The Best Short Stories of 1921 and the Yearbook of the American Short Story

The Best Short Stories of 1921 and the Yearbook of the American Short Story

Various

5.0
Comment(s)
100
View
34
Chapters

The Best Short Stories of 1921 and the Yearbook of the American Short Story by Various

Chapter 1 No.1

Friday night, when always he broke away in order to pray in the Schul, and when she sat in the shop and had to speak with the customers who came, these praying hours of Friday night. Shabbas morning at least he did not go also.-My heart tells me it is wrong. Lord, forgive me for Esther and for my little girl.

Lord, you know it is for them I do not go to Schul on Shabbas morning.-But by God, you will keep the store those two hours Friday! Do you hear? By God, what else have I ever asked you for? Don't you sit around, do nothing all the day, and aren't Flora's clothes a filth? and hardly if you'll cook our meals. But this you will do: this you will do! Friday nights. Lord, why is there no light in Esther? What have I done, Lord? what have I not done?

She sat in a chair, always, near the side wall: her eyes lay burning against the cold glare of the gas.

Above her shoulder on the wall was a large sheet of fashions: women with wasp waists, smirking, rolling: stiff men, all clothes, with little heads. Under the table-where Meyer sits with his big feet so much to look at-Flora played, a soiled bundle, with a ball of yarn and a huge gleaming scizzors.-No one perhaps comes, and then I do not mind sitting and keeping the store. I saw a dead horse in the street.-A dead horse, two days dead, rotting and stiff. Against the grey of the living street, a livid dead horse: a hot stink was his cold death against the street's clean-ness. There are two little boys, wrapped in blue coat, blue muffler, leather caps. They stand above the gaunt head of the horse and sneer at him. His flank rises red and huge. His legs are four strokes away from life. He is dead. The naughty boys pick up bricks. They stand, very close, above the head of the horse. They hurl down a brick. It strikes the horse's skull, falls sharp away. They hurl down a brick. It cuts the swollen nostril, falls soft away. The horse does not mind, the horse does not hurt. He is dead.

-Go away, you two! Throwing stones at a dead horse! Go away, I say! How would you like-When one is dead, stones strike one's skull and fall sharp away, one is moveless. When one is dead, stones strike the soft of one's throat and fall soft away, one is hurtless. When one is dead one does not hurt.

She sat and turned her eyes away from her child. Flora had smear on her face; her hands were grimed with the floor. One of her stockings was down: her little white knee was going to scrape on the floor, be black before it was bloody. So-A long shining table under a cold gas spurt. A store with clothes and a stove: no place for herself. A row of suits, all pressed and stiff with Meyer's diligence. A pile of suits, writhed with the wear of men, soiled, crumpled with traffic of streets, with bending of bodies in toil, in eating, in loving perhaps. Grimed living suits. Meyer takes an iron and it steams and it presses hard, it sucks up the grime. It sucks out the life from the suit. The suit is stiff and dead, now, ready to go once more over the body of a man and suck to itself his life.

The automatic bell clangs. There in the open door was a dark tall woman-customer.

Esther stood, too. She felt she was shorter and less tidy: more beautiful though.

Two women across the tailor-shop, seeing each other.

"I came for my husband's-for Mr. Breddan's dress suit. Mr. Lanich told him it would be ready at seven?"

Esther Lanich moved, Sophie Breddan stood. Between slow dark curve, swift dark stroke of these two women, under a tailor's table the burn of a dirty child, mumbling intent with scizzors between her soiled frail legs, at play with loose hair.

"Is this the one?"

The curve and the stroke came near across the table.

"Yes."

Eyes met.-She is tidy and fresh, less beautiful, though, than I. She has no child. She has a flat with Sun and a swell husband who wears a swallow-tail and takes her out to parties. She has a diamond ring, her corsets are sweet. She has things to put into her time like candies into her mouth, like loved kisses into my mouth. She is all new with her smooth skin going below the collar of her suit.

-She has a child, and she lets her play dirty with scizzors under a tailor table. "How much is it?"-After a decent bedtime.

-Does she think I care about this? "Oh, no hurry. Better come in and pay my-Mr. Lanich. Any time."

The clang of the bell.

Esther is seated. Her grey tilted eyes seem sudden to stand upon the farther wall of her husband's shop, and to look upon her. Her eyes speak soft warm words that touch her hair, touch her lips, lie like caressing fingers upon the soft cloth that lies upon her breast.

-Less beautiful than I, though. My flesh is soft and sweat, it is the colour of cream. What for? My hair is like an autumn tree gleaming with sun. I can let it fall through the high channel of my breast against my stomach that does not bulge but lies soft and low like a cushion of silk. What for? My eyes see beauty. What for? O there is no God. If there is God, what for?-He will come back and work. He will eat and work. He is kind and good. What for? When he is excited with love, doesn't he make an ugly noise with his nose? What else does he make with his love?-Another like Flora? God forbid. What for?

She did not pull down the wide yellow shade, though it was night. The street was a ribbon of velvet blackness laid beside the hurting and sharp brightness of the store. The yellow light was hard like grains of sand under the quick of her nails. She was afraid of the street. She was hurt in the store. But the brightness clamped her. She did not move.-O let no more customers come! "Keep quiet, Flora." I can not move.-She was clamped.

But the store moved, moved.

There was a black wheel with a gleaming axle-the Sun-that sent light dimming down its spokes as it spun. From the rim of the wheel where it was black, bright dust flung away as it spun. The store was a speck of bright dust. It flung straight. It moved along the velvet path of the street, touching, not merging with its night. It moved, it moved, she sat still in its moving. The store caught up with Meyer. He entered the store. He was there. He was there, scooped up from the path of the street by the store. Now her work was over. He was there. The store was a still store, fixed in a dirty house. Its brightness the spurt of two jets of gas. He was back from Schul.-That is all.

A man with blond hair, flat feet that shuffled, small tender hands. A man with a mouth gentle, slow; with eyes timid to see. "Come dear: that is no place."-Why she lets the child play with my shears!

Tender hands pull Flora from beneath the table. Flora comes blinking, unprotesting. Where her father's hands leave off from her, she stays. She sinks back to the floor. She looks at her little fists from which the scizzors are gone. She misses hard gleaming steel. She opens and shuts her fists and looks at them: she cries. But she does not move.-Her mother does not move.-Her father does not move. He squats on the table. His head sways with his thoughts. He knows that Flora will stop-what can he do?-in perhaps half an hour. It is a weak cry. Grows weaker. He is used to it. There is work.

He sews. 'A woman of valour who can find? For her price is far above rubies'-She will stay here, stay here silent. Flora should be in bed. Who to put his child in bed? Hard gas-light on her beloved hair? A wither, a wilt-'She is like the merchant ships; she bringeth her food from afar'-He sews and rips.-What, Lord, have I left undone? I love my Esther.-He sews.-I love my little girl. Lord, I fear the Lord-'She looketh well to the ways of the household, and eateth not the bread of idleness.'-Lighten me, Lord, give me light. There is my daughter crying, who should sleep: and my wife sitting, who will not, who will never without me go home. She is afraid. She says she is afraid. She is sullen and silent. She is so fair and sweet against my heart. Lord! why did her hands that held my head speak a lie? and her silent lips that she let press upon my mouth, why were they lies? Lord, I cannot understand. Lord, I pray. I must sew bread for Esther and for my child. I go to Schul at least once each Shabbas, Lord-Do I not fill the deep ten Penitential Days from Rosh Ha Shonoh to Yom Ha Kippurim with seeking out of heart?-He sews, he rips. The weeping of his child is done. Long stitches, here. She has found a chair's leg to play with. Her moist fingers clasp at the shrill wood. The wooden chair and her soft flesh wrestle. Esther sits still. He sews.

'Her children arise, and call her blessed;

Her husband also, and he praiseth her;

-Many daughters have done valiantly,

But thou excellest them all.-

Grace is deceitful and beauty is vain;

But a woman that feareth the Lord, she shall be praised.

Give her of the fruit of her hands;

And let her works praise her in the gates.'

Continue Reading

Other books by Various

More
Yule Logs

Yule Logs

Young Adult

5.0

It was a grand success. Every one said so; and moreover, every one who witnessed the experiment predicted that the Mermaid would revolutionize naval warfare as completely as did the world-famous Monitor. Professor Rivers, who had devoted the best years of his life to perfecting his wonderful invention, struggling bravely on through innumerable disappointments and failures, undaunted by the sneers of those who scoffed, or the significant pity of his friends, was so overcome by his signal triumph that he fled from the congratulations of those who sought to do him honour, leaving to his young assistants the responsibility of restoring the marvellous craft to her berth in the great ship-house that had witnessed her construction. These assistants were two lads, eighteen and nineteen years of age, who were not only the Professor's most promising pupils, but his firm friends and ardent admirers. The younger, Carlos West Moranza, was the only son of a Cuban sugar-planter, and an American mother who had died while he was still too young to remember her. From earliest childhood he had exhibited so great a taste for machinery that, when he was sixteen, his father had sent him to the United States to be educated as a mechanical engineer in one of the best technical schools of that country. There his dearest chum was his class-mate, Carl Baldwin, son of the famous American shipbuilder, John Baldwin, and heir to the latter's vast fortune. The elder Baldwin had founded the school in which his own son was now being educated, and placed at its head his life-long friend, Professor Alpheus Rivers, who, upon his patron's death, had also become Carl's sole guardian. In appearance and disposition young Baldwin was the exact opposite of Carlos Moranza, and it was this as well as the similarity of their names that had first attracted the lads to each other. While the young Cuban was a handsome fellow, slight of figure, with a clear olive complexion, impulsive and rash almost to recklessness, the other was a typical Anglo-Saxon American, big, fair, and blue-eyed, rugged in feature, and slow to act, but clinging with bulldog tenacity to any idea or plan that met with his favour. He invariably addressed his chum as "West," while the latter generally called him "Carol."

You'll also like

Rebirth And Revenge: The Real Heiress Is Back!

Rebirth And Revenge: The Real Heiress Is Back!

R. Ink writer
4.7

Elisa watched as the most important people in her life showered the evil imposter-The fake heiress, with love. Elisa, the lost daughter of one of the most wealthiest family was found 18 years later and was brought back to her rightful home. However, someone had already taken her place. A fake heiress, the pampered little princess. Her coy acting and innocent façade made Elisa's real mother love her more than Elisa, her real daughter. That made Elisa, though, the true daughter end up as an adopted child. "Elisa, could you try not to appear in front of her too much as it could trigger her insecurities." Her parents had told her because of the fake heiress. "Elisa, You've taken everything away from her. Why can't you give her a little more?" Her fiancé had ordered her. Because of an unfortunate accident plotted by Isabelle-The fake heiress, Elisa was sent to prison and her family cut ties with her without a second thought. Four years, after much torture which led to her being crippled and blind on one eye, she was released, but got hit by a truck. While laying on the pool of her blood, she wanted to question, Why? Why had they all treated her so cruelly, while they love Isabelle unconditionally? She badly wanted to rip off Isabelle's mask of innocence, to reveal the fake, manipulative woman beneath. She was full of hatred. But after her death, she woke up back to when she was 18 years like all that happened were all nightmare. She was elated. She was reborn to re-live all that had happened in her last life, but now, her mission was to reveal mask beneath that woman and make everyone that made her suffer in her past life pay. It was her time for revenge! And definitely, she won't mess this up!

After Divorce: Loved By The Secret Billionaire CEO

After Divorce: Loved By The Secret Billionaire CEO

Fxve
4.9

After a devastating divorce with the man she had been married to for over three years, Rachel thought her life was over. Her family disowned her, they wanted nothing to do with her anymore and she couldn't blame them. She had just divorced David Hart, one of the top successful bachelors in the country and heir to the Hart industries. But they would never understand that she didn't divorce him, he divorced her after she caught him cheating on her with her god-damned best friend! Rachel was just about to end everything by jumping off a bridge when she was saved by the most unexpected person. The boy she once bullied severally in highschool because he always wore ugly glass and was from a poor background, how come that glass make him so hot now? Why was he helping her get revenge on ex-husband who is trying to make her life even more miserable? And most important how did he get so handsome? What exactly does he want from her? ... No, you must want something, anything. If you can really help me get revenge on David and Lana, I can't just let you do it for free". Ethan went quiet for a while. I held my breath waiting for what his request might be. If it was something money could buy, I'll try my best to get it for him even though I was somehow broke right now. "You're right I do want something". He said after thinking for few minutes "What?" I asked slowly. " Until you get your revenge on David, Lana and every other person you want, you will live here". Live here as in...?  " Wha... What are you saying? ". I stammered hoping he wasn't saying what I thought he was saying. I tried to step back but I missed a step and almost fell on the bed but Ethan caught me holding me in his muscular arms.  Ethan moved his face closer to mine be was so close, our nose almost touched. " I want you to be with me! ".

Chapters
Read Now
Download Book