When Dead Husbands Walk Again

When Dead Husbands Walk Again

Gavin

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The day Michael Miller came back from the dead was a Tuesday. I was in my home office, the one that used to be his, when the doorbell rang, followed by a commotion downstairs. A man' s voice, familiar yet chillingly out of place, echoed through the house. It was Michael Miller, my husband, whose funeral I' d attended three years ago. He stood there, healthy and tanned, not alone. A blonde woman clung to his arm, and beside them, two children with his dark hair and pale blue eyes stared up at me, their faces hostile. "Ava," he said, his voice smooth, as if he' d just returned from a business trip. "I' m home." He introduced the woman as Chloe Davis and the children as Jasper and Ruby, explaining casually that he had faked his death to escape crushing debts. He expected me to accept them, to move into a guest room, to welcome his new family into our home. His mother, Eleanor, and siblings, Sarah and Ben, burst in, not with shock, but relief, claiming amnesia had kept him away. They sided with him, Eleanor even suggesting I move to the guest cottage. The family I had tirelessly saved from ruin, the company I' d rebuilt from scratch after his "death," now saw me as an inconvenience, a lingering ghost in my own life. I thought of the child we were supposed to have, the one I lost due to the stress of saving his company, of dealing with his fake death. The painful memory of my miscarriage, alone in this big, empty house, while he was off starting a new life, a new family. Then, Chloe' s son, Jasper, kicked my shin and called me an "old witch." Chloe giggled. The dam holding back my buried grief and rage shattered. I looked at their arrogant faces, their triumphant sneers. They had no idea who I had become in the fire of his betrayal. They didn' t know the thriving Miller Corp was no longer theirs. It was mine.

Introduction

The day Michael Miller came back from the dead was a Tuesday. I was in my home office, the one that used to be his, when the doorbell rang, followed by a commotion downstairs. A man' s voice, familiar yet chillingly out of place, echoed through the house.

It was Michael Miller, my husband, whose funeral I' d attended three years ago. He stood there, healthy and tanned, not alone. A blonde woman clung to his arm, and beside them, two children with his dark hair and pale blue eyes stared up at me, their faces hostile.

"Ava," he said, his voice smooth, as if he' d just returned from a business trip. "I' m home." He introduced the woman as Chloe Davis and the children as Jasper and Ruby, explaining casually that he had faked his death to escape crushing debts. He expected me to accept them, to move into a guest room, to welcome his new family into our home.

His mother, Eleanor, and siblings, Sarah and Ben, burst in, not with shock, but relief, claiming amnesia had kept him away. They sided with him, Eleanor even suggesting I move to the guest cottage. The family I had tirelessly saved from ruin, the company I' d rebuilt from scratch after his "death," now saw me as an inconvenience, a lingering ghost in my own life.

I thought of the child we were supposed to have, the one I lost due to the stress of saving his company, of dealing with his fake death. The painful memory of my miscarriage, alone in this big, empty house, while he was off starting a new life, a new family.

Then, Chloe' s son, Jasper, kicked my shin and called me an "old witch." Chloe giggled. The dam holding back my buried grief and rage shattered. I looked at their arrogant faces, their triumphant sneers. They had no idea who I had become in the fire of his betrayal. They didn' t know the thriving Miller Corp was no longer theirs. It was mine.

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Contract With The Devil: Love In Shackles

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I watched my husband sign the papers that would end our marriage while he was busy texting the woman he actually loved. He didn't even glance at the header. He just scribbled the sharp, jagged signature that had signed death warrants for half of New York, tossed the file onto the passenger seat, and tapped his screen again. "Done," he said, his voice devoid of emotion. That was Dante Moretti. The Underboss. A man who could smell a lie from a mile away but couldn't see that his wife had just handed him an annulment decree disguised beneath a stack of mundane logistics reports. For three years, I scrubbed his blood out of his shirts. I saved his family's alliance when his ex, Sofia, ran off with a civilian. In return, he treated me like furniture. He left me in the rain to save Sofia from a broken nail. He left me alone on my birthday to drink champagne on a yacht with her. He even handed me a glass of whiskey—her favorite drink—forgetting that I despised the taste. I was merely a placeholder. A ghost in my own home. So, I stopped waiting. I burned our wedding portrait in the fireplace, left my platinum ring in the ashes, and boarded a one-way flight to San Francisco. I thought I was finally free. I thought I had escaped the cage. But I underestimated Dante. When he finally opened that file weeks later and realized he had signed away his wife without looking, the Reaper didn't accept defeat. He burned down the world to find me, obsessed with reclaiming the woman he had already thrown away.

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