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How the Other Half Lives

Chapter 5 THE ITALIAN IN NEW YORK.

Word Count: 1605    |    Released on: 06/12/2017

eps coming at such a tremendous rate, but chiefly because he elects to stay in New York, or near enough for it to serve as his base of operations, and here promptly reproduces conditions of

r the sea he stays there. In the slums he is welcomed as a tenant who "makes less trouble" than the contentious Irishman or the order-loving German, that is to say: is content to live in a pig-sty and submits to robbery at the hands of the rent-collector without murmur. Yet this very tractability makes of him in

e downright sinful not to take him in." His ignorance and unconquerable suspicion of strangers dig the pit into which he falls. He not only knows no word of English, but he does not know enough to learn. Rarely only can he write his own language. Unlike the German, who begins learning English the day he lands as a matter of duty, or the Polish Jew, who takes it up as soon as he is able as an investment, the Italian learns slowly, if at all. Even his boy, born here, often speaks his native tongue indifferently. He is forced, therefore, to have constant recourse to the middle-man, who makes him pay handsomely at every turn. He hires him out to the railroad contractor, receiving a commission from the employer as well as from the laborer, and re

ITALIAN RAG-PICK

e city received not less than $80,000 last year for the sale of this privilege to the contractors, who in addition have to pay gangs of their countrymen for sorting out the bones, rags, tin cans and other waste that are found in the ashes and form the staples of their trade and their sources of revenue. The effect has been vastly to increase the power of the padrone, or his ally, the contractor, by giving him exclusive control of the one industry in which the Italian was formerly an independent "dealer," and reducing him literally to the plane of the dump. Whenever the back of the sanitary police is turned, he will make his home in the filthy burrows where he works by day, sleeping and eating his meals under the dump, on the edge of slimy depths and amid surroundings full of unutterable horror. The city did not bargain to house, though it is content to board, him

ent the cards are on the table, and very frequently his knife is in it too before the game is ended. No Sunday has passed in New York since "the Bend" became a suburb of Naples without one or more of these murderous affrays coming to the notice of the police. As a rule that happens only when the man the game went against is either dead or so badly wounded as to require instant surgical help. As to the other, unless he be caught red-

al business to which the father occasionally lends his hand, outside of murder, is a bunco game, of which his confiding countrymen, returning with their hoard to their native land, are the victims. The women are faithful wives and devoted mothers. Their vivid and picturesque costumes lend a tinge of color to the otherwise dull monotony of the slums they inhabit. The Italian is gay, l

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How the Other Half Lives
How the Other Half Lives
“Jacob Riis was one of the very few men who photographed the slums of New York at the turn of the twentieth century, when as many as 300,000 people per square mile were crowded into the tenements of New York's Lower East Side. The filth and degradation made the area a hell for the immigrants forced to live there. Riis was one of those immigrants, and, after years of abject poverty, when he became a police reporter for the New York Tribune, he exposed the shameful conditions of life with which he was all too familiar. Today, he is best remembered as a compassionate and effective reformer and as a pioneer photo-journalist. In How the Other Half Lives, New Yorkers read with horror that three-quarters of the residents of their city were housed in tenements and that in those tenements rents were substantially higher than in better sections of the city. In his book Riis gave a full and detailed picture of what life in those slums was like, how the slums were created, how and why they remained as they were, who was forced to live there, and offered suggestions for easing the lot of the poor. Riis originally documented all his studies with photographs. However, since the half-tone technique of photo reproduction had not been perfected, the original edition included mainly reductions in sketch-form of Riis' photographs. These could not begin to capture what Riis' sensitive camera caught on film. The anguish and the apathy, the toughness and the humiliation of the anonymous faces is all but obliterated in the sketches. This Dover edition includes fully 100 photographs, many famous, and many less familiar, from the Riis collection of the City Museum, and their inclusion here creates a closer conformity to Riis' intentions than did the original edition.”
1 Chapter 1 GENESIS OF THE TENEMENT.2 Chapter 2 THE AWAKENING.3 Chapter 3 THE MIXED CROWD.4 Chapter 4 THE DOWN TOWN BACK-ALLEYS.5 Chapter 5 THE ITALIAN IN NEW YORK.6 Chapter 6 THE BEND.7 Chapter 7 A RAID ON THE STALE-BEER DIVES.8 Chapter 8 THE CHEAP LODGING-HOUSES.9 Chapter 9 CHINATOWN.10 Chapter 10 JEWTOWN.11 Chapter 11 THE SWEATERS OF JEWTOWN.12 Chapter 12 THE BOHEMIANS-TENEMENT-HOUSE CIGARMAKING.13 Chapter 13 THE COLOR LINE IN NEW YORK.14 Chapter 14 THE COMMON HERD.15 Chapter 15 THE PROBLEM OF THE CHILDREN.16 Chapter 16 WAIFS OF THE CITY'S SLUMS.17 Chapter 17 THE STREET ARAB.18 Chapter 18 THE REIGN OF RUM.19 Chapter 19 THE HARVEST OF TARES.20 Chapter 20 THE WORKING GIRLS OF NEW YORK.21 Chapter 21 PAUPERISM IN THE TENEMENTS.22 Chapter 22 THE WRECKS AND THE WASTE.23 Chapter 23 THE MAN WITH THE KNIFE.24 Chapter 24 WHAT HAS BEEN DONE.25 Chapter 25 HOW THE CASE STANDS.