icon 0
icon TOP UP
rightIcon
icon Reading History
rightIcon
icon Sign out
rightIcon
icon Get the APP
rightIcon

Aaron's Rod

Chapter 6 TALK

Word Count: 2807    |    Released on: 29/11/2017

s into the crush of the entrance hall. Chattering, swirling people, red carpet, palms green against cream-and-gilt walls, small whirlpools of life at the open, dark doorways, men in ope

rowd, in his tall hat, l

e must frown at something, why not at the bowler hat? Acquaintances and elegant young men in uniforms insisted on rushing up and bowing an

was leading Aaron, holding him by the arm and slightly pinching his muscles. It gave him great satisfaction to have between his fingers the arm-muscles of a working-man, one of the

e's with striped hangings, green and white and yellow and dark purple, and with a green-and-black checked carpet, and great strip

eir wraps and sank deep into this expensive comfort of modern bohemia. They needed the Bach to take away the bad taste that Aida had left in their mouths. They needed the whiskey and curacao to rouse their spirits. T

rather than bohemian. She was cream and auburn, Irish, with a slightly-lifted upper lip that g

u, darling?

d Julia, giving her

riminately. Jim was watching the new-comer-M

t. "I've seen her before, ha

h a slight grunt of a laug

d Clariss.

you are!"

ed upper-lip. "We both want to be loved, and so we miss each other entirely. We

n to Jim amused, indicating Josep

ively, glancing at Joseph

sked Robert hasti

should he make me say out h

my girl,"

engagement?"

ols make, rushing in,

ment is broken,

Jim was twisting in his chair, and looking like a

ve, Jim?" said Lilly, "or for being love

n you," barked Jim. "Be

ought to take it as a joke. It was ju

length, have been a cavalry officer and fought in two wars, and y

Jim. "I'm losing lif

if you were losin

am, though

? Lack o

my young cock. L

Tosti's Far

he centre of interest of all the company, suddenly sprang

y customer, yo

ee. Jim immediately stuck forward his muzzle and gazed at her. Clariss had loosened her masses of thick, auburn hair, so

said Jim. "Wha

Don't be so rude

ravies. Any rel

band," came the slow, pl

a husband,

Haven't I

aguely and wispily.

children," p

t!" said Jim. "Who's

eep voice of Clariss

her frail scrap of an evening dress, amethyst and silver, was sitting still in the deep black h

wfully, I say

I'm sure,

g a sandwich or a cigarette. Aaron Sisson alone sat upright, smiling flickeringly.

nteresting for the others. Awfully boring! Don't

. She let her eye rest on his for a moment. Then she put

er cigarette fro

. Sisson," she said. "How d

ondon," s

eople? No-nobody except a man in the orchestra. H

e miners?" said Jim, su

. "I don't make a

ll make a stand aga

at

nalisa

ight, o

they'd

ig

es

sat la

they to f

ried Josephine fiercely. "Freedom, liberty, and esca

ing, slowly sh

t they'll do-I've only just left them,

hey ACT?" cr

d Aaron. "

and take things in their

time," said Aaron,

hine. "My, wouldn't I love it if

ows were twitching, in her black and silver dr

oody, Josephin

at aren't bloody," said Josephine. "Wouldn't

rather fun,

it!" cried

sterically. "Isn't she a red-hot

sephine. "I sh

f voice. "What price machine-guns at the end

her deep laugh. "We'd all Bols

illed. I'd love it, in a r

had enough of that sort of thing in the war? Don't you

t. I've no interest in fighting German

ct, it would

r worse," s

ephine. "You'd feel you were d

house down,

it, the house we live in-London-En

get much fire in my hatred. They

, suddenly stirr

at one another with a

here's got to be a clea

I'm all for pulling the house down. Only while it

to dinner?

'd find it ra

do yo

r out now-

m? Where

's on t

e was a tall, fine, soldierly figure, and his face, with its little sandy mous

" said Jim.

nd Jim did not press hi

ou?" said Jim, sitting down n

" said

mocked Jim, grinn

it, then?"

e is life," sai

, like drink

d Jim. "May be fo

ll for you,"

ated Jim. "Don't you agree?" H

time-" she draw

blue pencil and printed in large letters on the old

e and flung her ar

ve. I hate it,

ed her sa

said. "Look at Les

erhaps we are all wrong, and we can

ow what love is. I've thought about

that down,

IRATION. He printed it

d the l

hen you love, your soul breathes in. I

said Robert. "If you don't b

ock Turtle-" said

a bloody revolut

ail on the head,"

said Lilly. And with the

HES IN- WHEN YOUR SOUL BREATHE

u must be busting yoursel

sh of energy. I actually feel it rush in-here!" He poked his finger on the pit of his stomach. "I

rds with sudden fero

said Tanny, "yo

otested. "I'm dying.

ve breathed in so much, you don't know how to let it go again.

oung sucking pig,

've learned my manne

e party. Then he tu

make of 'em,

his head,

" he

not wait f

enly rising. "I think you're all s

ove. And HE's the Working People. The hope is these two-" He jerk

I've been a personification.-I suppose you've never been

think I have,

Ought to be allegory or something

riss," laughed the

Tanny. "I've bee

Jim. "Goodbye! Bet

p," said Robert, "if w

ation. Robert and Julia and Clariss were going west, Lilly and his wife were

irs-"Mr. Sisson will see you to your

eed at all,"

The station was half deserted, half rowdy, several fellows were drunk, shouting and crowing.

half Norwegian, and had spent a large part o

ust stay here. I wish I could get back to Paris. But there's nothing doi

," said

-And when will you g

a month,"

be awfully

ANKFUL to get o

Everything is so awful-so di

e still yelling like wild beasts-oth

ement with Jim?" shrilled Tanny in

id Josephine. "Perfectly h

ISH-" cri

ly-" cried

d to lunch with us,"

you," sa

t, jaded midnight underground rattled on. Aa

Claim Your Bonus at the APP

Open
Aaron's Rod
Aaron's Rod
“Written in the years following World War I and set in postwar England and Italy, Aaron's Rod questions many of the accepted social and political institutions of Lawrence's generation, and raises issues as valid for our own time as they were for his. The novel's hero is an Everyman who flees the destruction in England and his failing marriage and who, like Lawrence himself, becomes absorbed in discovering and understanding the nature of the political and religious ideologies that shaped western civilization. Aaron's Rod was completed in 1921 and was censored by both Lawrence's American and English publishers. The Cambridge Edition, based on the only authoritative, surviving typescript, restores these cut passages and eliminates the errors and house-styling of previous editions.The volume contains an introduction that describes the novel's genesis, its transmission, publication history, and reception. Extensive explanatory notes and textual apparatus are also included.”
1 Chapter 1 THE BLUE BALL2 Chapter 2 ROYAL OAK3 Chapter 3 "THE LIGHTED TREE"4 Chapter 4 "THE PILLAR OF SALT"5 Chapter 5 AT THE OPERA6 Chapter 6 TALK7 Chapter 7 THE DARK SQUARE GARDEN8 Chapter 8 A PUNCH IN THE WIND9 Chapter 9 LOW-WATER MARK10 Chapter 10 THE WAR AGAIN11 Chapter 11 MORE PILLAR OF SALT12 Chapter 12 NOVARA13 Chapter 13 WIE ES IHNEN GEFAELLT14 Chapter 14 XX SETTEMBRE15 Chapter 15 A RAILWAY JOURNEY16 Chapter 16 FLORENCE17 Chapter 17 HIGH UP OVER THE CATHEDRAL SQUARE18 Chapter 18 THE MARCHESA19 Chapter 19 CLEOPATRA, BUT NOT ANTHONY20 Chapter 20 THE BROKEN ROD21 Chapter 21 WORDS