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Monsieur de Camors -- Volume 2

Chapter 5 THE FIRST ACT OF THE TRAGEDY

Word Count: 2111    |    Released on: 29/11/2017

it seemed to him that she also avoided him. A qua

chamber. When he saw himself in the mirror, his own face

she has no honor. For honor is a reality and must not be underrated. It is a noble, delicate, and salutary quality. It elevates manly attributes; in fact, it constitutes the modesty of man. It is sometimes a force, and always a grace. But to think that honor is all-sufficient; that in the face of great interests, great passions, great trials in life, it is a support and a

vil night, to a final conflict

, surrounded by all her regal luxury. She was half buried in a fauteuil in the chimney-corner, l

she said. "H

well," rep

s the m

that yo

eyes wide with surpri

ors, smiling-" no more music, the curt

e shal

re you simply acting, to try me, last

ld, but I do not

ught you m

e my h

if your hours of frankness h

compensation,

ve it to you,"

ing herself back on the sofa, as if to make herself c

be loved. I love you devotedly and unt

" said the Mar

xtenuate my offence. I see it, I judge it, and I accept it. I break the last moral tie that is left me; I leave the ranks of men of honor, and I leave also the ranks of humanity. I have nothing human left except my love, nothing sacred but you; but my crime elevates itself

or may become, on condition of an equal return, still preserving the s

a serious thing. My love for you is boundless. I love you enough to disdain and trample under foot that which the meanest human being still respects. I love you enough to find in you alone, in your single esteem, and in your sole tenderness, in the pride and madness of being yours, oblivion and consolation for friendship outraged, faith betrayed, and honor lost. But, Madame, this is a sentiment which you will do well not to trifle with. You should thoroughly und

ened to him, her head a little inclined toward him in an attitude of overpowering interest, throwing upon him at intervals a glance full of gloom

"becomes really interesting; but you do no

said C

ad in sign of dismissal, without offering

t w

early

little terrified doubtless by the monster she h

succeeding days, he vainly

s either dining

e did not love him. She only wished to revenge herself for the past, and after disgracing him would laugh at him. She had made him si

Viscountess d'Oilly's, where he usually saw her every Friday. This lady had been formerly the most tender

of affection. She was an amiable w

er youth, and never having had much taste for devotion, she conceived the idea of having a salon. She r

ures and conferences, which began to be fashionable. She spoke easily about spontaneous generation. She manifested a l

really admit that. How can you think your gran

everything wit

entered St. Sulpice, where she confessed and put herself on good terms with God, in case He should exist. She w

few moments, when he had the satisfaction of seeing the General and the Marquise enter. She tranquilly expressed to him her regret at not having been at home the preceding day; but it was impossible to hope for a more decided explanation in a circle so sm

They played at her house such little games as were then fashiona

ched mysteriously, in turn, questions and answers. During this time the General played whist with Madame de la Roche-Jugan. Madame Campvallon di

mself joined in the game, contrary to his custom, and even charged hims

an exist between the sexes?" "Is it sweeter to love or to beloved?"-succeeded each other with corresponding replies. All at once the Marquise gave a slight scream, and they saw a dr

itate more at ease on questions and answers. An instant later Camors was passing around the room collecting notes. She deposited one in the basket, slipping another into his hand with the cat- like dexterity of her sex. In the midst of t

, honor, riches, to m

, from this mom

th the pure blood of m

DE LUC. D

le table, then suddenly his face was covered with a mortal paleness. These symptoms did not arise from

ody mysticism so familiar to the sixteenth century, which she adored, that the Mar

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Monsieur de Camors -- Volume 2
Monsieur de Camors -- Volume 2
“by MAXIME DU CAMP, of the French Academy OCTAVE FEUILLET OCTAVE FEUILLET'S works abound with rare qualities, forming a harmonious ensemble; they also exhibit great observation and knowledge of humanity, and through all of them runs an incomparable and distinctive charm. He will always be considered the leader of the idealistic school in the nineteenth century. It is now fifteen years since his death, and the judgment of posterity is that he had a great imagination, linked to great analytical power and insight; that his style is neat, pure, and fine, and at the same time brilliant and concise. He unites suppleness with force, he combines grace with vigor. Octave Feuillet was born at Saint-Lo (Manche), August 11, 1821, his father occupying the post of Secretary-General of the Prefecture de la Manche. Pupil at the Lycee Louis le Grand, he received many prizes, and was entered for the law. But he became early attracted to literature, and like many of the writers at that period attached himself to the "romantic school." He collaborated with Alexander Dumas pere and with Paul Bocage. It can not now be ascertained what share Feuillet may have had in any of the countless tales of the elder Dumas. Under his own name he published the novels 'Onesta' and 'Alix', in 1846, his first romances. He then commenced writing for the stage. We mention 'Echec et Mat' (Odeon, 1846); 'Palma, ou la Nuit du Vendredi-Saint' (Porte St. Martin, 1847); 'La Vieillesse de Richelieu' (Theatre Francais, 1848); 'York' (Palais Royal, 1852). Some of them are written in collaboration with Paul Bocage. They are dramas of the Dumas type, conventional, not without cleverness, but making no lasting mark.”
1 Chapter 1 LOVE CONQUERS PHILOSOPHY2 Chapter 2 THE PROLOGUE TO THE TRAGEDY3 Chapter 3 NEW MAN OF THE NEW EMPIRE4 Chapter 4 CIRCE5 Chapter 5 THE FIRST ACT OF THE TRAGEDY6 Chapter 6 AN ANONYMOUS LETTER