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"The Moon Rock" (1922) is Australian mystery writer Arthur J. Rees' locked-room conundrum. In fact, the room — the murder scene — not only is locked from the inside, but also two hundred feet up the cold wall of Flint House. And the house looms on the edge of a cliff in Cornwall. Slip, and a falling body would strike the pale Moon Rock and its legend of doomed love. "A lonely, weird place," Scotland Yard's Det. Barrant sums it up, and that's even before he finds out what happened. The deceased is Robert Turold, a bitter and silent man obsessed with proving his noble linage and claim to a great estate. At last, he succeeds — only to be found dead in the locked room, shot in the chest. Suicide? Barrant suspects not. The house is full of suspects: servants, relatives, a lovely daughter with a ruinous secret. Rees knew all the conventions of a mystery novel — he wrote more than twenty — and how to set the table with plenty of red herrings. But the question is more than who-done-it. Tension builds, too, on the identity of the Moon Rock's next victim. The one word to describe "The Moon Rock" is, literally: Cliffhanger.
The Moon Rock Chapter 1 No.1
The voice of the clergyman intoned the last sad hope of humanity, the final prayer was said, and the mourners turned away, leaving Mrs. Turold to take her rest in a bleak Cornish churchyard among strangers, far from the place of her birth and kindred.
The fact would not have troubled her if she had known. In life she had been a nonentity; in death she was not less. At least she could now mix with her betters without reproach, free (in the all-enveloping silence) from the fear of betraying her humble origin. Debrett's Peerage was unimportant in the grave; breaches of social etiquette passed unnoticed there; the wagging of malicious tongues was stopped by dust.
Her husband lingered at the grave-side after the others had departed. As he stood staring into the open grave, regardless of a lurking grave-digger waiting to fill it, he looked like a man whose part in the drama of life was Care. There was no hint of happiness in his long narrow face, dull sunken eyes, and bloodless compressed lips. His expression was not that of one unable to tear himself away from the last glimpse of a loved wife fallen from his arms into the clutch of Death. It was the gaze of one immersed in anxious thought.
The mourners, who had just left the churchyard, awaited him by a rude stone cross near the entrance to the church. There were six-four men, a woman, and a girl. In the road close by stood the motor-car which had brought them to the churchyard in the wake of the hearse, glistening incongruously in the grey Cornish setting of moorland and sea.
The girl stood a little apart from the others. She was the daughter of the dead woman, but her head was turned away from the churchyard, and her sorrowful glance dwelt on the distant sea. The contour of her small face was perfect as a flower or gem, and colourless except for vivid scarlet lips and dark eyes gleaming beneath delicate dark brows. She was very young-not more than twenty-but in the soft lines of her beauty there was a suggestion of character beyond her years. Her face was dreamy and wayward, and almost gipsy in type. There was something rather disconcerting in the contrast between her air of inexperienced youth and the sombre intensity of her dark eyes, which seemed mature and disillusioned, like those of an older person. The slim lines of her figure had the lissome development of a girl who spent her days out of doors.
She stood there motionless, apparently lost in meditation, indifferent to the bitter wind which was driving across the moors with insistent force.
"Put this on, Sisily."
Sisily turned with a start. Her aunt, a large stout woman muffled in heavy furs, was standing behind her, holding a wrap in her hand.
"You'll catch your death of cold, child, standing here in this thin dress," the elder lady continued. "Why didn't you wear your coat? You'd be warmer sitting in the car. It's really very selfish of Robert, keeping us all waiting in this dreadful wind!" She shivered, and drew her furs closer. "Why doesn't he come away? As if it could do any good!"
As she spoke the tall form of Robert Turold was seen approaching through the rank grass and mouldering tombstones with a quick stride. He emerged from the churchyard gate with a stern and moody face.
"Let us get home," he said, and his words were more of a command than request.
He walked across the road to the car with his sister and daughter. The men by the cross followed. They were his brother, his brother's son, his sister's husband, and the local doctor, whose name was Ravenshaw. With a clang and a hoot the car started on the return journey. The winding cobbled street of the churchtown was soon left behind for a road which struck across the lonely moors to the sea. Through the moors and stony hills the car sped until it drew near a solitary house perched on the edge of the dark cliffs high above the tumbling waters of the yeasty sea which foamed at their base.
The car stopped by the gate where the moor road ended. The mourners alighted and entered the gate. Their approach was observed from within, for as they neared the house the front door was opened by an elderly man-servant with a brown and hawk-beaked face.
Walking rapidly ahead Robert Turold led the way into a front sitting-room lighted by a window overlooking the sea. There was an air of purpose in his movements, but an appearance of strain in his careworn face and twitching lips. He glanced at the others in a preoccupied way, but started perceptibly as his eye fell upon his daughter.
"There is no need for you to remain, Sisily," he said in a harsh dry voice.
Sisily turned away without speaking. Her cousin Charles jumped up to open the door, and the two exchanged a glance as she went out. The young man then returned to his seat near the window. Robert Turold was speaking emphatically to Dr. Ravenshaw, answering some objection which the doctor had raised.
"... No, no, Ravenshaw-I want you to be present. You will oblige me by remaining. I will go upstairs and get the documents. I shall not keep you long. Thalassa, serve refreshments."
He left the room quickly, as though to avoid further argument. The elderly serving-man busied himself by setting out decanters and glasses, then went out like one who considered his duty done, leaving the company to wait on themselves.
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The Moon Rock
Arthur J. Rees
Literature
Chapter 1 No.1
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Chapter 2 No.2
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Chapter 3 No.3
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Chapter 4 No.4
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Chapter 5 No.5
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Chapter 6 No.6
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Chapter 7 No.7
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Chapter 8 No.8
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Chapter 9 No.9
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Chapter 10 No.10
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Chapter 11 No.11
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Chapter 12 No.12
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Chapter 13 No.13
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Chapter 14 No.14
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Chapter 15 No.15
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Chapter 16 No.16
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Chapter 17 No.17
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Chapter 18 No.18
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Chapter 19 No.19
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Chapter 20 No.20
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Chapter 21 No.21
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Chapter 22 No.22
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Chapter 23 No.23
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Chapter 24 No.24
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Chapter 25 No.25
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Chapter 26 No.26
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Chapter 27 No.27
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Chapter 28 No.28
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Chapter 29 No.29
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Chapter 30 No.30
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Chapter 31 No.31
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Chapter 32 No.32
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Chapter 33 No.33
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Chapter 34 No.34
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Other books by Arthur J. Rees
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