; but it must not be supposed that the original was as we see it now. The first porch did not extend as far as the two side doors, but comprised a vault supported on two walls, whose position is now represented by two pairs of columns. The ground

y characteristic of the architecture of this part of France, though limited to a very short period, from a

th as regards design and sculpture, to be seen in Burgundy, with the exception of Véze

LA

ched He sits between the elect and the damned. On His left, in the place of torment, the sinners, weighed in the angel balance, and found wanting, are handed over, for torment, to the powers of darkness, whose bony claws, reaching down, fasten upon more victims from a sinful world. The hideous maligni

wo aspects of personal service. The original statues were destroyed at the Revolution, but the lines of their substitutes, among the most successful modern imitations that I know, have still, in form and drapery, something of Hellenic delicacy, suggesting

e any difficulty in discovering some of them for himself-Jerome and his Lion; Hagar and Ishmael driven out b

the cathedral, and so ridiculed the barbarism of its architecture, and especially of its sculptured adornments, that the Canons had the whole of the great tympanum plastered over, to hide the composition of the Last Judgment. In doing this, they preserved it from d

t the church is essentially Gothic. The fluted pilasters on the piers, a feature which we shall see repeated in many a church hereabouts, and the triforium gallery, imitated obviously from the arcade of the Porte d'Arroux, with further fluted pillars between pierced arches, and the cornice above, all show how persistent was the influence of the Roman tradition. Another feature that strikes one immediately is the stunted height of the triforium and clerestory, a fact ea

nsept, and down the nave, cannot but be struck by the grandeur of the whole effect; by the lightened solidity, t

tianity, and I think that this opinion applies especially to the work of these Burgundian architects, whose adherence to classic detail must inevitably recall, to cultured minds, the Hellenic myths with which they are

e insertion at the transepts, between the piers, of round shafts which carry the

which to see the detail of the triforium arcade, the decoration of the archivolts, an

le improvements were made. The western towers were practically rebuilt and domed; the Last Judgment in the porch was mutilated and covered with plaster, and-crowning feat of all-the magnificent tomb of Lazarus, by Brother Martin, which had sheltered for 600 years the relics of Autun's patron saint, was utterly destroyed. Lastly, these imbecile clergy of the 18th century, lined the apse, ne

but they are full of interest; and any enthusiast who is well versed in these matters, can pass a very pleasant hour in making more or less successful guesses at the subjects illustrated. Here are some of them. On the south-west side: The body of Saint Vincent guarded by Eagles; The History of Simon the Magician; The Washing of Feet;

troyed, was by Nicolas Guillain, about the year 1626; but M. de Fontenay thinks that the bust of Jeannin, much superior to the other, dates, more probably, from the end of the 16th century. Those who wish to know more than I can tell them of the subj

I will, therefore, pass them by; but, before leaving the church, I must call attention to what some people consider to be one of its chief treasures,-the martyrdom of Saint Symphorien, by I

res are vigorous, and the colouring is, perhaps, more pleasing than is the case with some of Ingres' paintings-probably because the canvas is dirty and ill-lighted-but the pictu

, read to him the ante-Christian edict of Marcus Aurelius, which decrees the capital punishment of obstinate heretics, and endeavoured, in vain, to bring Symphorien to reason. Finally, he gave orders for the prisoner to be beaten by the lictors, and brought before him again, after passing three days in prison. Some of the dialogue that took place at the second interview is worth recording as the acta sincera of Symphorien probably give it to us in a nearly verbatim form, and support, in a very interesting way, the other evidence we can produce to show that the worship of the Romans, as of the Greeks, whose religion they honoured, was, to our way

rien r

ST LAZA

ng p

useless words. If it be perilous not to make every day further progress in the way of perfection

magistra

honour granted by the prince to those who ser

s a price upon the observance of the law. He does irrepar

blic crime, in having committed sacrilege by refusing to sacrifice to the gods, and seeking to profane our holy altars, should

ressing to him her last words of farewell and encouragement. He was decapitated by the executioner, and his body buried at n

n other ancient towns of Burgundy. Meanwhile, before descending the steep old street that leads downwards, by the Hotel Rolin, to the centre of modern Autun, wander awhile through the narrow

an architect unknown, who may possibly have been Jean Goujon, to erect a fountain which

onvey an idea of the harmonious and decorative effect of this little fountain, unmatched for felicity in all France. The design is in two superposed pierced lanterns, the lower one surrounded by a cupola, and containing a basin below. The Ionic columns, th

wish that Autun had collected its relics in one good building, instead of having them in various quarters of the town; but the Hotel Rolin is well worth a visit for its own sake. It is the annexe of the ancient palace of the Rolins, the magna domum Johanni

re animals are concerned, you will probably leave that courtyard without regret, owing to the attentions of the concierge's very strenuous dog, who will make frantic and disconcerting endeavours to break out upon you through

the Oppidum Bibracte. It has also some good recumbent medi?val statues, Guillaume de Brasey, 1302, Jehan de Brasey, 1305, and the Sire de Rousillon

of the Porte des Bancs, of the fifth century, part of the

. Eloi de Marchaux. I found the bell at the entrance broken, and had to apply for admission at the concierge's cottage, No. 10, on the right. Knowing what I do of French provincial museums, I have little doubt that the reader will find the bell in the same condition. But

rasts very thoroughly with the saints on the wall behind her. The Renaissance remains from the chapel of Denis Poillot, ambassador of Francis I. in England, are of the highest order of merit, and make one regret much that the building has not survived. On the floor is a fine Roman

her grandson, Thierry, she governed Burgundy for fifteen years (598-613), establishing her court at Autun, and, although more than sixty years of age, showed a "sagacity in council and administrative ability" which is noted by Gregory of Tours. Finally, some of the Burgundian chiefs, who hated her, delivered her over to her enemy, King Clotaire II. He caused her to be paraded for three days on a camel's back, in s

ong Roman capitals. The gardienne's children are at play on the path, and, in the centre of the green cloister garth, the ripening pears tremble upon the swaying branches. The ol

ended." "Parfaitement, Monsieur; Ha! ha! ha!" and her gossip friend, across the road, join

t century, so called because, according to Tacitus, they were completely hidden beneath an iron armour, so thick as to make the wearer as immune against blows as he was incapable of dealing them.[63] The most interesting thing in the museum is the famous Greek inscription which has excited the interest of antiquarians and theologians all ove

ow from the true riches. Receive the delicious food of the Saviour of saints. Take, eat and drink, thou holdest Ιχθυ? in thy hands. Ιχθυ? grant me this grace, ardently I desire it, Master and Saviour;

town. It was built over in Roman times, as proved by the substructures that have been found, but the land was cleared about the twelfth century. Throughout all the middle

ll held, in September, the great fête de St. Ladre, and cattle fair that draws so many traders to Autun, and destroys for a month the peace of the cathedral city.[65] The wars of religion and the great revolution have brought their quota of victims to th

of January, 1802, Napoleon Buonaparte passed through Autun on the way to Lyons. He stayed one night, with the Empress Josephine, at the Hotel St. Louis, where he received the local authorities. Several ladies of the town, eager for a sight of

rt of order; their ranks were broken, and soldiers of all arms were marching pell-mell. Napoleon was surprised and deeply hurt by his reception at Autun. No crowds came out to meet him, and scarcely a cry of "Vive l'Empereur" was heard. The houses were shut, the stre

ation. He was pacing up and down, holding in his hand the proclamation of the night before, stepping at every moment on to the balcony

said M

ne who would sacrifice his dignity for a dinner. You are mayor no longer; only a fanatic

tribunal, "by your abdication you have freed us fro

ess of the French. France is not happy. She recalls me, and yo

sire, you hav

eon, angrily, "you are o

ilence that had marked his arrival, Napoleon left early the next morning, to fac

ruit tree in the garden into which the guests had overflowed. She must have overheard, at the large table, words which offended her, for, says St. Fonteney, she left her repast and the hotel in haste, and, two months afte

dark), she muttered. He shrugged his shoulders. The old woman wandered off vacantly. Third class fare on a monopoly railway does not entitle you to light; and she knew it. Along the darkened train ran a legend that they were buying oil and wick in the town. We waited, waited, long enough for them to have bought up the whole town and the one beyond it. But no light came, until, southward, I saw a faint, silvery glimmer. Then I knew what we were waiting for. There is no charge for moonlight-not even on that railway. But it was still dark as pitch. With a jerk the train began to move out; a la

t another station. Not content with the moon, people put their heads out of the windows, and clamoured for light. They chaffed the station-master; they ragged the guard. Like rabbits the men ran up and down over the roofs of the carriages. Five porters

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moved for some years t

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ses Monuments

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