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The Horse-Stealers and other stories

Chapter 5 A Happy ending

Word Count: 1581    |    Released on: 19/11/2017

al to speak only in whispers, had come to see Stytchkin, the head guard, on a day when he was off duty. Stytchkin, somewha

ide. I may tell you between ourselves that apart from my salary I have also money in the bank which my manner of living has enabled me to save. I am a practical and sober man, I lead a sensible and consistent life, so that I may hold myself up as an example to many. But one thing I lack-a domestic hearth of my own and a partner in life, and I live like a wandering Magyar, moving from place to place without any satisfaction. I have no one with whom to take coun

g," said the match

h advised me to address myself to a person who is a specialist in this line, and makes the arrangement of the happiness of others her profession. And therefore I most ea

an.

wine, I be

maker raised her glass to her mout

what sort of bride would you

e? The bride

everyone has his own taste, you know. One li

es. A glass of wine, I beg. . . . Of course, it would be very agreeable that one's wife should be rather plump, but for mutual happiness it is not of great consequence; what matters is the mind. Properly speaking, a woman does not need mind either, for if she has brains she will have too high an opinion of herself, and take all sorts of ideas into her head. One cannot do without education nowadays, of course, but education is of different kinds. It

be s

o be kept by my wife, but to keep her, and that she may be sensible of it. But I do not want a poor girl either. Though I am a man of means, and am marryin

e with a dowry," s

f wine, I

pause of f

igh, took a sidelong glan

the bachelor line? I have some fine bargains. One is a

ought a mome

isposition, allow me to enquire now how much y

stuff for a dress, as is usual, and I will say thank yo

and fell to pondering in silence. After

s dear

did do it cheaper, but nowadays what are our earnings? If you make fifty roubles in a month t

atchmaker in amazement an

call fifty rouble

In old days we sometimes

rn such a sum by these jobs. Fifty roubles! It is not e

ut winking. Stytchkin looked her over

ease take some more. . . With such dividends, you know, Lyubov Grigorye

ed the matchmaker,

a figure, and your face is plump

d. Stytchkin was also embarra

, steady, careful husband, with his salary and your earnings you might

t you are saying, N

eant no ha

lowing his nose, while the matchmaker turned

o you get, Niko

ips. . . . Apart from that we make

huntin

vel without tickets are

ce. Stytchkin got up and walke

n, and I want someone who . . . as it might be like you . .

. . ." giggled the matchmaker, hid

t, and you suit me in your qualities. I am a practical, sober man, and if

ughed, and, in token of her conse

you. . . . I am a strict, respectable, practical man. I take a gentlemanly view of everything. And I desire that my w

egan expounding to his bride-elect his v

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The Horse-Stealers and other stories
The Horse-Stealers and other stories
“Anton Pavlovich Chekhov (1860-1904) was a Russian short story writer and a playwright. His playwriting career produced four classics, while his best short stories are held in high esteem by writers and critics. Chekhov practiced as a doctor throughout most of his literary career: "Medicine is my lawful wife," he once said, "and literature is my mistress." Chekhov renounced the theatre after the disastrous reception of The Seagull in 1896; but the play was revived to acclaim by Constantin Stanislavski's Moscow Art Theatre, which subsequently also produced Uncle Vanya and premiered Chekhov's last two plays, Three Sisters and The Cherry Orchard. These four works present a special challenge to the acting ensemble as well as to audiences, because in place of conventional action Chekhov offers a "theatre of mood" and a "submerged life in the text." His originality consists in an early use of the stream-of-consciousness technique combined with a disavowal of the moral finality of traditional story structure.”
1 Chapter 1 The Horse-stealers2 Chapter 2 Ward no. 63 Chapter 3 The Petchenyeg4 Chapter 4 A Dead body5 Chapter 5 A Happy ending6 Chapter 6 The Looking-glass7 Chapter 7 Old Age8 Chapter 8 Darkness9 Chapter 9 The Beggar10 Chapter 10 A Story without a Title11 Chapter 11 In Trouble12 Chapter 12 Frost13 Chapter 13 A Slander14 Chapter 14 Minds in Ferment15 Chapter 15 Gone Astray16 Chapter 16 An Avenger17 Chapter 17 The Jeune Premier18 Chapter 18 A Defenceless Creature19 Chapter 19 An Enigmatic Nature20 Chapter 20 A Happy man21 Chapter 21 A Troublesome Visitor22 Chapter 22 An Actor's end