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Vain Fortune

Chapter 7 No.7

Word Count: 2097    |    Released on: 06/12/2017

must prepare yours

he d

ok at him one would say he was asleep; he

uld not do what he asked me.... I loved him very de

ge would have been most unnatural; he w

six weeks ago. You remember how I ran to you? I was as white as a gho

a look again. And the effort he made to appear unconcerned when he saw me was perhaps the worst part of it. I pretended to see nothing, and walked away towards the window and looked out. But all the while I could feel that some terrible drama was passing behind me. At last

away quietly; he did not

recovered co

efusal to marry him had any

plexy, with a man of his ag

ntly. I could not have married him. Indeed I couldn't, Julia, not even if I kne

sing to marry Mr. Burnett. It was very wrong of him even to think of asking you, an

suffered, poor old man. I was very, very sorry for him. Indeed I was, Julia, for I'm not selfish, and when I think now that he died without forgiving me, I feel, I feel-oh, I feel as if I should like to die myself. Why do such things happen to me? I feel just as miserable now as I used to when I lived with father and mother, who could not agree. I have often told you how miserable I was then, but I don't think you ever quite

ards the window and rested for a moment

ing of, whom I did not care for, so I gave all my love to Mr. Burnett. He was so good to me; he never denied me anything; he gave me everything, even you, dearest Julia. When he thought I wanted a companion, he found you for me. I learnt to love

cturesquely, and fastened with a thin tortoiseshell comb. The tiny mouth trembled, and the large, prominent eyes reflected a strange, yearning soul. She was dressed in white muslin, and the fantastically small waist was confined with a white band. Her friend and companion, Julia Bentley, was a woman of about thirty, well above the medium height, full-bosomed a

was a very large room, nearly forty feet long, with old portraits on the walls-ugly things and ill done; and where there were no portraits the walls were decorated with vine leaves and mountains. The parqueted floor was partially covered with skins, and the furniture seemed to have known m

t would kill me.... That poor old man lying dead up-stairs! He loved me very dearly, and I loved him, too. Yet I said just now I could not ha

loved you for a long time as he should have loved you-as a daughter. We shall respect his memory best by forgetting the event

ittle walk. I shall go

come wi

I think I'd sooner be

gile girl, whose tiny head was poised on a

ulia; 'it will do you good. Shall

will not trouble y

hink you had be

I am no

Dandy, was conscious of it, too; he was more silent, less joyful than usual. And when she came from her room, dressed to go out, instead of rushing down-stairs, barking with joy, he dropped his tail and

't come

see him before he

ive, his head was covered with short, thick, iron-grey hair; the beard, too, was short and thick, and iron-grey. The face was rugged, and when Emily touched the coarse hand, telling of a life

y, leaving behind slight silver lines; above, the swallows flew high in the evening. There was sensation of death, too, in this cold, mournful water, and in the silence that hung about it, and

od of hers, passed in that old London house; her mother's love for her; her cruel, stern stepfather, and the endless quarrels between her father and mother, which made her young life so unbearable, so wretched, that she could never think of those years without tears rising to her eyes. And then the going away, coming to live with Mr. Burnett! The death of her father and her dear mother, so sudden, following so soon one after the other. How much there had been in her life, how wonderful it was! Her love of Mr. Burnett, and the

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Vain Fortune
Vain Fortune
“George Augustus Moore (24 February 1852 - 21 January 1933) was an Irish novelist, short-story writer, poet, art critic, memoirist and dramatist. Moore came from a Roman Catholic landed family who lived at Moore Hall in Carra, County Mayo.[1] He originally wanted to be a painter, and studied art in Paris during the 1870s. There, he befriended many of the leading French artists and writers of the day. As a naturalistic writer, he was amongst the first English-language authors to absorb the lessons of the French realists, and was particularly influenced by the works of Emile Zola.[2] His writings influenced James Joyce, according to the literary critic and biographer Richard Ellmann, [3] and, although Moore's work is sometimes seen as outside the mainstream of both Irish and British literature, he is as often regarded as the first great modern Irish novelist."”
1 Chapter 1 No.12 Chapter 2 No.23 Chapter 3 No.34 Chapter 4 No.45 Chapter 5 No.56 Chapter 6 No.67 Chapter 7 No.78 Chapter 8 No.89 Chapter 9 No.910 Chapter 10 No.1011 Chapter 11 No.1112 Chapter 12 No.1213 Chapter 13 No.1314 Chapter 14 No.1415 Chapter 15 No.1516 Chapter 16 No.1617 Chapter 17 No.1718 Chapter 18 No.1819 Chapter 19 No.1920 Chapter 20 No.20