Modern Painters Volume II (of V)

Modern Painters Volume II (of V)

John Ruskin

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Modern Painters Volume II (of V) by John Ruskin

Chapter 1 -Of the Rank and Relations of the Theoretic Faculty.

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§ 1. With what care the subject is to be approached. 1

§ 2. And of what importance considered. 2

§ 3. The doubtful force of the term "utility". 3

§ 4. Its proper sense. 4

§ 5. How falsely applied in these times. 4

§ 6. The evil consequences of such interpretation. How connected with national power. 5

§ 7. How to be averted. 6

§ 8. Division of the pursuits of men into subservient and objective. 8

§ 9. Their relative dignities. 10

§ 10. How reversed through erring notions of the contemplative and imaginative faculties. 10

§ 11. Object of the present section. 11

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"Let's get married," Mia declares, her voice trembling despite her defiant gaze into Stefan's guarded brown eyes. She needs this, even if he seems untouchable. Stefan raises a skeptical brow. "And why would I do that?" His voice was low, like a warning, and it made her shiver even though she tried not to show it. "We both have one thing in common," Mia continues, her gaze unwavering. "Shitty fathers. They want to take what's ours and give it to who they think deserves it." A pointed pause hangs in the air. "The only difference between us is that you're an illegitimate child, and I'm not." Stefan studies her, the heiress in her designer armor, the fire in her eyes that matches the burn of his own rage. "That's your solution? A wedding band as a weapon?" He said ignoring the part where she just referred to him as an illegitimate child. "The only weapon they won't see coming." She steps closer, close enough for him to catch the scent of her perfume, gunpowder and jasmine. "Our fathers stole our birthrights. The sole reason they betrayed us. We join forces, create our own empire that'll bring down theirs." A beat of silence. Then, Stefan's mouth curves into something sharp. "One condition," he murmurs, closing the distance. "No divorces. No surrenders. If we're doing this, it's for life" "Deal" Mia said without missing a beat. Her father wants to destroy her life. She wouldn't give him the pleasure, she would destroy her life as she seems fit. ................ Two shattered heirs. One deadly vow. A marriage built on revenge. Mia Meyers was born to rule her father's empire (so she thought), until he named his bastard son heir instead. Stefan Sterling knows the sting of betrayal too. His father discarded him like trash. Now the rivals' disgraced children have a poisonous proposal: Marry for vengeance. Crush their fathers' legacies. Never speak of divorce. Whoever cracks first loses everything. Can these two rivals, united by their vengeful hearts, pull off a marriage of convenience to reclaim what they believe is rightfully theirs? Or will their fathers' animosity, and their own complicated pasts tear their fragile alliance apart?

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Modern Painters Volume II (of V)
1

Chapter 1 -Of the Rank and Relations of the Theoretic Faculty.

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2

Chapter 2 -Of the Theoretic Faculty as concerned with Pleasures of Sense.

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3

Chapter 3 -Of Accuracy and Inaccuracy in Impressions of Sense.

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4

Chapter 4 -Of False Opinions held concerning Beauty.

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5

Chapter 5 -Of Typical Beauty -First, of Infinity, or the Type of Divine Incomprehensibility.

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6

Chapter 6 -Of Unity, or the Type of the Divine Comprehensiveness.

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7

Chapter 7 -Of Repose, or the Type of Divine Permanence.

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8

Chapter 8 -Of Symmetry, or the Type of Divine Justice.

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9

Chapter 9 -Of Purity, or the Type of Divine Energy.

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10

Chapter 10 -Of Moderation, or the Type of Government by Law.

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11

Chapter 11 -General Inferences respecting Typical Beauty.

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12

Chapter 12 -Of Vital Beauty -First, as Relative.

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13

Chapter 13 -Of Vital Beauty -Secondly, as Generic.

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14

Chapter 14 -Of Vital Beauty -Thirdly, in Man.

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15

Chapter 15 -Of the Three Forms of Imagination.

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16

Chapter 16 -Of Imagination Associative.

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17

Chapter 17 -Of Imagination Penetrative.

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18

Chapter 18 -Of Imagination Contemplative.

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19

Chapter 19 OF THE RANK AND RELATIONS OF THE THEORETIC FACULTY.

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20

Chapter 20 OF THE THEORETIC FACULTY AS CONCERNED WITH PLEASURES OF SENSE.

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21

Chapter 21 OF ACCURACY AND INACCURACY IN IMPRESSIONS OF SENSE.

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22

Chapter 22 OF FALSE OPINIONS HELD CONCERNING BEAUTY.

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23

Chapter 23 OF TYPICAL BEAUTY -FIRST, OF INFINITY, OR THE TYPE OF DIVINE INCOMPREHENSIBILITY.

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Chapter 24 OF UNITY, OR THE TYPE OF THE DIVINE COMPREHENSIVENESS.

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25

Chapter 25 OF REPOSE, OR THE TYPE OF DIVINE PERMANENCE.

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26

Chapter 26 OF SYMMETRY, OR THE TYPE OF DIVINE JUSTICE.

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27

Chapter 27 OF PURITY, OR THE TYPE OF DIVINE ENERGY.

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28

Chapter 28 OF MODERATION, OR THE TYPE OF GOVERNMENT BY LAW.

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29

Chapter 29 GENERAL INFERENCES RESPECTING TYPICAL BEAUTY.

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30

Chapter 30 OF VITAL BEAUTY. FIRST, AS RELATIVE.

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31

Chapter 31 OF VITAL BEAUTY.-SECONDLY AS GENERIC.

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32

Chapter 32 OF VITAL BEAUTY.-THIRDLY, IN MAN.

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33

Chapter 33 OF THE THREE FORMS OF IMAGINATION.

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34

Chapter 34 OF IMAGINATION ASSOCIATIVE.

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35

Chapter 35 OF IMAGINATION PENETRATIVE.

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36

Chapter 36 OF IMAGINATION CONTEMPLATIVE.

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37

Chapter 37 OF THE SUPERHUMAN IDEAL.

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