The Magnificent Ambersons

talline punch bowl, four wide archways in a rose-vine lattice framed gliding silhouettes of waltzers, already smoothly at it to the castanets of "La Paloma." Old John Minafer, evidently surfeited,

s of the pretty bouquet she carried, while, from the gallery above, the music of the next dance carolled out merrily in a new two-step. The musicians made the melody gay for the Christmastime with chimes of sleighbells, and the entrance to the shadowed stairway framed the passing flushed and lively dancers, but neither George nor Miss Morgan suggested moving to join the dance. The stairway was draughty: the steps were narrow and uncomfortable; no older person would have remained in such a place. Moreover, these two young people were strangers to each other; neither had said anything in which the other had discovered the slightest intrinsic interest; there had not arisen between them the beginnings of congeniality, or even of friendliness-but stairways near ballrooms have more to answer for than have moonlit lakes and mountain sunsets. Some day the laws of glamour must be discovered, because they are so important that the world would be wiser now if Sir Isaac Newton had been hit on the head, not by an apple, but by a young lady. Age, confused by its own long accumulation of follies, is everlastingly inquiring, "What does she see in him?" as if young love came about through thinking-or through conduct. Age wants to know: "What on earth can they talk about?" as if talking had anything to do with April rains! At seventy, one gets up in the morning, finds the air sweet under a bright sun, feels lively; thinks, "I am hearty, today," and plans to go for a drive. At eighteen, one goes to a dance, sits with a stranger on a stairway, feels peculiar, thinks nothing, and becomes incapable of any plan whatever. Miss Morgan and George stayed where they were. They had agreed to this in silence and without knowing it; certainly without exchanging glances of intelligence-they had exchanged no glances at all. Both sat staring vaguely out into the ballroom, and, for a time, they did not speak. Over their heads the music reached a climax of vivacity: drums, cymbals, triangle, and sleighbells, beating, clashing, tinkling. Here and there were to be seen couples so carried away that, ceasing to move at the decorous, even glide, considered most knowing, they pranced and whirled through the throng, from wall to wall, galloping bounteously in abandon. George suffered a shock of vague surprise when he perceived that his aunt, Fanny Minafer, was the lady-half of one of these wild couples. Fanny Minafer, who rouged a little, was like fruit which in some climates dries with the bloom on. Her features had remained prettily childlike; so had her figure, and there were times when strangers, seeing her across the street, took her to be about twenty; they were other times when at the same distance they took her to be about sixty, instead of forty, as she was. She had old days and young days; old hours and young hours; old minutes and young minutes; for the change might be that quick. An alteration in her expression, or a difference in the attitude of her head, would cause astonishing indentations to appear-and behold, Fanny was an old lady! But she had been never more childlike than she was tonight as she flew over the floor in the capable arms of the queer-looking duck; for this person was her partner. The queer-looking duck had been a real dancer in his day, it appeared; and evidently his day was not yet over. In spite of the headlong, gay rapidity with which he bore Miss Fanny about the big room, he danced authoritatively, avoiding without effort the lightest collision with other couples, maintaining sufficient grace throughout his wildest moments, and all the while laughing and talking with his partner. What was most remarkable to George, and a little irritating, this stranger in the Amber-son Mansion had no vestige of the air of deference proper to a stranger in such a place: he seemed thoroughly at home. He seemed offensively so, indeed, when, passing the entrance to the gallery stairway, he disengaged his hand from Miss Fanny's for an instant, and not pausing in the dance, waved a laughing salutation more than cordial, then capered lightly out of sight. George gazed stonily at this manifestation, responding neither by word nor sign. "How's that for a bit of freshness?" he murmured. "What was?" Miss Morgan asked. "That queer-looking duck waving his hand at me like that. Except he's the Sharon girls' uncle I don't know him from Adam." "You don't need to," she said. "He wasn't waving his hand to you: he meant me." "Oh, he did?" George was not mollified by the explanation. "Everybody seems to mean you! You certainly do seem to've been pretty busy this week you've been here!" She pressed her bouquet to her face again, and laughed into it, not displeased. She made no other comment, and for another period neither spoke. Meanwhile the music stopped; loud applause insisted upon its renewal; an encore was danced; there was an interlude of voices; and the changing of partners began. "Well," said George finally, "I must say you don't seem to be much of a prattler. They say it's a great way to get a reput