A Hundred and Seventy Chinese Poems
ble." Finding that he could not influence the conduct of his prince, he drowned himsel
-spears: we don our
hariots touch: our
the sun: the foe r
ck: the warrior
r ranks: they
rse is dead: the one o
ck our wheels: they i
drum-sticks: they be
ir fall: the dread
ll dead: they lie
not enter: they went
at and wide: the
ide them: their blac
e torn, their hearts c
e: they were inspired wi
end, they could
cken, but their souls
he ghosts, heroe
, milita
ND AND THE
Sung Yü (fourth century
h. It comes wide spread and does not choose between noble and base or between high and low. How can you say 'This is the king's wind'?" Sung answered: "I have heard it taught that in the crooked lemon-tree birds make their nests and to empty spaces winds fly. But the wind-spirit that comes to different things is not the same." The king said: "Where is the wind born?" and Sung answered: "The
ces and crosses the threshold of rooms. And so growing g
leaves with its breath. It wanders among the osmanthus and pepper-trees. It lingers over the fretted face of the pond, to steal the soul of the hibiscus. It touches the willow leaves
comes the Gre
es the diseases of men, blows away the stupor of wine, sharpens sight and h
empty spaces it attacks the gateway, scatters the dust-heap, sends the cinders flying, pokes among foul and rotting things, till at last it enters the tiled windows and reaches the rooms of the co
man-wind of the
s a sample of S
R TēN
(third ce
to follow you into the Queen's apartments." The King repeated Tēng-t'u's words to Sung Yü. Yü replied: "My beauty of face and calmness of bearing were given me by Heaven. Subtlety of speech I learnt from my teachers. As for my character, I deny that it is licentious." The King said: "Can you substantiate your statement th
uld make her too red. Her eyebrows are like the plumage of the kingfisher, her flesh is like snow. Her waist is like a roll of new silk, her teeth are like little shells. A single one of her
d and misshapen ears; projecting teeth irregularly set; a crook in her back
e with her and caused her
esty consider which of
not dismisse
arters in the capi
OR
irst cen
an o
ed to be
ter is
er and mothe
ride in
ur fine
they bo
r and sis
ut to be
travelled to th
ast as far a
the year whe
ll them what I
and vermin
t in my fa
d me to get re
told me to see
s going up
down again t
fell li
they sent me
t back till
s were
had no
d the c
n thorns a
to pull out
er my he
s fell
on sobbing
I have no
mmer, thi
leasure to
quickly lea
th the Yello
ril wi
ass is gro
onth-silkworms
month-the m
with the
as I was
-cart tur
o came to hel
who ate the m
eft me was
me as fast
d sister-in-l
all sorts of a
yone in the v
ite a letter
and father un
m I can't go
y brother and
Ha
SICK
ill for yea
r me to say
't say wha
ars that kept com
ed you with or
children t
children go
ng, don't slap
t the baby, rock
rget to
she
hem in my arms th
ckets have no li
ors and barre
e motherles
market and met m
nd could not
buy some cakes
of my friends I
rieve, but sorro
et and gave my fr
home I foun
aken into their
and down in
nd that a
ay from it and
and never speak
-CRO
irst cen
ter dawn breaks, th
at Ju-nan mounts
clock[5] run down, but
he stars are few; mornin
ten thousand doors the
by the Castle, the crows
water-
OLDEN
irst cen
the Golde
ut the j
the hono
at the Go
r at the
o the Go
tchen the meat is
nd boiled po
he Feast hands
rs sound their
aside and we face
are marshalled r
and the smoke p
burner rises a de
e has made ou
ble joy and
shared in this
ss autumns enjo
D P
I went wi
core I c
met a man fro
who there
there is
ver with tree
run in at
down from the b
d was growing s
well, some
e grain and
he mallows a
rridge are
no one to e
d looked towa
ell and wette
G IN T
where there was
t the carriage
axle was tou
oad I asked him
e I live is eas
and difficu
house are buil
house is paved
ble flagons of
to serve me danc
he courtyard grow
branches flaring
of Chao, where the people w
SOUTH OF
circa 1
t south of
north of
he moors and w
was the fo
rows we are
the moors and
an our bodie
ers flo
es in the po
fought and
ses wande
ge there wa
uth, was
t was neve
give you yo
your Prince
all i
you, faithf
shall not b
rning you wen
ht you did
e havoc of war. The harvest has not been gathered: therefor
ASTER
rst centu
into the world and make his fort
at the ea
thought
the gate with my he
a peck of ri
a coat hangi
ord and went to
ld clutched at
want to be ri
share my porr
e the blue wa
ow face of this
fe, I ca
will be
e is gr
t put thi
AN
irst cen
mountain to pl
mountain and met h
and asked her
find your n
although her t
me as my ol
ce there is not
ess they are n
es in from the
ways came down
clever at emb
was good at
dery one can d
ing, more th
ks by the side
ew will not comp
F THE G
ve is
th of the
I send to
d a comb of t
to him packed i
me he is
e dashed my bo
the ground
d its ashes
ay to the e
ever thi
ain thin
ks are
dogs are
his wife will
n wind is
ng wind i
he sun will r
it too
her engagement b
SIDE OF
r in the hands
he shame o
out and my st
getting en
er is a
rses are f
e spare a l
and ra
OF FRI
ther they set up an altar of earth and sacrificed upon
1
re riding
e wearing
y we met i
get down
carrying a
e riding
y we met i
get down
nt's coat m
der which a cheap-j
2
ng
o be you
ever without
hills are
ivers are
ens and thund
ns and snow
en and Ea
en will I p
AL S
1
leaf," sung at the buri
ftly it
n the gar
that dri
w will f
we carry t
ver mor
2
sung at the bur
land is the
rowded home
lish shoulde
the Dead cla
e knows n
EEN OL
ury A.D.). They are manifestly not all by the same hand nor of the same date. Internal evidence shows that No. 3 at least was written after the date of Mei Shēng's death. These poe
1
, always
parted by a l
e another ten
ferent corner
een is diffi
how shall w
rse prefers t
eh nests on the
ed the time i
es hang looser
uds obscure
one has quite
ou has made m
ears swiftly dra
t of my mind an
my might to eat
site of a par
rroneous, interpretatio
ay and rejected I
ith all my hear
2
n, g
by the r
k, t
trees in
, s
y in th
e, w
the casem
r,
-powder
l, s
out her p
s a dancing
a wandering
man went, but
lone to keep
3
n, g
ess on t
m,
der in t
lived withi
ourning of a hu
together wil
riendship is n
iot I urge my
in the street
how fine ev
ts"[13] go seekin
vards are inter
e town-houses
stare at each
tes rise a
feast let us kee
oom for sadnes
igh of
4
s glorious f
delight are diffi
they sent forth
s in beauty rea
rs intoned th
une heard the truene
each with t
ughts by eac
d lodging for a
y like dust bo
hurry out wi
to reach the hi
ay at home wre
s plunged in
5
west there is
with the flo
tains thinly sc
wer is built o
omes a noise of pl
ounding, o
e, playing s
t be Ch'i Lia
D" follows the
lay lingers
te, two or
onquered by ove
egret that she
so few can unde
become those
ting wings ri
ather, no husband
6
iver I pluck h
wamps are many
but who shall
iving in lan
ok towards my
d stretches
t, yet a diff
ng, till we a
7
illumines the
et chirrups on
le-star points to th
ars is scatter
w wets the m
ness the times an
cada sings am
alas, whither
a same-ho
ght and ros
ber how once we
footsteps behin
innowing-fan and the
] whose ox has ne
is not firm a
it and idly b
s only figuratively speaking a herd-boy,
8
rd there grows
s ooze with a f
ch I cut a flowe
it away to the
ll fills my s
ng, how shall
is not fine e
of the time that has p
t away in the autumn), remi
9
nkles the He
s the Lady of
r she plies her
the wheels of he
day she has not
rs fall like s
r runs shall
them, how sh
water will not
other but never
1
riot I yoke my
down the
ds shake the h
e, how desol
meet are al
s hastens the co
decay each ha
ter when it is
is not meta
prolong the da
ws in the way of
nly treasure
1
astle stands
retch the tower
nd uprises and
asses grow th
ons alternate
end hurries
orning Wind is st
a suffers and i
t us loosen the bo
on always restrai
hao are many
ople with fa
are made all
e door practisin
ir singing, how
ong one knows the sto
s they arrange the
song, a little
to be those two
ay to nest in the e
1
riot up to the
the graveyard no
ens how they
esses flank th
men who di
the long night
neath the Ye
ears they lie
ession light and
nish like th
is like a
ks the firmness othat mourners in th
ge,-all alik
ood to obtai
n the dupe of
r to drin
odies in robes o
tinuatio
and with them we
here and ought
city-gate
e me only mou
are ploughed
cypresses are
e aspens sa
uring kills my
me, to ride to
ack, but there
1
lifetime do not
in a thousand
hort and the du
a lamp and
be happy you
aiting till a
oath to spend th
aughing-stock
t Master Wang
we hope to s
1
he year draw
rasshoppers make a
nd increases
ove has no coa
roidered furs t
bedfellow he is
in the depth of
ught I saw the l
ught of our old
ariot and gave me
prolong our pla
and go back with
ad come he wou
with me to th
the falcon's w
l the flying w
the gate and th
ears wet the
1
g of winter a c
ind blows-c
any, I know the le
look at the star
h day the brigh
day the "toad a
me to me from
single scroll w
scroll was writt
as written "Goo
r away in the f
rs the writin
ndivided hear
ou will never
man in the moon." The waning of the moon sym
1
on, oh, how w
the gauze cur
row I toss an
clothes, I wan
ve says that
her he said he
tyard I stand h
tell the sad t
e me I enter
s wet my man
UTUMN
ly sixteen. In this poem he regrets that he is obliged to go on an official journey, leaving h
rises: white
es wither: ge
loom: chrysanthe
ovely lady: I n
da boat cross
id-stream wh
p time to sound of
d feasting, sad
s how few! A
FU-
her silk skir
le pavement
oom is cold
are piled agai
or that l
ng my aching
sent for wizards from all parts of China, hoping that they would be able to put him into communicatio
or isn
nd an
swish of a
ow she
SNOW-WHI
hat night, and they set up a wine-shop together. After a time Hsiang-ju became famous as a poet, but his character was marred by love of money. He sold love-poems, which the ladies of the palace sent to the
ove w
ow on the
as a
n the
e tell
ughts ar
why I
eak i
we'll
p of
row we
e the
ing
e the
s branch
and
and
gain
ust
n she's
find no
ngle
l not l
r hair
HIS
Su Wu (circ
s plaited and we
n us was never
merry this ni
aying while the
er the distance t
ed and look out
nets are all grow
s the road;
rvice, away to t
know when I s
and with only
s-in the days wh
ight enjoy the
t the time of ou
live, I will
will go on thinki
L
ng fro
will never c
-our parting
e halt at t
mbrace where th
e are floating
y passing: or b
he wind lose t
away each to a
ds-long must b
p again for a
de on the wings o
u right to you
fter nineteen years Su Wu was released. Li Ling would not go bac
n thousan
sandy
rvice of
the Hun
blocked a
and swor
s had fa
tation
ther is l
ant to requi
an I
OF HS
ian nomad king, K'un Mo, king of the Wu-sun. When she got there, she found her husband old and decrepit. He only saw her
e have m
corner
ay to a st
ing of t
is my
are my
lesh
e's milk
king of my
rt sad
ere a yel
fly to m
IN
at a time when his wife was ill and staying with her parents. He was therefore unable
the coachman ge
ng" the harne
I must start on
I must gird
nd look at th
almost think
but ten tho
seat, my hear
o to tell you
t you know o
pins make the
irrors can r
rbs banish
ar's harp has
k of Odes[18] who
t back with dia
ll the things you
to have done so
ow that it is
is this descripti
Odes,
IA'S WIF
dy is alas
n first you b
weary in
d and I go
dly ever see
serve you
ived the Impe
ed to go far a
must be o
ined to tell y
toe gazing int
ng at the road th
of you my mi
see the light
tarted on you
ngs you furt
had a bi
ying could
ob and l
ll down and
O
hou (second
n Way at the
road peach-trees
es,-flower mat
oad,-leaf to
rises from t
eaves gently
somebody's d
et, to gather s
om and, forgetting about her silkw
and she breaks a b
tossed and scatt
tree
y, I never
u hate me and
ady a
in the eighth
e dew changes
he wind would have
ance could not h
mn your leaves pat
mes, your gay
s when their brig
never come