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Women in Love

Chapter 7 FETISH

Word Count: 1857    |    Released on: 29/11/2017

as something small and curled up and defenceless about her, that roused an unsatisfied flame of passion in the young man's bl

to Libidnikov, he went to the door and glanced in. He had on a

ng men by the fire, stark naked. H

hall, striding a strange, white figure between the unliving furniture. He came back with

feel the fire on

r pleasant,'

e in a climate where one could do witho

there weren't so many th

advantage,' m

was like a Christ in a Pieta. The animal was not there at all, only the heavy, broken beauty. And Gerald realised how Halliday's eyes were beautiful too, so blue and warm and confused, broken also in their

've been in hot countries whe

exclaimed Hal

ca-Amazon,'

to do-to live from day to day without EVER putting on any sort of

'I can't see that it m

I'm sure life would be entirely another thing

ked Gerald. '

he things I touched, instead of having only to look at them. I'm sure life is all wrong because it has become

e, that is true,'

bs like smooth plant-stems. He was so healthy and well-made, why did he make one ashamed, why did one feel repelled? Why should Gerald even

e pyjamas and wet hair, and a towel over his arm

ant it,' he said generally, and was

y, Ru

e figure appeared again

hat figure there? I wan

negro woman in labour. Her nude, protuberant body crouched in a strange, cl

rt,' sai

t's very beautiful

l and heavily, brokenly beautiful, Birkin very white and indefinite, not to be assigned, as he looked closely at the c

, abstracted in utter physical stress. It was a terrible face, void, peaked, abstracted almost into me

Gerald asked, s

rkin. 'It contains the whole truth of

call it HIGH ar

f development in a straight line, behind that carving;

ed, in opposition. He hate

ousness, really ultimate PHYSICAL consciousness, mindless,

nted to keep certain illusion

gs, Rupert,' he said, 't

't everything,' Birki

tional at home, that when he was really away, and on the loose, as now, he enjoyed nothing so

only see the black, bottomless pools of her eyes. Perhaps she suffered. The sensation of her i

ke now,' he

it?' came he

lies in her further and further violation, made his nerves quiver with acutely desirable sensation. After all, his was the only will, she was the passive

Birkin was gaunt and sick, and looked a failure in his attempt to be a properly dressed man, like Gerald and Maxim. Halliday wore tweeds and a green flannel shirt, and a ra

o her when anybody spoke to her. Her face was like a small, fine mask, sinister too, masked with unwilling suffering. It was almost midday. Gerald rose and went away to his business,

y with tea, bending in a slow, strange, leopard-like fashion to put the tray softly on the table. His face was immutable, aristocratic-looking, tinged slightly with grey under the skin; he was young and g

irritation, Halliday was turning in an insane hatred against Gerald, the Pussum was becoming hard and cold, like a flint knife, a

a nasty and insane scene with Halliday on the fourth evening. Halliday turned with absurd animosity upon Gerald, in the cafe. There was a row. Gerald was on the point of knocking-in Halliday's face; when he was filled w

at the ends of his short clipped moustache. He knew the Pussum was merely glad to be rid of him. She had got her Halliday whom she wanted. She wanted him completely in her power. Then she would marry him. She wanted to marry him. She had set her will on marrying Halliday. She never wanted to hear of Gerald again; unle

s address, so that she could appeal to him in time of distress. She knew he want

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Women in Love
Women in Love
“Selected by the Modern Library as one of the 100 best novels of all timeD.H. Lawrence's magnificent exploration of human sexuality in the days surrounding World War I. 'Let us hesitate no longer to announce that the sensual passions and mysteries are equally sacred with the spiritual mysteries and passions,' wrote D.H. Lawrence in Women In Love, a masterpiece that heralded the erotic consciousness of the twentieth century. Echoing elements of Lawrence's own life, Women In Love delves into the mysteries between men and women as two couples strive for love against a haunting backdrop of coalmines, factories, and a beleaguered working class.New introduction by Louis Menand.”
1 Chapter 1 SISTERS2 Chapter 2 SHORTLANDS3 Chapter 3 CLASS-ROOM4 Chapter 4 DIVER5 Chapter 5 IN THE TRAIN6 Chapter 6 CREME DE MENTHE7 Chapter 7 FETISH8 Chapter 8 BREADALBY9 Chapter 9 COAL-DUST10 Chapter 10 SKETCH-BOOK11 Chapter 11 AN ISLAND12 Chapter 12 CARPETING13 Chapter 13 MINO14 Chapter 14 WATER-PARTY15 Chapter 15 SUNDAY EVENING16 Chapter 16 MAN TO MAN17 Chapter 17 THE INDUSTRIAL MAGNATE18 Chapter 18 RABBIT19 Chapter 19 MOONY20 Chapter 20 GLADIATORIAL21 Chapter 21 THRESHOLD22 Chapter 22 WOMAN TO WOMAN23 Chapter 23 EXCURSE24 Chapter 24 DEATH AND LOVE25 Chapter 25 MARRIAGE OR NOT26 Chapter 26 A CHAIR27 Chapter 27 FLITTING28 Chapter 28 GUDRUN IN THE POMPADOUR29 Chapter 29 CONTINENTAL30 Chapter 30 SNOWED UP31 Chapter 31 EXEUNT