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The Court of Blood and Night

While My Husband Cheated, I Married His Powerful Brother

While My Husband Cheated, I Married His Powerful Brother

Minja
To help her husband build his business empire, Veyra worked two jobs, skipped meals, and sacrificed everything she had. When her mother desperately needed life-saving treatment, she couldn't even scrape together the money. Then, on a New Year's Eve flight, fate seated her beside her husband's mistress. That's when she discovered the cruel truth. Her husband had secretly amassed millions long ago. The wedding ring that belonged to Veyra now glittered on another woman's finger. The $500,000 that could have saved her mother's life had been spent instead on luxury gifts and pocket money for his lover. She lost her baby. She lost her mother. And finally, she lost every illusion about the man she'd loved for years. After leaving the airport, Veyra walked into a bar, kissed the most dangerous-looking stranger she could find, and spent one reckless night in his arms. By sunrise, she disappeared without leaving so much as her name. She thought it was nothing more than a farewell to her broken past. She was wrong. The stranger was Dorian-the most powerful, mysterious billionaire in the business world. Meanwhile, her cheating husband finally realized what he had thrown away. He begged on his knees, signed a postnuptial agreement worth billions, and swore he would give up everything if she would come back. But just as Veyra began plotting to reclaim everything that had been stolen from her, a mysterious car accident brought Dorian back into her life. Only then did she learn the truth. He wasn't a stranger at all. He was her ex-husband's older stepbrother. Now two powerful men are fighting for the same woman-one consumed by regret, the other determined to make her his. Sorry, cheating ex... I choose your brother.
Billionaires BetrayalDivorceCEODramaBillionairesWorkplaceSecond Chance
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Thursday, the 16th of September, 1824, at the moment when Louis XVIII. was breathing his last in his chamber of the Chateau des Tuileries, the courtiers were gathered in the Gallery of Diana. It was four o'clock in the morning. The Duke and the Duchess of Angouleme, the Duchess of Berry, the Duke and the Duchess of Orleans, the Bishop of Hermopolis, and the physicians were in the chamber of the dying man. When the King had given up the ghost, the Duke of Angouleme, who became Dauphin, threw himself at the feet of his father, who became King, and kissed his hand with respectful tenderness.

The princes and princesses followed this example, and he who bore thenceforward the title of Charles X., sobbing, embraced them all. They knelt about the bed. The De Profundis was recited. Then the new King sprinkled holy water on the body of his brother and kissed the icy hand. An instant later M. de Blacas, opening the door of the Gallery of Diana, called out: "Gentlemen, the King!" And Charles X. appeared.

Let us listen to the Duchess of Orleans. "At these words, in the twinkling of an eye, all the crowd of courtiers deserted the Gallery to surround and follow the new King. It was like a torrent. We were borne along by it, and only at the door of the Hall of the Throne, my husband bethought himself that we no longer had aught to do there. We returned home, reflecting much on the feebleness of our poor humanity, and the nothingness of the things of this world."

Marshal Marmont, who was in the Gallery of Diana at the moment of the King's death, was much struck by the two phrases pronounced at an instant's interval by M. de Damas: "Gentlemen, the King is dead! The King, gentlemen!"

He wrote in his Memoirs: "It is difficult to describe the sensation produced by this double announcement in so brief a time. The new sovereign was surrounded by his officers, and everything except the person of the King was in the accustomed order. Beautiful and great thought, this uninterrupted life of the depository of the sovereign power! By this fiction there is no break in this protecting force, so necessary to the preservation of society." The Marshal adds: "The government had been in fact for a year and more in the hands of Monsieur. Thus the same order of things was to continue; nevertheless, there was emotion perceptible on the faces of those present; one might see hopes spring up and existences wither. Every one accompanied the new King to his Pavilion of Marsan. He announced to his ministers that he confirmed them in their functions. Then every one withdrew."

While the Duchess of Berry was present at the death of Louis XVIII., the Duke of Bordeaux and his sister, Mademoiselle, then, the one four, the other five years of age, remained at the Chateau of Saint Cloud, with the Governess of the Children of France, the Viscountess of Gontaut-Biron. This lady passed the night of the 15th of September in great anxiety. She listened on the balcony, awaiting and dreading the news.

At the moment that the day began to dawn, she heard afar the gallop of a horse that drew near, passed the bridge, ascended the avenue, reached the Chateau, and in response to the challenge of the guard, she distinguished the words: "An urgent message for Madame the Governess." It was a letter from the new King. Madame de Gontaut trembled as she opened it. Charles X. announced to her, in sad words, that Louis XVIII. was no more, and directed her to made ready for the arrival of the royal family. "Lodge me where you and the governor shall see fit. We shall probably pass three or four days at Saint Cloud. Communicate my letter to the Marshal. I have not strength to write another word."

"The day was beginning to break," we read in the unpublished Memoirs of the Governess of the Children of France. "I went to the bed of Monseigneur. He was awakened. He was not surprised, and said nothing, and allowed himself to be dressed. Not so with Mademoiselle. I told her gently of the misfortune that had come upon her family. I was agitated. She questioned me, asking where was bon-papa. I told her that he was still in Paris, but was coming to Saint Cloud; then I added: 'Your bon-papa, Mademoiselle, is King, since the King is no more.' She reflected, then, repeating the word: 'King! Oh! that indeed is the worst of the story.' I was astonished, and wished her to explain her idea; she simply repeated it. I thought then she had conceived the notion of a king always rolled about in his chair."

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