The White Waterfall

There is a Tongan proverb which tells us that only fools and children lie awake during hours that could be devoted to slumber, and it is a wise proverb when you judge it from a Polynesian standpoint. No special preparations are required for slumber in the last haunts of Romance, and as one does not lose caste by dozing in public, the South Sea dweller sees no reason for remaining awake when he could be peacefully sleeping.

The shade of a palm tree furnishes an ideal resting place, and if a dog fight occurs in the grass-grown street, he becomes a box-seat spectator without moving from his couch. Levuka, the second largest town in the Fijis, was dozing on the afternoon of December 14, 1905, and I decided to follow the example set by the inhabitants. The thermometer in the shack at the end of the wharf registered 98 degrees, but the picturesque little town, with its white and vermilion-tinted houses, looked restful and cool. The hot, still atmosphere weighed down upon the Pacific, ironing out the wind ruffles till the ocean resembled a plain of glass, in which the Union Company's steamer Navua, from Auckland, appeared to be stuck fast, as if the glassy sea had suddenly hardened around her black hull.

A thin strip of shadow huddled close to a pile of pearl shell at the end of the wharf, and I doubled myself up and attempted to sleep. But hardwood planks don't make an ideal resting place. Besides, the rays of sun followed the strip of shadow around the pile, and each time I slipped into a doze I would be pricked into wakefulness. At last, maddened by the biting rays, I collected half a dozen copra bags, splintered a piece of kauri pine, and after rigging up one bag as an awning, I spread the others on the planks and fell asleep.

But another disturbing element awakened me from a short slumber. From the sea end of the deserted wharf came a big, greasy Maori and a fuzzy-headed Fijian, and their words went out into the silence like sound projectiles. The Maori had such a high-pitched voice that I thought, as I rolled over restlessly, he would only have to raise it a little to make them hear him up in Sydney, eighteen hundred miles away. It was one of those voices that fairly cavort over big distances, and I buried my head in the shell as the pair came closer.

It was useless to attempt to shut out that voice. I stuffed a piece of bag into the ear that wasn't jammed against the pearl shell, but the noise of that fool talking fairly sizzled in my brain. Finally I gave up all hopes of trying to sleep till the pair had left the wharf, and I lay upon my back as they came slowly up the sun-bitten structure.

It was only when I gave up all thoughts of sleep that I recognized that the Maori was talking English. Up to that moment I thought the pair were arguing in some unfamiliar tongue, but suddenly their conversation gripped me, and I strained my ears to listen.

"There's the white waterfall," chanted the Maori.

"Yes, the white waterfall," repeated the Fijian.

"An' you go along sixty paces."

"To the right?" questioned the Fijian.

"No! To the left, you fool!" screamed his companion.

"All right, you go to the left," muttered the rebuked one. "An' that's the way to heaven!" cried the Maori.

"The way to heaven," echoed the Fijian; then the two lifted up their voices and chanted:

"That's the way to heaven,

That's the way to heaven,

That's the way to heaven out

Of Black Fernando's hell.

The incident stirred my curiosity. If I had only heard the words of the chant I would not have puzzled my brain to determine their meaning, but it was the manner in which the Maori instructed his friend as to the direction in which one must walk from the white waterfall that made me interested. I turned the words over in my mind as I watched them saunter slowly toward me. Black Fernando's hell and the white waterfall were places that I had never heard of. I thought of all the missionary hymns that I had ever listened to afloat and ashore, but the lines that the pair had chanted were not familiar.

The two walked on in silence for a few minutes after they had lifted up their voices in the chant, then the Maori began to cross-question his companion concerning the information he had just given him.

"How many paces?" he asked.

"Sixty," answered the Fijian.

"To the right, isn't it?"

"Yes, to the right," stammered the learner. "You fool nigger!" screamed the instructor. "It is to the left, pig! Do you hear me? You must go to the left from the white waterfall! Oh, you blinded fool! you make me sick! Sing it now with me!"

The Fijian, who was apparently afraid of the bully, hurried to obey the order, and I wondered as I listened.

"Sixty paces to the left," squeaked the Fijian.

"Sixty paces to the left," roared the Maori. "Now together!"

"That's the way to heaven,

That's the way to heaven,

That's the way to heaven out

Of --"

I was the cause of the interruption. I lifted myself into a sitting position, and the movement disturbed the heap of shell. Part of the pile rattled down upon the planks of the wharf, and the Maori and his pupil stopped singing and stared at me as if they were much surprised at finding any one within hearing distance. The wharf had appeared deserted, and I gave them a start by crawling from underneath the awning I had made from the copra bag. The Maori wore a dirty khaki coat, with a pair of trousers reaching to his knees, while the Fijian, instead of being short-rigged in shirt and sulu, sported a full suit of duck. "Good afternoon, boss," said the Maori, trying to wipe the look of surprise from his face with a grin. "Mighty hot afternoon, isn't it, boss?"

"It is," I answered. "If I knew where that white waterfall is I'd go and stand under it for a few minutes."

The small Fijian gave a little gurgle of surprise and looked up at his big teacher, who regarded me with eyes of wonder.

"What white waterfall, boss?" he asked blandly.

"The one you were singing about," I cried.

The Maori smiled sweetly. "We weren't singing about a white waterfall, boss," he spluttered. "I just guess you were asleep an' dreamed something."

That didn't improve my temper. I had an edge on the fellow on account of the high-powered voice he owned, so when he suggested that I had been dreaming, I climbed to my feet so that I could make my words more impressive when I started to tell him my opinion of his bluff.

The action startled the Fijian. He had an idea that I was going to use the piece of kauri pine upon his head, so he gave a yell and started full speed up the wharf toward the town. The Maori stood his ground for a minute, then he made a face to express his contempt for me and bolted after his mate. I stared at his bare legs walloping the planks, and feeling certain that I had lost all chance of finding out where the white waterfall and Black Fernando's hell were situated, I found a new shadow patch and lay down again.

I fell asleep and dreamed that I was chasing those two islanders in an endeavour to find out the meaning of their mysterious chant, but just as I had overtaken the pair, some one gripped my arm and shook me gently.

When I opened my eyes I looked up into the face of a good-looking young fellow of about two and twenty years, who was smiling broadly as if he thought it a great joke to wake a man out of a sound sleep on a hot afternoon.

"Are you Jack Verslun?" he asked.

I nodded. It was too warm to use words recklessly.

"Pierre the Rat sent me after you," he continued.

"Why?" I asked.

"I have a berth for you," he answered. "I'm from The Waif. The mate died on the run down from Sydney, and Captain Newmarch sent me ashore to hunt up some one for his perch. Do you want it?"

"Where are you bound?" I asked.

"Manihiki group."

"What for?"

"Science expedition under the direction of Professor Herndon of San Francisco."

I sat up and looked across the stretch of water at The Waif, and the young fellow waited patiently. I knew the yacht. An English baronet had brought the vessel out from Cowes to Brisbane, but he had made the pace too hot in the Colonies. Out in Fortitude Valley one night the keeper of a saloon fired a bullet into his aristocratic head, and The Waif was auctioned. She had taken a hand in a number of games after that. A fast yacht is a handy vessel south of the line, and some queer tales were told about the boat that had once shown her heels to the crackerjacks in the Solent. But I couldn't afford to be particular at that moment. Levuka isn't the spot where a man can pick and choose, so I wiped the shell grit from my drill suit and told myself that I had better accept the berth instead of waiting in expectation of something better turning up. Pierre the Rat, who ran "The Rathole," where penniless seamen and beachcombers lodged, was my creditor, and when Pierre was very solicitous in obtaining employment for one of his boarders, it was a mighty good intimation that the boarder's credit had reached highwater mark.

"Well," I said, climbing to my feet, "I might as well take it. I thought I had enough of the Islands, but as this has turned up I'm your man. Say," I added, "did you ever read Pilgrim's Progress'?"

The young fellow looked at me and grinned. "Yes, I did," he answered.

"Do you remember much of it?" I asked.

"Not much," he replied.

"Is there anything in it about a white waterfall that is on the way to heaven out of Black Fernando's hell?" I questioned.

The youngster put his head on one side and looked as if he was turning things over in his mental storehouse, then he gave me a quick, shrewd glance and burst out laughing.

"Well?" I growled. "What's the grin for?"

"What has Bunyan got to do with my business?" he asked. "I came to sign you up for a mate's job on The Waif, and I am in a hurry."

"Yes, I know," I grumbled, "but I thought you might have heard something of a white waterfall. I'm not sure that it is mentioned in 'Pilgrim's Progress,' but it seems to taste of Bunyan."

"P'raps so," said the youngster, "but Bunyan isn't in our line at present. Captain Newmarch told me to hurry back to the yacht, as he wants to get away by sunset, so if you're ready we'll make a start. My name is Holman, Will Holman."

We walked up the quiet street together and I began to like Will Holman. One couldn't help but like him. He had the frank, open ways of a boy, but the cut of his jaw and the manner in which he minted his words led you to believe that he would give a man's account of himself if any one pushed him up against a wall. While he made some purchases in the little stores, I went up to the broken-down shanty where Pierre the Rat ran his house of refuge, and, after I had collected my few belongings, I went back to the wharf, where a boat from The Waif was waiting to take us aboard the yacht.

It was when I was climbing into the boat that I got a surprise. One of the two natives at the oars was the little Fijian who had been the pupil of the Maori, but he didn't bat an eyelash when I stared at him.

"What's up?" asked Holman. "Do you know Toni?"

"He's one of the brace that were singing that song about the white waterfall," I growled.

The Fijian let out a volley of indignant denials, and Holman laughed.

"You might be mistaken," he said. "Toni came ashore with me about two hours ago, but I don't think he left the boat."

"I'm not mistaken," I said, as the Fijian kept on protesting that he had never moved from the boat, "but it doesn't matter much. Let it go."

We were about a quarter of a mile from the shore when a man raced down from the town, ran along to the sea end of the wharf and waved his arms as if he was signalling us. Holman turned and looked at him.

"I wonder who it is?" he muttered. "Perhaps it is somebody with your board bill, Verslun."

I started to laugh, then I stopped suddenly. The man on the wharf was shouting to us, and when my ears caught a word I recognized him. It was the big Maori who had been instructing the Fijian earlier in the afternoon.

I told Holman, and he looked at Toni, but Toni's face was blank. For some reason or other he wished to ignore his instructor who was screaming on the end of the wharf.

"He must be mad," muttered Holman. "The darned fool thinks we-Listen!"

A land breeze brought the last line of the chant to our ears as we neared The Waif, and the words seemed to stir me curiously as they swirled around us. I had a desire to memorize the chant, and even after we had got out of range of the high-powered voice of the singer I found myself murmuring over and over again the words:

"That's the way to heaven out

Of Black Fernando's hell."

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