Replaced: A Husband's Revenge

Replaced: A Husband's Revenge

Shi Liu

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"Mr. Phantom, are you sure you want to enter the national street art competition?" the voice on the phone asked, echoing in my lavish penthouse. I, Ethan Hayes, the true Phantom, stared at my reflection, the city lights blurring like the last ten years of my life. I was back.\n\nThe memories hit me-the alley, the sickening crunch of bone, the mangled hands. Olivia, my wife, her eyes cold, furious, saying, "This competition can only be won by 'Phantom'! Anyone who threatens him will be eliminated, and that includes you!" She thought Mark Jensen, my ambitious assistant, was Phantom, my savior. She bought him this penthouse. My art saved her from suicide, but she mistook my pain for jealousy, then had my hands broken when I tried to reclaim my identity.\n\nAt the charity auction, she introduced Mark as Phantom, spending millions on his "art." When my own painting, "Three Days"-a raw depiction of my torture during kidnapping-came up, I desperately bid for it. But she outbid me, buying it for Mark, whispering, "This painting belongs to a true artist. It belongs with Mark."\n\nLater, she orchestrated a horrifying re-enactment of my kidnapping, breaking my hands again for Mark's "inspiration." My own wife. She then forced me to sign a contract in the hospital, giving up my identity as Phantom and agreeing to a divorce, all to save my hands. I signed, but not before telling her, "After this, we are nothing. You are not my wife. I am not your husband. We will be strangers."\n\nI was worthless to her, an embarrassing attachment. But I was Ethan Hayes, the true Phantom, and I wouldn't be destroyed again. I left, starting fresh in a new city, fueled by a promise: the world would see the real Phantom's work, and my revenge would be swift and quiet.

Introduction

"Mr. Phantom, are you sure you want to enter the national street art competition?" the voice on the phone asked, echoing in my lavish penthouse. I, Ethan Hayes, the true Phantom, stared at my reflection, the city lights blurring like the last ten years of my life. I was back.\n\nThe memories hit me-the alley, the sickening crunch of bone, the mangled hands. Olivia, my wife, her eyes cold, furious, saying, "This competition can only be won by 'Phantom'! Anyone who threatens him will be eliminated, and that includes you!" She thought Mark Jensen, my ambitious assistant, was Phantom, my savior.

She bought him this penthouse. My art saved her from suicide, but she mistook my pain for jealousy, then had my hands broken when I tried to reclaim my identity.\n\nAt the charity auction, she introduced Mark as Phantom, spending millions on his "art." When my own painting, "Three Days"-a raw depiction of my torture during kidnapping-came up, I desperately bid for it. But she outbid me, buying it for Mark, whispering, "This painting belongs to a true artist. It belongs with Mark."\n\nLater, she orchestrated a horrifying re-enactment of my kidnapping, breaking my hands again for Mark's "inspiration." My own wife. She then forced me to sign a contract in the hospital, giving up my identity as Phantom and agreeing to a divorce, all to save my hands. I signed, but not before telling her, "After this, we are nothing. You are not my wife. I am not your husband. We will be strangers."\n\nI was worthless to her, an embarrassing attachment. But I was Ethan Hayes, the true Phantom, and I wouldn't be destroyed again. I left, starting fresh in a new city, fueled by a promise: the world would see the real Phantom's work, and my revenge would be swift and quiet.

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The Billionaire's Perfect, Plastic Wife

The Billionaire's Perfect, Plastic Wife

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For five years, I played the part of the perfect wife to Knox Steele, heir to a media empire. My life was a curated masterpiece, a reward for surviving the car accident his stepsister, Gemma, caused-an accident that was meant to kill me. At a charity gala, I saw her. Gemma, supposed to be locked away in rehab, was glowing. She was holding the hand of a small boy. And next to her, laughing as the boy tugged on his jacket, was my husband. Hiding in the shadows, I heard the boy call Knox "Daddy." I heard them planning his birthday party for the next day at our lake house-a "family-only" trip I was, as always, excluded from. Then I heard Gemma' s voice, laced with poison. "What about Adelaide? Will she be a problem?" "Don't worry about her," Knox said, his tone dismissive. "I'll tell her it's a business retreat. She'll stay home like a good little wife. Poor thing." My entire five-year marriage was a performance. A carefully constructed cage to keep me quiet while they lived their real life right under my nose. I wasn't family. I was the cover story. But the final betrayal was discovering their plan to drug my morning coffee, to keep me sedated and "unwell" so I wouldn't interfere with their celebration. They weren't just lying to me; they were going to incapacitate me. That's when the woman he married died. I signed the divorce papers, walking away from billions. I wanted nothing from them but their ruin. And as I watched them cut the birthday cake at the lake house, I smiled. My gift was on its way.

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My husband, Liam, locked me out of our bedroom for the third night, a faint murmur of voices audible from inside-his low and soothing, hers soft and appreciative. Chloe, eight months pregnant with his child, was in my bed. But I had just finished massaging Chloe' s swollen feet, even making her warm milk. This was the same husband who had built our ten-year marriage on the unwavering foundation that we would be child-free. And when the baby cried from the nursery down the hall, it wasn' t Chloe who rose, but me, spending the entire night caring for their child. The next morning, I learned Chloe had a "dying wish": to be Liam's wife. He presented me with divorce papers, asking me to sign. He believed I had finally understood what it meant to be a selfless wife. He thought he had broken me, that this was his ultimate victory. He was wrong. I wasn' t broken; I was dying. Stage-four stomach cancer, inoperable, aggressive. Three days to live. As I nursed his child, listening to him make love to Chloe in our bed, the pain in my stomach sharpened. The irony tasted metallic. The next morning, Liam handed me black coffee-the kind Chloe liked, the kind that upset my stomach-and again, the divorce papers. When Chloe later appeared, wrapped in my silk robe and wearing the "Star of the Ocean" necklace I had coveted, she taunted me with Liam's dismissal of my desire for it. Overwhelmed, I collapsed, but when Liam appeared, he slapped me, then had his bodyguards drag me away. He called me a jealous, bitter monster. Why would he, the man I loved, turn so cruel? How could he believe such lies? Why did the universe allow me no peace, even in my final moments? I refused to be his broken toy. With the last of my strength, I offered him my entire company, signed over with a bloody thumbprint. Then, in an act of final defiance, I cut down the magnolia tree-the symbol of our love-and burned all my memories. My death was not just an ending, but a deliberate unmaking of his world, a final, painful act of rebellion.

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