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The World of Romance

The World of Romance

William Morris

5.0
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In the tales . . . the world is one of pure romance. Medi?val customs, medi?val buildings, the medi?val Catholic religion, the general social framework of the thirteenth or fourteenth century, are assumed throughout, but it would be idle to attempt to place them in any known age or country . . . Their author in later years thought, or seemed to think, lightly of them, calling them crude (as they are) and very young (as they are). But they are nevertheless comparable in quality to Keats’s ‘Endymion’ as rich in imagination, as irregularly gorgeous in language, as full in every vein and fibre of the sweet juices and ferment of the spring. —J. W. Mackail

Foreword

In the tales . . . the world is one of pure romance. Medi?val customs, medi?val buildings, the medi?val Catholic religion, the general social framework of the thirteenth or fourteenth century, are assumed throughout, but it would be idle to attempt to place them in any known age or country . . . Their author in later years thought, or seemed to think, lightly of them, calling them crude (as they are) and very young (as they are).

But they are nevertheless comparable in quality to Keats's 'Endymion' as rich in imagination, as irregularly gorgeous in language, as full in every vein and fibre of the sweet juices and ferment of the spring. -J. W. Mackail

In his last year at Oxford, Morris established, assuming the entire financial responsibility, the 'Oxford and Cambridge Magazine,' written almost entirely by himself and his college friends, but also numbering Rossetti among its contributors. Like most college ventures, its career was short, ending with its twelfth issue in December, 1856. In this magazine Morris first found his strength as a writer, and though his subsequent literary achievements made him indifferent to this earlier work, its virility and wealth of romantic imagination justify its rescue from oblivion.

The article on Amiens, intended originally as the first of a series, is included in this volume as an illustration of Morris's power to clothe things actual with the glamour of Romance.

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Other books by William Morris

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The Hollow Land

The Hollow Land

Literature

5.0

William Morris was born in Walthamstow, London on 24th March 1834 he is regarded today as a foremost poet, writer, textile designer, artist and libertarian. Morris began to publish poetry and short stories in 1856 through the Oxford and Cambridge Magazine which he founded with his friends and financed while at university. His first volume, in 1858, The Defence of Guenevere and Other Poems, was the first published book of Pre-Raphaelite poetry. Due to its luke warm reception he was discouraged from poetry writing for a number of years. His return to poetry was with the great success of The Life and Death of Jason in 1867, which was followed by The Earthly Paradise, themed around a group of medieval wanderers searching for a land of everlasting life; after much disillusion, they discover a surviving colony of Greeks with whom they exchange stories. In the collection are retellings of Icelandic sagas. From then until his Socialist period Morris's fascination with the ancient Germanic and Norse peoples dominated his writing being the first to translate many of the Icelandic sagas into English; the epic retelling of the story of Sigurd the Volsung being his favourite. In 1884 he founded the Socialist League but with the rise of the Anarachists in the party he left it in 1890. In 1891 he founded the Kelmscott Press publishing limited edition illuminated style books. His design for The Works of Geoffrey Chaucer is a masterpiece. Morris was quietly approached with an offer of the Poet Laureateship after the death of Tennyson in 1892, but declined. William Morris died at age 62 on 3rd October 1896 in London. Here we present The Hollow Land.

The Story of Sigurd the Volsung

The Story of Sigurd the Volsung

Literature

5.0

William Morris was born in Walthamstow, London on 24th March 1834 he is regarded today as a foremost poet, writer, textile designer, artist and libertarian. Morris began to publish poetry and short stories in 1856 through the Oxford and Cambridge Magazine which he founded with his friends and financed while at university. His first volume, in 1858, The Defence of Guenevere and Other Poems, was the first published book of Pre-Raphaelite poetry. Due to its luke warm reception he was discouraged from poetry writing for a number of years. His return to poetry was with the great success of The Life and Death of Jason in 1867, which was followed by The Earthly Paradise, themed around a group of medieval wanderers searching for a land of everlasting life; after much disillusion, they discover a surviving colony of Greeks with whom they exchange stories. In the collection are retellings of Icelandic sagas. From then until his Socialist period Morris's fascination with the ancient Germanic and Norse peoples dominated his writing being the first to translate many of the Icelandic sagas into English; the epic retelling of the story of Sigurd the Volsung being his favourite. In 1884 he founded the Socialist League but with the rise of the Anarachists in the party he left it in 1890. In 1891 he founded the Kelmscott Press publishing limited edition illuminated style books. His design for The Works of Geoffrey Chaucer is a masterpiece. Morris was quietly approached with an offer of the Poet Laureateship after the death of Tennyson in 1892, but declined. William Morris died at age 62 on 3rd October 1896 in London. Here we present The Story of Sigurd the Volsung and the Fall of the Niblungs.

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Mercy Kay
4.9

For as long as Emily can remember, she has wanted to overcome her shyness and explore her sexuality. Still, everything changes when she receives an invitation to visit one of the town's most prestigious BDSM clubs, DESIRE'S DEN. On the day she chose to peruse the club, she noticed three men, all dressed in suits, standing on the upper level, near the railing. Despite her limited vision, she persisted in fixating on them. Their towering statues belied the toned bodies concealed by their sharply tailored suits-or so she could tell. The hair of two of them was short and dark, and the third had light brown-possibly blond-hair that reached the shoulders. The dark, crimson background incised their figures, exuding an air of mystery and strength. They stood in stark contrast to the unfiltered, primal energy that pulsed through the club. Shocked by the desires these men aroused in her, she was disappointed to learn that they were masters seeking a slave to divide and conquer. She couldn't afford the fee, and she also realized that they were outside her league. Emily hurriedly left the club, feeling disappointed and depressed, unaware that she had also caught the group's attention. A world of wicked pleasure, three handsome men. Over the years, they have lived a life of decadence, their lavish lair serving as a stage for their most sinister desires. But despite the unending parade of willing subjects, one woman sticks out. A mysterious stranger with white porcelain skin and a killer body, a slave, a name with no address, the first lady to attract their eye and they will go to any length to obtain her no matter the consequences.

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