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Vain Fortune

Chapter 2 No.2

Word Count: 1439    |    Released on: 06/12/2017

him a recitation of the sleep-walking scene in Macbeth. It was strange to see this little dark-complexioned, dark-eyed girl, the merest handful of flesh and bone, divest he

in his arm-chair, her great dark eyes fixed, her mind at rest, sunk in some inscrutable dream. Her thin hand lay on the arm of the chair: when she woke from her day-dream she burst into

pied with your play. I don't know, though; you might be in love, but I don't think that man

fended vanity in his voice he said, 'I do

ing at him fixedly, a maze of half-childish,

ire, and lapsed into dream. She was one of the enigmas of Stageland. She supported herself, and went about by herself, looking a poor,

the play,-a woman taken by an instinct, long submerged, but which has floated to the surface, and is beginning to command her actions. In another moment she had slipped back into her weary lymphatic nature, at once prematurely old

t produce it in its present form. He must put his shoulder to the wheel and get it right; one more push, that was all that was wanted. And he could b

towards him. As they grew larger, his thoughts defined themselves, and the distressing problem of his fourth act seemed to solve itself. That very evening he would sketch out a new dramatic movement around which all the other movements of the act would cluster. But at the corner of Fitzroy Square, within a few yards of No. 17, he was

is t

grin; 'Messrs. Tomkins & Co., Tai

mense injury. He had heard of avoiding service, but he knew little of the law, and wondered what power the service of the writ gave his creditor over him. His instinct was to escape-hide himself where they would not be able to find him, and so obtain time to finish his play. But he owed his landlady money, and his departure would have to be clandestine. As he reflected on how many necessaries he might carry away in a newspaper, he

ould he tell his landlady the truth? But the desire to realise his idea was intolerable, and, yielding as if before an irresistible force, he tied the parcel and prepared to go. At that moment he remembered that he must leave a note for his landlady, and he was more than ever surprised

s again. His already heavily encumbered pockets could not be persuaded to receive more than a small portion of the manuscripts. He gathered them in his hand, and prepared to redescend the perilous stairs. He walked as lightly as possible, dreading that every creak would bring Mrs. Wilson from her parlour. A few more steps, and he would be in

speak to you before yo

a train. You'll find a letter

put two or three streets between him and Fitzroy Street that he relaxed his pace, and co

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Vain Fortune
Vain Fortune
“George Augustus Moore (24 February 1852 - 21 January 1933) was an Irish novelist, short-story writer, poet, art critic, memoirist and dramatist. Moore came from a Roman Catholic landed family who lived at Moore Hall in Carra, County Mayo.[1] He originally wanted to be a painter, and studied art in Paris during the 1870s. There, he befriended many of the leading French artists and writers of the day. As a naturalistic writer, he was amongst the first English-language authors to absorb the lessons of the French realists, and was particularly influenced by the works of Emile Zola.[2] His writings influenced James Joyce, according to the literary critic and biographer Richard Ellmann, [3] and, although Moore's work is sometimes seen as outside the mainstream of both Irish and British literature, he is as often regarded as the first great modern Irish novelist."”
1 Chapter 1 No.12 Chapter 2 No.23 Chapter 3 No.34 Chapter 4 No.45 Chapter 5 No.56 Chapter 6 No.67 Chapter 7 No.78 Chapter 8 No.89 Chapter 9 No.910 Chapter 10 No.1011 Chapter 11 No.1112 Chapter 12 No.1213 Chapter 13 No.1314 Chapter 14 No.1415 Chapter 15 No.1516 Chapter 16 No.1617 Chapter 17 No.1718 Chapter 18 No.1819 Chapter 19 No.1920 Chapter 20 No.20