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The Development of the Feeling for Nature in the Middle Ages and Modern Times
Author: Alfred Biese Genre: LiteratureThe Development of the Feeling for Nature in the Middle Ages and Modern Times
scovery of the world within, of the whole deep contents of
life, which at first sight would seem to rival the poetry of the Italians. Leaving lyrical poetry out of account, Godfrey of Strassburg gives us, in his Tristram and Isolt, a representation of human passion, some feature
this awakening of individualism, this fathoming of the depths of human per
man. God, he tells us, made man at the close of creation to know the laws of the universe, to love its beauty, to admire its greatnes
hat thou mightest be free to shape and to overcome thyself. Thou mayest sink into a beast, and be born again to the Divine likeness. The brutes bring with them from their mothers' body what they will carry with them as long as the
ery time that her discoveries across the seas were enlarging the boundaries of the external world, and her science was studying it. Mixed as the motives of the discoverers must have been, like those of the
nce. Contented with Nature, they spend their lives utterly untroubled for the future.... Theirs is a Golden Age; they do not enclose their farms with t
etation, the strange forests, brilliant birds, and s
o convey the feeling to others; and the explorers often
trongest appeal, and whose admiration of bays, harbours, trees, fields of grain, etc., was measured by the same standard of utility. Even such unskilled reporters did not entirely fail to refer to t
[2] in very matter-of-fact fashion, but not without a t
it, and then arrive at the ocean, on which there is a city and a fort named Cormos. The ships of India bring thither all kinds of spiceries, precious stones, and pearls, cloths of silk and gold, elephants' teeth, and many other
s golden roofed palaces, paradisaical Sunda Islands with their 'abundance of treasure and costly spices,' Java the less with its eight kingdoms,
ugal, we see some pleasure in the beauties of Nature
of Vasco da Gama, he says that th
lofty, the meadows of a beautiful verdure, and great numbers of cattle frisked about
mbique
prickly leaves; broad-spreading boughs afford an agree
Mel
, especially the orange, the flowers of which yield a most graceful diffusive smell. The country is rich and plentiful, ab
anzi
cellent water; the whole island is covered with beautiful woods, which are extremely f
extremely pleasant an
vast number of delightful springs. The plains are large and spacious, and afford excellent pasture.... In short, the whole country affords a most beautiful prospect, being diversified with hills and valleys, and these covered with thick shady woods stocked with great variety of trees, m
z, near
, neither by nature nor by the most laborious cultivation ... yet here you might see greater plenty of these, as well as all luxurious superfluities, than in most other countries of a richer and m
e was full of surprise at the splendour round him, a
cheerful hearts they espied
of these islands, they heard nightingales si
njays, of the which some are green, some yellow, and having their feathers intermingled with green, yellow, and purple, which varieties delighted the sense not a little.... They entered into a main large sea, having in it innumerable islands, marvello
size of the trees (with a view to native houses), the various kinds of pines, palms, and chestnuts, and their uses, the immense downfall of water carried to the sea by the rivers--all this he noted with admiration; but industrial interest outweigh
the Cape Verde Islands, undertaken on the suggestion of Henry the
oint thereof. There are several villages of negroes from Senega, on and about the promontory, who dwell in thatched houses close to the shore, and in sight of those who sail by.... The coast is all low and full of fine large trees, which are constantly green; that is, they never with
uge
asburg in the beauty of the tropics is lost in trans
tance in other respects, he remains the chief representative of his time in the matter. Humboldt noted this in his critical examination of the history of geography in the fifteenth and sixteenth centur
ke other unlettered people, are vividly impressed by fine scenery, especially when it is new to them, if they possess a spark of mental refinement. They have
e Diary in which we can trace Columbus' love for Nature increa
ber 8th, 1492,
very soft like the April at Seville, and it is a
mboldt
s belong, the wild luxuriance of the flowering soil along the humid shores, and the rose-coloured flamingoes which, fishing at early morning at the mouth of the rivers, impar
he complained that he could not find new words in which to
extracts, and it has been partly falsified, unintentionally, by attempts to modernize the language instead
n these humid shores, with their dense vegetation and forests so rich in all kinds of plants, and alive with swarms of parrots ... with an open eye for all the be
of Novembe
at he felt no doubt that there were aromatic herbs among them. He said that all he saw was so beautiful tha
mber
palms. He was much astonished to see so many lofty islands, and assured the Sovereigns that the mountains and islands he had seen sinc
mber
d saw that they were so wonderfully large, that he could not exaggerate their height and straightness, like stout yet fine spindles. He perceived that here there was material for great store of planks
mber
never to leave them. He said to the men who were with him that to give a true relation to the Sovereigns of the things t
mber
the difference being as great as between night and day. They said that all these lands were cultivated, and that a very wide and large river passed through the centre of the valley and could irrigate all the fields. All the trees were green and full of fruit, and the plants tall and covere
in Nature, as free from sentimentality as fro
Cuba, which Humbol
ees never lose their foliage, and I can well believe it, for I observed that they were as green and luxuriant as in Spain in the month of May. Some were in bloom, others bearing fruit, and others otherwise according to their nature. There were palm
trong feeling for the beauty of Nature, since they are concerned with foliage and sht only did the wind oppose our proceeding onward, but it also rendered it highly dangerous to run in for any headland, and kept me in that sea, which seemed to me a sea of blood, seething like a cauldron on a mighty fire. Never did the sky look more fearful; during one day and one night it burned like a furnace, and emitted flashes in such fashion that each time I looked to see if my masts and my sails were not destroyed; these flas
ly deficient in all previous knowledge of natural history; but he was gifted with deep feeling (the account of the nocturnal visions in the Lettera Rarissima is proof of t
that he has seen pines and palms wonderfully associated together in one and the same plain, and he even so acutely observed the vegetation around him, that he
smo
i, only contain adventures and descriptions of manners and customs. He lacke
Gulf, had doubled the Cape twice, and, inspired by a deep love for Nature, had spent sixteen years in examining the phenomena of the ocean on the Indian and Chinese shores. He was a great sea painter. His poetic and inventive power remind one at times
t, nerve, and fresh insight
apparatus of deities in Thet
ture and animals ar
ent ants which t
pportioned he
their forces
tile winter's
toils and labours
looked-for en
e Lusitania
e, the nymphs th
ome sequester
e Lycian peop
nce some perso
water they
l by hopping
ger which they
o some safe ret
bove the water sho
r the parching f
ay from some cha
histling, puffin
ind sets all th
group, lying
p, aroused in
es that spread bo
oods and to th
th th
sy which once b
ruly hands be
eated by the c
plet tied with
colour and its
ale and lifeles
her lips are
life the mingle
us of the far-fetched compari
ted lustre fr
or of beauteou
stricken by t
d on some other
se the child's va
house, as may h
ls and roof a
remulous, now
ndering judgm
ys of
nted on her wa
her form and
g that saw her
heaven, and the
personified in stanza x
re mostly mixed up wi
ver, as the e
aven her lovely
right Hyperi
rtals as he r
leet their ships
n
ver, as great
earth, whom in
row Aurora r
e around the h
best in writi
explorers on fi
ailing o'er wid
waves dividin
breathing prosp
llow sails were
overed o'er wit
cing prows were
ted waters o
th these unknown
eople yet exp
s and climes wh
first discove
moon in pure
lvery waves her
ndant glittered
eadow daisy-s
he winds all
verns close al
ight-watch cons
en their custo
of the dang
ch human under
, sudden, drea
ch seem to set
f rain, night
nder which the
labour than a
d an iron vo
es of St Elmo and the gradual
early saw, th
everywhere a
m and crossing
ark and desp
was to all a
urely to ala
sea-clouds, wit
from Ocean's d
pour thin an
ind begin re
opmost clouds a
tance so exce
quite gorged i
on the sea ben
avens in fine i
ters watering
reminds us of ?sc
uch, that scarce
orce or greate
re this purpo
er of Babel to
the clouds t
waves of Neptu
owels of the
l their senses
uster, Bore
ld's machine
fire the black
ole to pole a d
r of love beame
n, upon the h
, as messen
eading sea, with
s it s
that we saw at
, like clouds a
coast
ls broke forth t
ream is murmurin
rm and from the f
m their hearts
All the delights of the New World are there, with the vegetation of Southern Europe added. It is a po
saw the island
'er the water
d the canvas whi
forms a bay fo
quiet, and wh
red shells by
mounts rise no
ceful pride thei
amelled grass
ghtful lovel
reams their rush
th rich luxuria
rocks above, th
orous, sweet, a
toward heaven the
odoriferou
its produce
Daphne carri
the ground its
llow weights
elons, which th
osom in thei
es, which on t
m with leafy h
of Alcides;
shining God lo
Cytherea wi
y other love
press tree point
the ethereal
ubicund break
y thou, ruby,
branches hangs
ome of red and
ned and splen
ustic ground b
of Achemein
shady valley f
ers with head
and lucid lak
lt to fancy w
n and earth all
gave the flow
vely flowers t
hyr there in
inted, as of
the rose all
h on cheek of
r sings the sn
branch responde
ll, to the dear
tle bird the
ture is better displayed
a sixteenth-century lyrist; full of mild enthusiasm for
the feeling which inspired his hymn to Brother Sun (Cantico del Sole), and led his brother
y His cre
be the L
n, my brothe
lights us and
with his great s
, Lord, c
and Stars my
air they in the h
er Wind,
ventura, too, in h
isters, and called upon crops, vineyards,
om the earth, trees, corn, flowers, and grass'; and he
ore in the woods than in books; trees and sto
jects as 'rays of the Godhead
ry, Hugo von S
ree-will of man, but as a revelation and visible sign, by divine will, of God's invisible wisdom. But as one who only glances at an open book sees marks on it, but
; for instance, the popular Franciscan
ds of hearers, and moved them partly by the unusual f
we find again in Ekkehart and other fifteenth-century
3) held that the breath of the Creator was in all visible thing
of the Swedish coast with their surging waves or down the shaft of a mine, or to wander in the quiet of even
n general, Dionysius von Rickel (1471), in his paper On the beauty of the world and the glory of God (De venustate mundi et de pulchritudine Dei) says in C
gh, mountains, springs, streams and rivers, and the broad arm of the immeasurable sea ... and above al
a mystical and scholastic point of view, as made up of living beings in a graduated scale from the lowest to the highest; and he lauded her in terms which even Pope Clemen
living being is but a letter of the alphabet written by the finger of God, and the book is composed of them all together as a book is of letters ... man is the capital letter of
pious Spaniard Luis Vives (1540), who wrote concerning the useless speculations of alchemists and astrologers about occult things: 'I
r years for opinions too openly expressed in his writings; but with all his varied fortunes he never lost his innate manliness and tenderness. His biographer tells us, that as soon as the holidays began, he would
undisturbed, dipping his feet in the brook under a poplar--the tree which was reputed to flourish on sand alone and give shelter to all the birds under heaven--while the rustle of the leaves sang his melancholy to sleep. His biographer goes on to say that he had the Spaniard's specia
ven. He loved the sunrise, birds, flowers, bees, fishes; nothing was meaningless to him; all things were letters in a divine alphabet, which might bring him a message from above. Nature was symboli
of his day. He did not paint Nature entirely for her own sake; man was always her master[15] in his poems, and he s
and he often tries to repres
his ode, Qu
y he w
he noisy w
he worthy
en the na
e of the s
soul to virtu
d shades, and
illness of
spirit lo
and be
e world's te
ure, do I tu
by the mo
ose flowery
n spring's lu
n's suns s
ountain's
rkling rill com
ng in its d
rable tr
on its wind
it glide
ess to the d
ging flowers i
r of the b
thousand sw
n music thro
enchanti
he soul in
d kingdoms are
18] is full of lofty enthu
der glor
million lamps
n my da
vain mor
isionary, mean
ed joy
oul with dark
the conc
ous countless
his or
his journ
hand through the
he pale m
lver w
ather of the
him, brigh
e empyre
ms of light on thi
to these
gainst a weeping
his spi
so swee
ile hard which he
, and the
joy and neve
shall nev
there thr
to chill joy's e
of chang
ing streams and
radise
l joyf
soul shall welco
with an artistic polish which ends by giving us, not so much a real impression of Nature, as one of clever description in musical verse, repeated again and again with slight variations.' This is true of Leon, but far more of Calderon, since it belongs to the very essence of drama. But, despite his passion for description and
s in The Con
awoke in bea
, when stars
eave us but a
cold embrace
shame the rainbo
snow in purpl
rning man sho
day can darken
ither that th
they bear their b
d their cradle
fortunes in thi
die; one day dot
but seem to
in his hour of triumph to beware of sudde
rth with rays
sun afar i
ths most f
her tear-dr
e climbs, th
hen dark nig
burial o
black outs
fly on li
ed the bree
e seas seem a
k flight on
ment, yet
mpest roar
ight the sta
hat ship's o
ar, looks ev
torm await w
d the back
talks sadn
ce Sigismund, chained
ned I mo
s, who wer
ird was, y
ure, beau
'tis a wi
ly plumag
erial hal
ideth
ore will
st it hat
more of so
dged its
st was born
beauteous s
onstellat
ts greater
nstinct d
rceness an
air on ev
asured fa
h better i
liberty
mute fish
ooze and
finny bar
face broug
ircuits t
it on e
imitabl
greater wi
reedom a
treamlet w
nds the fl
rpent, th
em sweet
ts the flo
stening t
tic course
open pla
h more lif
ed its
as talked to the young prince, bro
poke with
an arts an
till and si
ntains and
ught--that
s been long
oices of
asts has a
me and place are v
ing on t
half-awak
wn the linge
stern vap
ruby-tint
samine a
cloths of g
ingled fir
rl his glanc
e gardens
oft retu
auteous spri
jasmine tem
t statues o
o the se
he chariot
e golden sp
waves, alo
to the se
holy fears
lready gil
ort has bee
g remark about a g
rden surrounde
l the nearer it appr
endour of so stiff and formal a kind, that, like the whole of hi
have the wine as the last artificial result of the grape, but expressed into the goblet, highly spiced and sweetened, and so given you to drink; bu
]; and mystical confessions of the same sort may be gathered in numbers from the works of contemporary monks and nuns. Even of such a fanatic and self-tormentor as the S
ittle monastery window, often kept him rapt in deep meditation for hours; often he was as if beside himself, so
as asked if so much knowledge confused him, he answered: 'I find God in a
la. She was especially notable for the ravishingly pretty pictures and comp
ll more or less dictated by religious feeling. It was in the later German and Italian mystics--for example, Bruno, Campane
are shewed a far more intense feeling
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