The Star-Chamber, Volume 2 An Historical Romance

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ter the date of this history, and replaced by the stately structure planned by Inigo Jones, still existing), and formed part of a long range of buildings appertaining to the palace, and runni

skirted on the side next to King Street. They were mainly, if not entirely erected, in 1532 by Henry VIII., when, after his acquisition from Wolsey, by forfeiture, of Whitehall, he obtai

of the inclosure he reared a magnificent gallery, which he set apart for his consort and the ladies in attendance upon her. This was decorated with velvet, and hung with curtains of cloth of gold. On grand occasions, when all the court was present, the whole of the seats on the scaffolds, previously described, were filled with bright-eyed beauties, whose looks and plaudits stimulated to deeds of high emprise the knights, who styled themselves their "servants," and besought "favours" from them in the shape of

ers of the fortress. "They had provided," he says, "a frame of wood, which was covered with canvas, and painted outwardly in such excellent order, as if it had been very natural earth or mould, and carried the name of a rolling-trench, which went on wheels which way soever the persons within did drive it. Upon the top thereof were placed two cannons of wood, so passing well coloured, as they seemed to be, indeed, two fair field pieces of ordnance; and by them were placed two men for gunners, clothed in crimson sarcenet, with their baskets of earth for defence of their bodies by them. And also there stood on the top of the trench an ensign-bearer, in the same suit with the gunners, displaying his ensign, and within the said trench was cunningly conveyed divers kinds of most excellent music against the Castle of Beauty. These things thus all in readiness, the challengers approached, and came down the stable toward the tilt-yard." The challengers were the Earl of Arundel, Lord Windsor, Sir Philip Sidney, and Sir Fulke Greville; and the defenders were very numerous, and amongst them was the doughty Sir Harry Lee, who, as the "unknown knight," broke "six staves right valiantly." All the speeches made by the challengers and defenders are reported by Holinshed, who thus winds up his d

wn sword, and abhorred the mimic representations of warfare! Neither were the rigorous principles of honour on which chivalry was based, nor the obligations they imposed, better suited to him. Too faithless by nature to adopt the laws of a Court of Honour, he derided the institution as obsolete. Nevertheless, as trials of skill and strength

m its subsequent convulsions and intestine strife. Inuring himself betimes to the weight of armour, this young prince became exceedingly expert in the use of all weapons-could toss the pike, couch the lance, and wield the sword, the battle-axe, or the mace, better than any one of his years. The ti

ctices of the tilt-yard-he was a model of courtesy and grace; but he had not Prince Henry's feverish and consuming passion for martial sports, nor did he, like him, make their pursuit the sole business of life. Still, the pure fl

by the celebrated painter, Hans Holbein. From an authority we learn that it was "built of square stone, with small squares of flint boulder, very neatly set; and that it had also battlements, and four lofty towers, the whole b

istory, was exceedingly picturesque and striking-perhaps more so than at any previous or subsequent epoch, since the various structures

reft of his superb abode. Satisfied with our examination of the Banqueting House, we will suffer our gaze to fall upon the broad court beyond it, and upon the numerous irregular but picturesque and beautiful structures by which that court-quadrangle it cannot be called, for no uniformity is observed in the disposition of the buildings-is surrounded. Here the eye is attracted by a confused mass of roofs, some flat, turreted and embattled, some pointed, with fantastical gables and stacks of tall chimneys-other

the gardens, and separated from them by an avenue of tall trees, is a spacious bowling-green. Again changing our position, we discover, on the south of the gardens, and connected with the state apartments, a long ambulatory, called the Stone Gallery. Then returning to our first post of observation, and taking a bird's-eye view of the whole, after examining it in detail, as before mentioned, we come to the conclusion, that, though irregular in the extreme, and with no pretension