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 Bleak House

Bleak House

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Preface 

Word Count: 701    |    Released on: 18/11/2017

en not labouring underany suspicions of lunacy, that the Court of Chancery, though theshining subject of much

ng tothe "parsimony of the public," which guilty public, it appeared,had been until lately bent in the most determined manner on

tored it to Conversation Kenge or toMr. Vholes, with one or other of whom I think it must haveorigi

edTo what it works in

ld knowwhat has been doing, and still is doing, in this connexion, Imention here that everything s

nty yearsago, in which from thirty to forty counsel have been known toappear at one time, in which costs have been incurred to the amountof seventy thousand pounds, which is A FRIENDLY SUIT, and which is(I am assured) no nearer to its termination now than when it wasbegun. There is another well-known suit in

her point on which I o

Cornelia de BaudiCesenate, was minutely investigated and described by GiuseppeBianchini, a prebendary of Verona, otherwise distinguished inletters, who published an account of it at Verona in 1731, which heafterwards republished at Rome. The appearances, beyond allrational doubt, observed in that case are the appearances observedin Mr. Krook's case. The next most famous instance happened atRheims six years earlier, and the historian in that case is Le Cat,one of the most renowned surgeons produced by France. The subjectwas a woman, whose husband was ignorantly convicted of havingmurdered her; but on solemn appeal

posely dwelt upon the roman

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 Bleak House
Bleak House
“Bleak House is the ninth novel by Charles Dickens, published in twenty monthly installments between March 1852 and September 1853. It is held to be one of Dickens's finest novels, containing one of the most vast, complex and engaging arrays of minor characters and sub-plots in his entire canon. The story is told partly by the novel's heroine, Esther Summerson, and partly by an omniscient narrator. Memorable characters include the menacing lawyer Tulkinghorn, the friendly, but depressive John Jarndyce, and the childish and disingenuous Harold Skimpole, as well as the likeable but imprudent Richard Carstone. At the novel's core is long-running litigation in England's Court of Chancery, Jarndyce and Jarndyce, which has far-reaching consequences for all involved. This case revolves around a testator who apparently made several wills, all of them seeking to bequeath money and land surrounding the Manor of Marr in South Yorkshire. The litigation, which already has consumed years and sixty to seventy thousand pounds sterling in court costs, is emblematic of the failure of Chancery. Dickens's assault on the flaws of the British judiciary system is based in part on his own experiences as a law clerk, and in part on his experiences as a Chancery litigant seeking to enforce his copyright on his earlier books. His harsh characterisation of the slow, arcane Chancery law process gave memorable form to pre-existing widespread frustration with the system. Though Chancery lawyers and judges criticized Dickens's portrait of Chancery as exaggerated and unmerited, his novel helped to spur an ongoing movement that culminated in enactment of the legal reform in the 1870s. In fact, Dickens was writing just as Chancery was reforming itself, with the Six Clerks and Masters mentioned in Chapter One abolished in 1842 and 1852 respectively: the need for further reform was being widely debated. These facts raise an issue as to when Bleak House is actually set. Technically it must be before 1842, and at least some of his readers at the time would have been aware of this. However, there is some question as to whether this timeframe is consistent with some of the themes of the novel. The great English legal historian Sir William Holdsworth (see below), set the action in 1827.”