Ink And Temptation
/0/96596/coverbig.jpg?v=48dc82484825b1d9c0a54cf62746eb37&imageMogr2/format/webp)
– Arriva
f gothic architecture, glass panels, and wildly landscaped gardens - but nothing could have prepared her for the sheer chaos that radiated from every corner. Half-finished sculpt
t of anxiety in her stomach. She had been warned about Greg Hartman, the novelist whose genius was matched only by his s
or, and before she could kno
led halfway up his arm, a mug in hand that looked suspiciously like it hadn't been wa
d teasing. "I've been expecting a storm. And her
ile. "Mr. Hartman. I'm here to ensure your next boo
he point. I like that. You're exactly what I imagined: imp
he carried himself - reckless charm that made it impossible not to notice him.
an, I'm here for your wo
her teeth grit in equal measure. "Good. Because opinions are dange
pers, and what appeared to be a half-completed sculpture of a horse. The
id, waving vaguely with his mug. "Though
ing the urge to straighten a leaning
nd I prefer chaos. This
l she could focus on was the clutter of papers, manuscripts, and half-drunk coffee cups littering every surface. A notebook lay op
like it was a throne. "Welcome to my kingdom o
his casual disarray and her own meticulous preparation. "I'm ready,"
hat made her feel simultaneously scrutinized and exposed. "Brace yourself. I don't do revisions light
his wild ideas. But she held back, reminding herself that p
ling, and occasionally nonsensical. Debbie made notes in the margins, flagging inconsistencies, character flaws, and pacing issues
brow at one comment. "You think th
me to connect with the characters, to understand their motivatio
very editor I've ever had. Precise, critical, and secret
sed it as irritation. "I'm not here to be liked.
ning back. "Especially the metaphoric
faced at random intervals, teasing her about her rigidity, her insistence on structure, and her perfectly controlled reaction
adn't even taken a sip of water, caught up entirely in the intellectual and emot
ou know, rules are flexible when the muse strikes. Maybe a snack wo
e vulnerability behind his teasing tone. "I can ma
to himself, before shaking his head as if realizi
haotic, unpredictable, and notorious. She couldn't let herself be drawn in. And yet, the magnetic pull of his presence, the way he challenged h
uscles, her elbow brushed against a pile of papers
l, part of it. Some of those pages haven't seen daylight in weeks. And now, thanks to you..." He lea
the same page. The contact was brief, but enough to make her heart skip. She
g for them to acknowledge what neither dared to name. And then G
rrent of promise. "New day, new revisions. But tonight..." He gestured a
She wanted to leave, to maintain her boundaries, but a part of her linge
d her: the company would want a progress report tomorrow. And if they found even a hint of
man would not just be about editing a book. It would be about navigating desir
at the manuscript again, a shadow crossing his face - determi
debates, and deadlines. Ton
g that nothing in her carefully contro
k, and intimate - echoed from the study. It wasn't clear whether it was j
/0/57264/coverorgin.jpg?v=0095406804045697e4f694fce6b4edfb&imageMogr2/format/webp)
/0/70229/coverorgin.jpg?v=fcb5bb1aee3baa0a751a0ae14b9c28a2&imageMogr2/format/webp)
/0/65237/coverorgin.jpg?v=e87f4c09444237b6798a00b1df411030&imageMogr2/format/webp)
/0/97056/coverorgin.jpg?v=128c16c8379657d0702c7998eb1f69ea&imageMogr2/format/webp)
/0/39445/coverorgin.jpg?v=468fd92db559eb0a1efdabd8f486f769&imageMogr2/format/webp)
/0/64977/coverorgin.jpg?v=02e092613713dd4e070d4c5259584f8c&imageMogr2/format/webp)