The Betrayed Wife's Ultimate Play

The Betrayed Wife's Ultimate Play

Celine Egan

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My final prenatal appointment was today, but the drive turned into a nightmare. Now, I lay on a gurney, pregnant and bleeding, the world a blur of flashing lights. My husband, Matthew Scott, the golden boy ADA, was here, but his entire focus was on Sabrina Lawrence, his childhood friend, not me. "Get her out! She' s critical!" he screamed, as I rasped, "Matthew, the baby..." He didn' t even turn his head. A colleague dismissed my cries, telling me Matthew was stressed, Sabrina seriously injured. Just like my first life, this scene repeated. I had lived this betrayal before. Then, he pushed me off a gurney at the crash site, left me bleeding out on the asphalt while paramedics tended to Sabrina, believing his lie that I was hysterical and "faking" my injuries. My baby, our baby, was taken from me. The police officer later told me, "Your husband is a respected Assistant District Attorney. He's worried you're having a panic attack." They loaded Sabrina onto a stretcher, Matthew hovering, his voice tender for her, walking right past me as I lay trapped in agony. How could he do this? How could his colleagues and even strangers so readily believe his twisted narrative, abandoning a pregnant, dying woman because her powerful husband deemed her "dramatic"? Why was her life, her baby's life, less valuable than a man's reputation? The pain, the crushing realization of his utter depravity, merged with the chilling memory of his hands pushing me to my death in my previous life. But this time, I wouldn't be his victim. This time, as I lay there, abandoned and bleeding, the familiar darkness wasn't the end. It was the beginning of my reckoning. He thought I was just a placeholder? He was about to find out what happens when a placeholder decides to burn the whole goddamn game board to the ground.

Introduction

My final prenatal appointment was today, but the drive turned into a nightmare.

Now, I lay on a gurney, pregnant and bleeding, the world a blur of flashing lights. My husband, Matthew Scott, the golden boy ADA, was here, but his entire focus was on Sabrina Lawrence, his childhood friend, not me.

"Get her out! She' s critical!" he screamed, as I rasped, "Matthew, the baby..."

He didn' t even turn his head. A colleague dismissed my cries, telling me Matthew was stressed, Sabrina seriously injured. Just like my first life, this scene repeated. I had lived this betrayal before.

Then, he pushed me off a gurney at the crash site, left me bleeding out on the asphalt while paramedics tended to Sabrina, believing his lie that I was hysterical and "faking" my injuries. My baby, our baby, was taken from me.

The police officer later told me, "Your husband is a respected Assistant District Attorney. He's worried you're having a panic attack."

They loaded Sabrina onto a stretcher, Matthew hovering, his voice tender for her, walking right past me as I lay trapped in agony.

How could he do this?

How could his colleagues and even strangers so readily believe his twisted narrative, abandoning a pregnant, dying woman because her powerful husband deemed her "dramatic"?

Why was her life, her baby's life, less valuable than a man's reputation? The pain, the crushing realization of his utter depravity, merged with the chilling memory of his hands pushing me to my death in my previous life.

But this time, I wouldn't be his victim.

This time, as I lay there, abandoned and bleeding, the familiar darkness wasn't the end. It was the beginning of my reckoning. He thought I was just a placeholder? He was about to find out what happens when a placeholder decides to burn the whole goddamn game board to the ground.

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Other books by Celine Egan

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Too Late For Sorry

Too Late For Sorry

Romance

5.0

The news broke on a Tuesday. Olivia Reynolds, a celebrated artist, found herself targeted by a major art blog accusing her of blatant plagiarism. Her acclaimed piece, "Urban Echo," was displayed side-by-side with similar works by an unknown European artist, igniting a war zone of online comments declaring her a "Fraud" and calling to "Cancel her." Her boyfriend, Ethan Miller, a respected art critic, didn't defend her. Instead, he confessed to orchestrating the whole thing to protect his protégé, Chloe Davis, claiming Chloe had made a "youthful mistake." He dismissed Olivia's pain as "dramatic" and a "performance," highlighting her struggle with depression as mere "attention." The betrayal only deepened when her gallery terminated its representation, cancelling all her shows. Chloe, feigning empathy, then explicitly told Olivia that Ethan had chosen her because her career was "more important," rubbing salt in the wound until Olivia shattered a glass in a fit of despair, cutting her hand. Ethan, without a glance at Olivia's injury, sided with Chloe, who accused Olivia of attacking her. Ethan and Chloe were seen making their official debut at a gala, dancing on Olivia's professional grave. A text message then arrived, "You should kill yourself, you thieving bitch," accompanied by a photo of her with a gun pointed at her head. Standing on her balcony, teetering on the edge, Olivia made one last desperate call to Ethan. "I'm on the ledge, Ethan," she whispered. But he laughed, dismissing her plea as a bid for "attention." The line went dead as Chloe's laughter echoed in the background. With nowhere else to turn, Olivia stepped into the void.

Love's End, Betrayal's Sting

Love's End, Betrayal's Sting

Sci-fi

5.0

My husband, Mark, told me he was reborn. In the ruins of San Francisco, he promised me a safe harbor, built on the back of his miraculous "system." I, a scientist who dealt in facts, chose to believe in him, in us. That trust was my first mistake. A week later, our penthouse was breached. Mutated creatures swarmed. Trapped in my lab, being torn apart, I cried out the emergency phrase Mark had taught me: "Celeste' s Melody." A synthetic voice echoed in my head, asking, "Host, what did Luna ever do to you? How could you trade her to those sharks?" Then Mark' s voice, cold and flat, confirmed it all: "No choice. Celeste is fragile...Luna is my co-founder, I can' t do anything about it. Celeste has suffered enough. After this, my stock options will be enough, and I' ll find a way to compensate Luna." He had orchestrated my demise. My husband, the man I loved, sacrificed me to monsters to protect his manipulative protégée, Celeste. For "stock options." The pain of betrayal was worse than any wound. But it wasn' t just physical agony. As I lay dying, the system revealed Mark was watching, monitoring my forced torture for 72 hours. He had a timer on my agony. My life, my work, the cure I' d perfected-all disposable in his cruel game. And worst of all, I was pregnant. Our child, Lily, would never be born. I wouldn' t let them win. With my last breath, I found a flare gun and my audio recorder. I would ensure the truth survived, even if I didn' t.

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Too Late: The Spare Daughter Escapes Him

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I died on a Tuesday. It wasn't a quick death. It was slow, cold, and meticulously planned by the man who called himself my father. I was twenty years old. He needed my kidney to save my sister. The spare part for the golden child. I remember the blinding lights of the operating theater, the sterile smell of betrayal, and the phantom pain of a surgeon's scalpel carving into my flesh while my screams echoed unheard. I remember looking through the observation glass and seeing him-my father, Giovanni Vitiello, the Don of the Chicago Outfit-watching me die with the same detached expression he used when signing a death warrant. He chose her. He always chose her. And then, I woke up. Not in heaven. Not in hell. But in my own bed, a year before my scheduled execution. My body was whole, unscarred. The timeline had reset, a glitch in the cruel matrix of my existence, giving me a second chance I never asked for. This time, when my father handed me a one-way ticket to London-an exile disguised as a severance package-I didn't cry. I didn't beg. My heart, once a bleeding wound, was now a block of ice. He didn't know he was talking to a ghost. He didn't know I had already lived through his ultimate betrayal. He also didn't know that six months ago, during the city's brutal territory wars, I was the one who saved his most valuable asset. In a secret safe house, I stitched up the wounds of a blinded soldier, a man whose life hung by a thread. He never saw my face. He only knew my voice, the scent of vanilla, and the steady touch of my hands. He called me Sette. Seven. For the seven stitches I put in his shoulder. That man was Dante Moretti. The Ruthless Capo. The man my sister, Isabella, is now set to marry. She stole my story. She claimed my actions, my voice, my scent. And Dante, the man who could spot a lie from a mile away, believed the beautiful deception because he wanted it to be true. He wanted the golden girl to be his savior, not the invisible sister who was only ever good for her spare parts. So I took the ticket. In my past life, I fought them, and they silenced me on an operating table. This time, I will let them have their perfect, gilded lie. I will go to London. I will disappear. I will let Seraphina Vitiello die on that plane. But I will not be a victim. This time, I will not be the lamb led to slaughter. This time, from the shadows of my exile, I will be the one holding the match. And I will wait, with the patience of the dead, to watch their entire world burn. Because a ghost has nothing to lose, and a queen of ashes has an empire to gain.

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