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Jilted Heiress: Marrying The Untouchable Tycoon

Piao Guo

Allison Montgomery was waiting at the airport when an audio alert from her parked Range Rover flashed on her phone. Assuming it was a break-in, she checked the live dashcam feed, only to see her fiancé, Finn, and her younger sister, Cheyanne, passionately making out in the backseat. "Tell me I'm better than her," Cheyanne whispered. "Tell me I'm better than Allison." "You are," Finn gasped. "God, you are." When Allison confronted her family with the video, she expected justice. Instead, her uncle and mother fiercely defended the cheaters. They blamed Allison's "cold and frigid" nature for pushing Finn away, victim-blaming her in front of the entire household staff. To protect their corporate alliance, her uncle ruthlessly announced that the engagement would be transferred to Cheyanne, and threatened to strip Allison of her inheritance. Stripped of her fiancé, her family, and her dignity, Allison realized her pristine twenty-year life was a complete lie. The people who were supposed to love her were actively protecting her abusers, leaving her utterly isolated and burning with a cold, protective rage. Refusing to be their victim, Allison targeted Finn's ruthless, billionaire uncle, Adam Kensington, proposing a fake marriage to secure the capital needed to crush her family. But when the notoriously untouchable Wall Street phantom not only accepted her proposal, but demanded she immediately move into his penthouse to raise his secret daughter, Allison realized she had just sold her soul to the devil.

Modern Contract marriage Transactional Love Billionaire Revenge

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< Serena >

Paintings.

I always love them. Whenever there was an art show near Manhattan, I make it a point to go, check the artworks and possibly buy one. Or two. Or three of them.

What I look for in a painting are the strokes the painter uses, the use of colors and how they blend in with the picture in general, and of course, the drawing.

I'm a sucker for fantasy-inspired paintings. Fantastical landscapes, still pictures, mythical creatures, men and women wearing weird clothing, oh yes. I collect them all. They always reach out to a part of my soul that I had been guarding since I lost my parents. They always call out to a part of me that I'm not sure what.

Maybe, my parents as painters could be a reason. They influenced my tastes after all. But deep inside me, I knew there was always something special about these type of paintings that I couldn't quite figure out.

One rainy day, I ran across an antique shop in downtown Manhattan about to be closed by the bank for bankruptcy. The different antique displays were spread all over the street in the hopes that some passers-by would still buy them.

I caught sight of a beautiful painting of a landscape. Breathtaking it was and purely, for lack of a better word, out-of-this-world. The painting showed a mountain range with its slopes covered in autumn trees. In the center of this mountain range, just nestled on top the hill, was a silver castle. The details were extraordinary. Magical even. I couldn't resist its call, so in the end, I bought it. Plus, I didn't want it to be wet with the rain. I wanted to give it a home.

The antique shop owner, an old lady probably in her late sixties, was gracious enough to give me a discount considering the painting had smudges on the edges due to its aged state. I was kind enough to refuse it. If she was in bankruptcy, at least my full payment of the painting would help her in some way.

"May the magic be with you always, " she said with a smile as we parted.

I just shrugged my shoulders never really thinking much of about her words.

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