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The Horse-Stealers and other stories

Chapter 10 A Story without a Title

Word Count: 1669    |    Released on: 19/11/2017

first rays kissed the dew, the earth revived, the air was filled with the sounds of rapture and hope; while in the evening

gligent star fell out of the sky, or a pale monk ran to tell the brotherhood that not far f

poke of anything, even of the most ordinary things-for instance of the trees, of the wild beasts, or of the sea-they could not listen to him without a smile or tears, and it seemed that the same chords vibrated in his soul as in the organ. If he were moved to anger or abandoned himself to intense joy, or began speaking of something terrible or grand, then a passionate inspiration took posses

ened that through the monotony of their lives they grew weary of the trees, the flowers, the spring, the autumn, their ears were tired of the sound o

eared near the monastery. The nearest human habitation was far away, and to reach it from the monastery, or to reach the monastery from it, meant a journey of ov

s prayers and asking for the Father Superior's blessing, this man asked for wine and food. To the question how he had come from the town into the desert, he answered by a long story of hunting;

at the monks who were serving him, s

ng to hell. You should see what is going on in the town! Some are dying of hunger, others, not knowing what to do with their gold, sink into profligacy and perish like flies stuck in honey. There is no faith, no truth in men. Whose task

they had a strange effect upon the Father Superior. The old

of understanding are perishing in vice and infidelity, while we do not move, as though it di

arily, then a second, but the old man did not come back. At last after three months had passed the familiar tap of his staff was heard. The monks flew to meet him and showered questions upon him, but instead of being delighted to see them he

in his cell without uttering a word. For seven days he sat in his cell, eating and drinking nothing, weeping and not playing on his orga

His voice was calm and his eyes were smiling while he described his journey from the monastery to the town. On the road, he told them, the birds sang to him, the brooks gurgled, and sweet youthful hopes ag

an unhappy chance the first dwelling he entered was the abode of vice. Some fifty men in possession of much money were eating and drinking wine beyond measure. Intoxicated by the wine, they sang songs and boldly uttered terrible, revolting words such as a God-fearing man could not bring himself to pronounce; boundlessly free, self-confident, and happy, they feared neither God nor the devil, nor death,

d fascinating. This reptile, young, longhaired, dark-skinned, with black eyes and full lips, shameless and insolent, showed her snow-white teeth and smiled as though to say: "Look how shameless, how beautiful I am." Silk and brocade fell in lovely folds from

studios where they painted naked women or moulded them of clay. He spoke with inspiration, with sonorous beauty, as thou

and the fascinating grace of the dreadful female form, the old m

ning there was not a monk left in the m

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The Horse-Stealers and other stories
The Horse-Stealers and other stories
“Anton Pavlovich Chekhov (1860-1904) was a Russian short story writer and a playwright. His playwriting career produced four classics, while his best short stories are held in high esteem by writers and critics. Chekhov practiced as a doctor throughout most of his literary career: "Medicine is my lawful wife," he once said, "and literature is my mistress." Chekhov renounced the theatre after the disastrous reception of The Seagull in 1896; but the play was revived to acclaim by Constantin Stanislavski's Moscow Art Theatre, which subsequently also produced Uncle Vanya and premiered Chekhov's last two plays, Three Sisters and The Cherry Orchard. These four works present a special challenge to the acting ensemble as well as to audiences, because in place of conventional action Chekhov offers a "theatre of mood" and a "submerged life in the text." His originality consists in an early use of the stream-of-consciousness technique combined with a disavowal of the moral finality of traditional story structure.”
1 Chapter 1 The Horse-stealers2 Chapter 2 Ward no. 63 Chapter 3 The Petchenyeg4 Chapter 4 A Dead body5 Chapter 5 A Happy ending6 Chapter 6 The Looking-glass7 Chapter 7 Old Age8 Chapter 8 Darkness9 Chapter 9 The Beggar10 Chapter 10 A Story without a Title11 Chapter 11 In Trouble12 Chapter 12 Frost13 Chapter 13 A Slander14 Chapter 14 Minds in Ferment15 Chapter 15 Gone Astray16 Chapter 16 An Avenger17 Chapter 17 The Jeune Premier18 Chapter 18 A Defenceless Creature19 Chapter 19 An Enigmatic Nature20 Chapter 20 A Happy man21 Chapter 21 A Troublesome Visitor22 Chapter 22 An Actor's end