icon 0
icon TOP UP
rightIcon
icon Reading History
rightIcon
icon Sign out
rightIcon
icon Get the APP
rightIcon
Norwegian Wood

Norwegian Wood

icon

chapter 1 

Word Count: 3068    |    Released on: 19/11/2017

of a Flemish landscape: the ground crew in waterproofs, a flag atop a squat airport building, a BMW billboard. So - Germany again. Once the plane was on the ground, soft music began to flow

to be the way I'm made. I have to write things down to feel I fully comprehend them. Let's see, now, what was Naoko talking about that day? Of course: the "field well". I have no idea whether there was such a well. It might have been an image or a sign that existed only inside Naoko, like all the other things she used to spin into existence inside her mind in those dark days. Once she had described it to me, though, I was never able to think of that meadow scene without the well. From that day forward, the image of a thing I had never laid eyes on became inseparably fused to the actual scene of the field that lay before me. I can describe the well in minute detail. It lay precisely on the border where the meadow ended and the woods began - a dark opening in the earth a yard across, hidden by grass. Nothing marked its perimeter - no fence, no stone curb (at least not one that rose above ground level). It was nothing but a hole, a wide-open mouth. The stones of its collar had been weathered and turned a strange muddy-white. They were cracked and chunks were missing, and a little green lizard slithered into an open seam. You could lean over the edge and peer down to see nothing. All I knew about the well was its frightening depth. It was deep beyond measuring, and crammed full of darkness, as if all the world's darknesses had been boiled down to their ultimate density. "It's really, really deep," said Naoko, choosing her words with care. She would speak that way sometimes, slowing down to find the exact word she was looking for. "But no one knows where it is," she continued. "The one thing I know for sure is that it's around here somewhere." Hands thrust into the pockets of her tweed jacket, she smiled at me as if to say "It's true!" "Then it must be incredibly dangerous," I said. "A deep well, but nobody knows where it is. You could fall in and that'd be the end of you." "The end. Aaaaaaaah! Splat! Finished." "Things like that must happen." "They do, every once in a while. Maybe once in two or three years. Somebody disappears all of a sudden, and they just can't find him. So then the people around here say, "Oh, he fell in the field well'." "Not a nice way to die," I said. "No, it's a terrible way to die," said Naoko, brushing a cluster of grass seed from her jacket. "The best thing would be to break your neck, but you'd probably just break your leg and then you couldn't do a thing. You'd yell at the top of your lungs, but nobody would hear you, and you couldn't expect anyone to find you, and you'd have centipedes and spiders crawling all over you, and the bones of the ones who died before are scattered all around you, and it's dark and soggy, and high overhead there's this tiny, tiny circle of light like a winter moon. You die there in this place, little by little, all by yourself." "Yuck, just thinking about it makes my flesh creep," I said. "Somebody should find the thing and build a wall around it." "But nobody can find it. So make sure you don't go off the path." "Don't worry, I won't." Naoko took her left hand from her pocket and squeezed my hand. "Don't you worry," she said. "You'll be OK. You could go running all around here in the middle of the night and you'd never fall into the well. And as long as I stick with you, I won't fall in, either." "Never?" "Never!" "How can you be so sure?" "I just know," she said, increasing her grip on my hand and walking along in silence. "I know these things. I'm always right. It's got nothing to do with logic: I just feel it. For example, when I'm really close to you like this, I'm not the least bit scared. Nothing dark or evil could ever tempt me." "Well, that's the answer," I said. "All you have to do is stay with me like this all the time." "Do you mean that?" "Of course." Naoko stopped short. So did I. She put her hands on my shoulders and peered into my eyes. Deep within her own pattern. Those beautiful eyes of hers were looking inside me for a long, long time. Then she stretched to her full height and touched her cheek to mine. It was a marvelous, warm gesture that stopped my heart for a moment. "Thank you." "My pleasure," I answered. "I'm so happy you said that. Really happy," she said with a sad smile. "But it's impossible." "Impossible? Why?" "It would be wrong. It would be terrible. It - " Naoko clamped her mouth shut and started walking again. I could tell that all kinds of thoughts were whirling around in her head, so rather than intrude on them I kept silent and walked by her side. "It would be wrong - wrong for you, wrong for me," she said after a long pause. "Wrong how?" I murmured. "Don't you see? It's just not possible for one person to watch over another person forever and ever. I mean, suppose we got married. You'd have to work during the day. Who's going to watch over me while you're away? Or if you go on a business trip, who's going to watch over me then? Can I be glued to you every minute of our lives? What kind of equality would there be in that? What kind of relationship would that be? Sooner or later you'd get sick of me. You'd wonder what you were doing with your life, why you were spending all your time babysitting this woman. I couldn't stand that. It w

ype="

Claim Your Bonus at the APP

Open
Norwegian Wood
Norwegian Wood
“These Norwegian tales of elemental mountain, forest and sea spirits, handed down by hinds and huntsmen, woodchoppers and fisherfolk, men who led a hard and lonely life amid primitive surroundings are, perhaps, among the most fascinating the Scandinavian countries have to offer. Nor are they only meant to delight the child, though this they cannot fail to do. "Grown-ups" also, who take pleasure in a good story, well told, will enjoy the original "Peer Gynt" legend, as it existed before Ibsen gave it more symbolic meanings; and that glowing, beautiful picture of an Avalon of the Northern seas shown in "The Island of Udr?st." What could be more human and moving than the tragic "The Player on the Jew's-Harp," or more genuinely entertaining than "The King's Hares"? "The Master-Girl" is a Candida of fairy-land, and the thrill and glamor of black magic and mystery run through such stories as "The Secret Church," "The Comrade," and "Lucky Andrew." In "The Honest Four-Shilling Piece" we have the adventures of a Norse Dick Whittington. "Storm Magic" is one of the most thrilling sea tales, bar none, ever written, and every story included in the volume seems to bring with it the breath of the Norse mountains or the tang of the spindrift on[vi] Northern seas. Much of the charm of the stories lies in the directness and simplicity of their telling; and this quality, which adds so much to their appeal, the translator has endeavored to preserve in its integrity. He cannot but feel that "The Norwegian Fairy Book" has an appeal for one and all, since it is a book in which the mirror of fairy-tale reflects human yearnings and aspirations, human loves, ambitions and disillusionments, in an imaginatively glamored, yet not distorted form. It is his hope and belief that those who may come to know it will derive as much pleasure from its reading as it gave him to put it into English.”
1 chapter 12 chapter 23 chapter 34 chapter 45 chapter 56 Chapter 67 Chapter 78 Chapter 89 Chapter 910 Chapter 1011 Chapter 1112 TRANSLATOR'S NOTE