Art Principles

f the painter can exhibit appear to b

xperience. This double beauty can only be found in ideals, and the real cannot be associated with it except as

ssion of high abstract qualities. This section comprises subjects of profane history, and high class portraiture. It varies from the succeeding section in that the artis

he compass of life experience. This section comprises interiors and exteriors relating to daily life and labour, and portraiture which is merel

nd the things imitated, in addition to pleasing because it excites admiration of the skill in imitation

ng because of the excellent imitation, and possibly because of the beauty of the things imitated. This section comprises paintings of things connected with the other arts, and whic

the excellent imitation. This class of beauty comprises paintings of objects which in themselves are not be

having no beauty in itself. This form of art, which is the lowest in the

e others only sensorial. Limited abstract qualities are associated with certain

aintings; and those works which, while they cannot represent the ideal, require the assistance of another art for their interpretation; as for instance, incidents to illustrate particular morals or stories; scenes from the drama other than trag