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The Writings of John Burroughs

Chapter 6 FOOTPATHS

Word Count: 2279    |    Released on: 06/12/2017

possible to enjoy nature here as she can at home-so much nature as we have and yet no way of getting at it; no paths, or byways, or stiles, or foot-bridges, no

; she could not reach a wood or a hill or a pretty nook anywhere without being a trespasser, or getting entangled in swamps or in fields of grass and grain, or having her course bloc

l; but instead of a short and pleasant cut across the fields, as there would have been in England, she

es and orchards were, compared with what she had been used to at home. The most no

omes from the blackcap, and the garden warbler, and the whitethroat, and the reed warbler, and the common wren, and (locally) from the nightingale." Our birds are more withdrawn than the English, and their notes more plaintive and intermittent. Yet there are a few days here early in May, when the house wren, the oriole, the orchard starling, the kingbird, the bobolink, and the wood thrush first

that would be conceding too much to the country; beside, they would soil their shoes, and would lose the awe and respect which their imposing turn-outs inspire. Then

he open air. Their roads are better, harder, and smoother, and there is a place for the man and a place for the horse. Their country houses and churches and villages are not strung

s; life has flowed in the same channels for centuries. The English landscape is like a park, and is so thoroughly rural and mellow and bosky that the temptation to walk amid its scenes is e

enius for lanes and footpaths; one might almost say they invented them. The charm of them is in their books; their rural poetry is modeled upon them. How much of Wordsworth's poetry is

edge make way for it. It requires a settled state of things, unchanging habits among the people, and long tenure of the land; the

for the gaps or low places in the fences, and avoided the bogs and swamps in the meadow. I can recall yet the very look, the very physiognomy of a large birch-tree that stood beside it in the midst of the woods; it sometimes tripped me up with a large root it sent out like a foot. Neither do I forget the little spring run near by, where we frequently paused to drink, and to gather "crinkle-root" (DENTARIA) in the early summer; nor the dilapidated log fence that was the highway of the squirrels; nor the ledges to one side, whence in early spring the skunk and coon sallied forth and crossed our path; nor the gray, scabby rocks in the pasture; nor the solitary

paths, for there everybody goes horseback, and there are few passable roads; and the hunters and lumbermen of the North have their trails through the forest following a line of blazed trees; but in all my acquaintance with the country,- the rural a

rst gate you come to on the right hand. Cross the road, go through the gate opposite, and either follow the road right out upon Ranmore Common, past the beautiful deep dell or ravine, or take a path which you will see on your left, a few yards from the gate. This winds through a very pretty wood, with glimpses of the valley here and there on the way, and eventually brings you out upon the carriage-drive to the house. Turn to the right and you will soon find yourself upon the Common. A road or path opens out in front of the upper lodge gate. Follow that and it will take you to a small piece of water from whence a green path

ed, however, that our public highways, with their breadth and amplitude, their wide grassy margins, their picturesque stone or rail fences, their outlooks, and their general free and easy character, are far more inviting to the pedestrian than the narrow lanes and trenches that English highways for the

lament. The devil is in the horse to make men proud and fast and ill-mannered; only when you go afoot do you grow in the grace of gentleness and humility. But no good can come

e will taste sweet! When the exercise of your limbs affords you pleasure, and the play of your senses upon the various objects and shows of nature quickens and stimulates your spirit, your relation to the world and to yourself is what it should be,- simple and direct and wholesome. The mood in which you set out on a spring or autumn ramble o

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The Writings of John Burroughs
The Writings of John Burroughs
“Wake-Robin - The Writings of John Burroughs. Volume I. John Burroughs (April 3, 1837 – March 29, 1921) was an American naturalist and nature essayist, active in the U.S. conservation movement. The first of his essay collections was Wake-Robin in 1871. In the words of his biographer Edward Renehan, Burroughs' special identity was less that of a scientific naturalist than that of "a literary naturalist with a duty to record his own unique perceptions of the natural world." The result was a body of work whose resonance with the tone of its cultural moment explains both its popularity at that time, and its relative obscurity since. Burroughs had his first break as a writer in the summer of 1860 when the Atlantic Monthly, then a fairly new publication, accepted his essay Expression. Editor James Russell Lowell found the essay so similar to Emerson's work that he initially thought Burroughs had plagiarized his longtime acquaintance. Poole's Index and Hill's Rhetoric, both periodical indexes, even credited Emerson as the author of the essay. In 1864, Burroughs accepted a position as a clerk at the Treasury; he would eventually become a federal bank examiner, continuing in that profession into the 1880s. All the while, he continued to publish essays, and grew interested in the poetry of Walt Whitman. During the Civil War Burroughs met Whitman in Washington DC, and the two became close friends. Whitman encouraged Burroughs to develop his nature writing as well as his philosophical and literary essays. In 1867, Burroughs published Notes on Walt Whitman as Poet and Person, the first biography and critical work on the poet, which was extensively (and anonymously) revised and edited by Whitman himself before publication. Four years later, the Boston house of Hurd & Houghton published Burroughs's first collection of nature essays, Wake-Robin.”
1 Chapter 1 A SUMMER VOYAGE2 Chapter 2 SPRINGS3 Chapter 3 AN IDYL OF THE HONEY-BEE4 Chapter 4 NATURE AND THE POETS5 Chapter 5 NOTES BY THE WAY6 Chapter 6 FOOTPATHS7 Chapter 7 A BUNCH OF HERBS8 Chapter 8 WINTER PICTURES